House of the Dragon episode 6 builds on Game of Thrones in the best way

House of the Dragon episode 6 builds on Game of Thrones in the best way

As a woman who has grown up in the treacherous world of Westeros, I can relate all too well to the struggles of Alicent and Rhaenyra. Both are fighting for power in a realm where being a woman is an uphill battle, but their experiences could not be more different.


Living as a woman in Westeros can be incredibly challenging. This unfortunate truth is not new information; it’s the reason why numerous women from “Game of Thrones” have become hardened and distrusting towards the world. The realm of Ice and Fire is unforgiving, and even more so for those not born as men.

The “House of the Dragon” series has consistently emphasized this theme throughout, and its second season, specifically episode six, intensely highlights the connection between two characters – Rhaenyra (Emma D’Arcy) and Alicent (Olivia Cooke) – bringing an unsettling sense of division between them.

In the aftermath of a failed attempt to influence last week’s small council meeting, Alicent encounters two dismissive instances in episode 6. Initially, symbolically, Aemond disregards her counsel, and subsequently, literally, he removes her from her small council position. Aemond’s shrewd understanding of his council dynamics is evident – he can either have Otto or Alicent on his team but not both. However, this action leaves a profound hurt on Alicent.

Alicent’s struggle to be recognized and heard by the men in her life, including her own sons, reached a peak when she attempted to assume the role of queen regent in episode 5. However, her efforts were met with opposition, using the justification that peace was preferable to war at that moment. Nevertheless, the true meaning behind their rejection was more profound: Alicent’s vision for the future, which she had worked so hard to achieve, was ultimately shaped by men. Now, from her vantage point on the sidelines, she wonders if her third child’s success is a result of being raised far from her.

Rhaenyra sets herself apart from Alicent with her assertiveness. Despite her small council frequently challenging her, along with Rhaenys and Baela, she earns respect that Alicent longs for. When someone doubts her military skills, she reminds him of their shared tranquil realm. If a man attempts to subtly undermine her confidence, she retaliates by slapping him. Although she frequently has to correct people for not crossing the line into treason, everyone listens intently after her warning.

House of the Dragon first filtered its feminist rallying cry through the horrors of motherhood, but that was a feint for a deeper argument. While “the childbed is our battlefield” has a ring to it, Rhaenyra’s story, the actual liberation she sought, could swell to encompass even childbirth. The arc of the pilot is Rhaenyra coming to learn she could be more; to imagine herself as queen, not princess. Everything she’s done since has been in service of the belief that she is owed that, or at the very least could handle it.

House of the Dragon episode 6 builds on Game of Thrones in the best way

House of the Dragon episode 6 builds on Game of Thrones in the best way

In the captivating second season of “House of the Dragon,” the distinction between Alicent and Rhaenyra’s stories creates intrigue. Both women face adversity as females in Westeros, yet their narratives are compellingly different. Alicent, a wealthy woman, is complex with her harshness and kindness, resembling the men around her. However, she lacks power, constantly trying to seize it through various means like dressing up or demanding. Her path to authority is filled with humiliation and desperate appeals. On the other hand, Rhaenyra’s journey has been largely the opposite. She was previously overlooked due to being a woman heir, but this civil war marks her first significant experience of being underestimated for her gender. Notably, when Rhaenyra speaks, people listen, even if it means standing in front of a dragon’s flames.

In the sixth episode, despite being unaware of it, everyone is grappling with similar struggles. In various parts of the land, there are individuals who feel shortchanged in what they believe they deserve. Rhaena ponders in the Vale as to why she can’t fly a dragon. Alyn and Addam Hull grumble about their father’s indifference, with Addam encountering his own haunting version of it through Seasmoke. Daemon prowls around Harrenhal, confronted by the most terrifying ghost he’s encountered yet: that of his brother, who ascended to the throne instead of him, in the person of Rhaenyra’s father, Viserys. Although these dream sequences may seem less unsettling, the impact of Considine’s portrayal of an enraged and injured Viserys from season 1 brings home the depth of emotional wounds that can leave a lasting mark on one’s psyche.

A less complex story might allow these issues to simmer as mere resentment. However, “House of the Dragon” (and George R.R. Martin’s larger universe) delves deeper into these power-related themes. Episode 6 brings back the feel of the original “Game of Thrones,” exploring how those best suited for leadership often shy away from it. The show isn’t just rehashing the past; it’s turning the Dance of Dragons into a war driven by subtle moments and intricate character development.

House of the Dragon episode 6 builds on Game of Thrones in the best way
House of the Dragon episode 6 builds on Game of Thrones in the best way
House of the Dragon episode 6 builds on Game of Thrones in the best way
House of the Dragon episode 6 builds on Game of Thrones in the best way

As a devoted fan of “House of the Dragon,” I’ve come to appreciate the intricate dynamic between Alicent and Rhaenyra. Though they’ve barely crossed paths this season, their stories intertwine as they both strive for power and claim to the Iron Throne.

Instead of: And so, Alicent grows testy and protective, reacting aggressively towards those who cross her, be it her lover or her son. In contrast, Rhaenyra exhibits resilience – a trait that may save her from complete collapse. She strengthens her connections, winning people over to her side with her empathy, even if it means risking danger or taking drastic measures like killing her own brother. Through her self-doubt and questioning of her position and capabilities (as well as her marriage and resources), Rhaenyra attracts support from unexpected sources. Enter Mysaria (Sonoya Mizuno), who devises a powerful strategy: supplying food to the famished residents of King’s Landing, while simultaneously capturing Rhaenyra’s heart. In stark contrast to her tumultuous relationship with Alicent, Mysaria offers more than just advice. She shares her own experiences and vulnerabilities, allowing Rhaenyra to find a connection based on understanding rather than mere recognition. Similar to the late Steffon Darklyn and Rhaenyra’s bond, Mysaria follows Rhaenyra’s lead because she chooses to, not because she is ordered. This subtle leadership style is both courageous and feminine, offering a stark contrast to Alicent’s approach.

In the rough and unforgiving land of Westeros, the love story between Rhaenyra and Mysaria is an intriguing one, but not immune to the harsh realities of the realm. This isn’t a tale of easy happily ever afters; complications lie ahead as Mysaria’s manipulations and Rhaenyra’s royal position may pose challenges. Yet, their connection, revealed in brief glimpses, exudes mutual respect and concern – a stark contrast to the dominant power dynamics between Alicent and Cole. It might be dismal being a woman in Westeros, with its inevitable hardships. However, House of the Dragon subtly conveys that there are still moments of joy and significance to be found amidst the struggle.

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2024-07-22 15:49

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