Movies

Felicity Jones stuns in a red latex dress in cover shoot as she discusses ‘pushing back on expectations’ and ‘gender imbalance’ in the industry

BBG News

As an ardent admirer of Felicity Jones, I am absolutely smitten by her latest transformation for Marie Claire. Her fiery red latex dress and sultry poses are simply breathtaking! But it’s not just her stunning appearance that captivates me; it’s her courageous spirit and unwavering determination to challenge the status quo in the film industry that truly resonates with my soul.

For her recent magazine cover, Felicity Jones turned heads in a vibrant red latex gown while she spoke about challenging conventions and addressing the gender disparity in the movie business.

In a string of alluring photos for Marie Claire magazine, the actress, aged 41, was stunningly beautiful, donning a fitted, scoop-neck dress featuring a cinched corset-style top.

Later on, I switched to a sleek black outfit that featured a cut-out design, with a lacy bra top beneath it, for our rooftop photo session.

In a recent interview with a magazine, Felicity, a new entrepreneur in the production industry, stated: “It’s important to resist societal pressures regarding how one ought to act.

Following her breakthrough role in the 2011 film “Like Crazy,” she reflected on the significant gender disparity she experienced during her initial years in the industry, describing it as similar to stepping onto a construction site.

Felicity noted: “Young actresses might find themselves limited or typecast based on their looks instead of their characters in scripts. It seems, however, that people are becoming increasingly mindful of this issue.

She continued: ‘Female directors need to have the funds to make films. But it’s been an extraordinary shift.’

In the coming months, the actress is scheduled to take on the role of Erzsébet Tóth in the historical drama titled “The Brutalist.” This film is planned for release in January.

As a connoisseur of all things lifestyle, I’d like to share my thoughts on “The Brutalist,” a masterpiece directed by the talented Brady Corbet. This poignant post-war epic delves into the journey of a Holocaust survivor seeking to rebuild a life in America – a profound tale that resonates deeply with our shared human experience.

Drawing inspiration from Jean-Louis Cohen’s captivating work “Architecture in Uniform,” I found myself deeply immersed in a cinematic journey, where I stepped into the shoes of Adrien Brody, a visionary Hungarian architect. By my side throughout this tale is Felicity, portraying my devoted wife.

Over numerous decades, The Brutalist chronicles the journey of László Tóth as he endeavors to continue his artistic pursuits in post-war America.

Adrien takes on the role of Tóth. Living in near-destitution, his life changes when affluent businessman Harrison Lee Van Buren, portrayed by Guy Pearce, offers him a significant deal. Additionally, Joe and Alessandro Nivola are part of the cast as well.

The actor said it was a character and a story he felt an ‘immediate kinship and understanding for.’

In 1956, Sylvia Plachy, his mother who is a renowned photographer, left her native Hungary amidst the anti-Soviet revolution. She did this to establish herself as an artist and forge a new life.

Adrien stated: ‘Though it’s not based on fact, it seems incredibly authentic to me. This authenticity is crucial for me to truly bring a character to life.’

“This movie explores the tangible impact of the 20th century’s traumas. It’s a tribute to the artists whose creative visions were never fulfilled.

At the Venice Film Festival recently, I shared that this movie pushes boundaries by accomplishing things we’re often advised can’t be done.

‘I’ve read great novellas, I’ve read great multi-volume masterpieces,’ Corbet said.

Perhaps the length of my next creation could span approximately 45 minutes, and it’s only fair that I have the freedom to decide this. As Harmony Korine once put it, cinema is currently struggling to be born, and I share his sentiment.

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2024-12-17 22:51

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