Every Star Wars movie and TV show Disney has made, ranked worst to best
As someone who grew up watching the original Star Wars trilogy and being completely captivated by the galaxy far, far away, I have to say that these top three Star Wars stories hold a special place in my heart.
As an avid fan of “Star Wars,” I held mixed feelings upon hearing that Disney had taken over LucasFilm. While I was excited about the prospect of fresh stories in a galaxy far, far away, I also felt apprehensive given Disney’s reputation for managing franchises. George Lucas and his team had built an intriguing universe filled with political complexity, mystical elements, and deep history. Disney aimed to develop this world further while maintaining the core themes that “Star Wars” fans cherished. It was a challenging task.
To date, Disney has introduced 14 productions, which include both films and TV shows, within the realm of the Star Wars franchise. Each project has achieved varying levels of accomplishment. In this analysis, we will assess the successes, failures, and overall value of these transitions.
15. The Book of Boba Fett
Disney’s new show presents a challenge in determining whom it intends to satisfy. While the return of Boba Fett from the original Star Wars trilogy is certain to delight some viewers, his transformation into a character focused on rebuilding Jabba the Hutt’s criminal empire leaves many fans feeling let down. The enigma, cool demeanor, and readiness for mercenary work that once endeared Boba Fett to audiences are largely absent now. Instead, we witness him frequently without his helmet, attempting to legitimize an old criminal organization. As we delve deeper into Boba’s character, the allure of his mysterious past fades, and there is insufficient fresh content to compensate for it.
An intriguing turn of events is that in “The Book of Boba Fett,” Din Djarin and Baby Yoda from “The Mandalorian” grab the spotlight, effectively taking control of the storyline. This shift occurs midway through, leaving it peculiar that Boba Fett’s show seems to be eclipsed by their presence. Following their separation in the second season of “The Mandalorian,” their significant resolution unfolds on “The Book of Boba Fett.” This development feels somewhat at odds with Disney’s initial intentions for this series, giving off an impression of a calculated move aimed at drawing viewers in.
As a gamer, I can tell you that The Book of Boba Fett has some intriguing aspects, such as the flashbacks showing Boba hanging out with the Tusken Raiders on Tatooine. It’s an engaging experience to delve deeper into their unique culture. However, despite these captivating moments, I can’t help but feel that this show hasn’t fully convinced me of its necessity.
14. The Acolyte
In a time long before the events of the Star Wars prequels, when harmony reigned throughout the galaxy and the Jedi Order held immense power, an enigmatic assassin begins eliminating Jedi members one by one. This unsettling series of events sets our protagonists on an intriguing journey, uncovering a duo of sisters named Osha and Mae, a shadowy Dark Side adept, and the shocking truth that the Jedi Order harbors secrets and impurities hidden beneath their pious facade.
In “The Acolyte,” some intriguing concepts are presented, yet the show as a whole fails to coalesce. The characters Osha and Mae exhibit shifting motivations throughout, causing confusion. Two extended flashback episodes slow down the narrative’s progression, while the finale offers a cliffhanger for a potential second season that may never materialize. Although it could have worked well as a standalone film, the series grew tiresome by the conclusion of its eight-episode run.
In all fairness, the final episode is significantly more thrilling than what preceded it. However, its excitement can’t completely compensate for the inconsistent storyline. We rank it higher than “The Book of Boba Fett” since no peripheral character unexpectedly takes over the series and dominates the narrative. — Dan S.
13. Solo: A Star Wars Story
As a gamer, I can honestly say that there was one aspect of that film which didn’t give me any trouble at all: Donald Glover’s portrayal of Lando Calrissian. Nailing the role perfectly, I would have loved to see an entire movie dedicated to him or even more focus on his connection with Han Solo.
The film attempts to layer excessive backstory onto Han Solo’s character, which unfortunately diminishes his charm instead. Prior to watching this movie, I had hoped that Han wouldn’t receive a tragic love history as an explanation for his aloofness towards Leia. Instead, what we got was a watered-down version of the complex pirate smuggler with a heart of gold, created by George Lucas and Harrison Ford. Han’s character was already a compelling mix of hero and anti-hero; adding a sad past doesn’t enhance but rather simplifies his intriguing relationship with Leia. This portrayal in “Solo” feels overused and lacks the subtlety and depth that the original characters possessed.
The movie “Solo” could have been more effective if it had been set earlier in the Star Wars timeline and showed Han and Lando’s relationship from a greater distance. However, the film concludes with Han winning the Millennium Falcon from Lando and departing. When they next encounter each other is in “The Empire Strikes Back.” Although I enjoyed learning about the Falcon’s history and seeing their past connection, I question whether Han would have trusted Lando enough to seek shelter with him during “Empire” after the way the movie ends. With “Solo” as a backdrop, Lando’s actions seem more like a betrayal solely for the sake of regaining his ship, which diminishes the story.
Discovering Darth Maul’s presence at the end was an exciting surprise, and the concept of the entire galaxy being under the Empire’s rule intrigued me. However, the enjoyable moments were scarce and widely spaced out in Solo. I would describe this Disney Star Wars production as disorganized if given the chance to rewrite a portion of Star Wars cinema history.
12. The Rise of Skywalker
The first time I watched the final film in the Star Wars sequel trilogy during its opening weekend, I was thoroughly enjoying it – despite the late hour and the company of intoxicated friends. However, upon a second viewing, my initial feelings towards the movie shifted.
From a visual standpoint, this film is truly impressive. The special effects are stunning, the fight scenes are captivating, and Palpatine’s Sith lair is deliciously menacing. However, when I reflect on the storyline, I can’t help but feel disappointed and frustrated with J.J. Abrams. It’s disheartening and infuriating that this is now the concluding chapter in the Skywalker saga.
The crux of my concern is that Abrams appears to have rewritten significant parts of “The Last Jedi” to align with his vision for the sequel trilogy. In doing so, he disrupts the narrative foundation laid in the previous film. While there’s plenty to discuss regarding “The Last Jedi,” it’s essential to acknowledge that it introduced fresh concepts. Abrams dismantles these ideas, at best overlooking and at worst eliminating core themes integral to the Star Wars saga.
To begin with, it comes to light within just 15 minutes that Palpatine is still alive and orchestrating all the wicked deeds. We discover that Snoke was a clone created by the Emperor, and his plan involves conquering the galaxy using an army he raises from the sea.
In other words, did the events in the original movies truly contribute to achieving balance in the Force as initially intended? The Chosen One, Anakin Skywalker, was supposed to bring equilibrium by eliminating the Emperor and preserving the Jedi Order through Luke. However, according to “The Last Jedi,” true harmony can only be achieved when the Jedi disappear. The Force is not merely an instrument for gaining power; it’s an inherent part of our surroundings that calls for balance in all aspects of life. It seems that Abrams disagreed with this concept and opted for reintroducing Palpatine instead.
I used to ponder over the idea that Anakin’s heart-wrenching saga was all for naught. After all, Anakin proved that just about anyone could connect with the Force, not only those with a lineage of Force-sensitive individuals. None of the Jedi from the prequels hailed from ancient lines of Force wielders, so why should Rey be any different?
In the typical hero tale, such as “Star Wars” and “Harry Potter,” an orphan rises to become a hero due to their destined connection to important figures. This notion of their greater purpose is beautifully challenged in Rey’s character development by labeling her as “nobody.” Sadly, this subversion is undone when Abrams reveals she is Palpatine’s granddaughter.
Why does Rey need to identify as a Skywalker at the end instead of embracing her individuality? It’s more impactful for her to recognize and accept who she is, yet her identity shouldn’t be the sole determinant of her worth. Her actions speak volumes and can stand independently. The significance of her family lineage should not overshadow her personal accomplishments.
As a long-time fan of Star Wars, I’ve spent countless hours immersed in the rich universe George Lucas created. The recent revelations in the sequel trilogy, however, have left me feeling frustrated and confused. I can’t help but ask: Who was Palpatine’s bed partner to produce grandkids? What was the timeline for that? And why on earth haven’t we heard a peep about those kids before now? Were there just one or two of them?
11. Star Wars: Resistance
As someone who grew up watching the classic Star Wars saga unfold on the big screen, I must admit that I’m not as well-versed in the Disney+ series “Resistance.” I humbly ask for your patience and understanding as I may make mistakes or have limited knowledge about this particular Star Wars creation. I eagerly anticipate learning more and expanding my Star Wars horizons!
According to my observation and understanding from the available information, the animated show “Resistance” in the Star Wars universe, which spanned over two seasons, attempts to address some queries I harbored concerning the origin of the First Order and the fate of the New Republic. However, despite providing answers to these concerns, the series fails to fully satisfy my expectations. This is primarily due to its targeted demographic being children, resulting in a tone that falls short for me in terms of depth and gravity. Additionally, I find the animation quality to be inferior compared to shows such as “Rebels” or “The Clone Wars,” and although the space battles are thrilling, I yearn for the presence of lightsabers in the narrative.
Perhaps the First Order tale fails to captivate me, and this production doesn’t seem to alter that feeling. It’s an enjoyable journey for children, yet lacks depth for older audiences.
10. Obi-Wan Kenobi
Ewan McGregor reprises his role as Jedi Master Obi-Wan Kenobi in this production, last seen on screen in “Revenge of the Sith” from 2005. Hayden Christensen makes a comeback as Anakin Skywalker, who is now deeply immersed in the Dark Side and known as Darth Vader.
McGregor and Christensen shine in this program, filled with nostalgia yet seems overextended. The segments featuring Obi-Wan and Vader are engaging, but the production includes unnecessary subplots. One puzzling addition is a side mission where Obi-Wan escorts young Leia across the galaxy, acting like an unlikely buddy cop scenario. Originally a movie script, “Obi-Wan Kenobi” transformed into a TV show, and at times it appears more effective if significantly condensed.
As a dedicated fan, I can’t help but be excited to witness once again the iconic figures of Star Wars grace our screens. However, it’s disappointing that the show didn’t deliver with more depth and substance to truly engage us further.
9. The Lego Star Wars Holiday Special
I didn’t manage to watch all the Lego Star Wars specials on Disney+ due to time and energy constraints, but the Holiday Special is noteworthy. This special is more than just a fun, humorous adventure for children; it’s an engaging exploration of the Star Wars saga that most fans will appreciate.
I greatly enjoy the amusingly poor original “Star Wars” Christmas special. If you can locate a version to watch online, I strongly recommend hosting a viewing party with friends for some entertaining holiday laughter. The LEGO special is based on this concept, focusing primarily on the Wookiee festival called “Life Day.”
Rey is trying her best to teach Finn the mysteries of the Force, but finds it challenging. After the Life Day celebration, she employs a time portal to observe how other Jedi masters guided their apprentices, aiming to improve her own teaching skills.
The film excels by poking fun at itself and acknowledging past criticisms. Scenes include Kylo Ren dancing sans shirt, a banter between two Han Solos about who should take the first shot, and Palpatine being ridiculed for “Death Star 2.” Even Jar-Jar Binks’ infamous senate speech is joked about. The movie satirizes elements that received backlash: repetitive storylines and Palpatine’s resurrection. The LEGO versions of Palpatine and Vader, with their comic timing, bring to mind Laurel and Hardy. Their performances left me laughing numerous times.
It’s just as exciting to witness the return of beloved duos: Qui-Gon and Obi-Wan, Obi-Wan and Anakin, Luke and Yoda. Ultimately, the film conveyed a profound theme about friendship. In the end, Rey discovered that the foundation of any effective master-apprentice bond is built on love, trust, and happiness. The relationship between Jedi masters and their apprentices transcended the roles of mere teachers and students; they were deeply connected friends. Friendship came first, all else followed.
For any avid “Star Wars” fan seeking a fresh holiday custom this year, I strongly recommend trying out this unique offer.
8. Ahsoka
Ahsoka Tano’s series doesn’t carry the excess weight of Obi-Wan Kenobi or The Book of Boba Fett, but it’s not as captivating as some other shows. This spin-off builds on the storyline initiated by Dave Filoni in Star Wars Rebels and Star Wars: The Clone Wars. While you don’t need to be familiar with characters like Sabine Wren, Ezra Bridger, and Grand Admiral Thrawn to enjoy Ahsoka, having prior knowledge enhances your viewing experience.
In this retelling, Ahsoka Tano, formerly of the Jedi Order and portrayed by Rosario Dawson in live-action, is the main character whose goal is to prevent Grand Admiral Thrawn from making a comeback in the galaxy and reforming the Empire, which has splintered at this particular juncture. The narrative remains straightforward, providing sufficient intrigue, though it may not provoke intense excitement.
Ahsoka’s first season concludes with hints of more to come in the second, leaving viewers excited for what’s next but also curious as to why we had to go through the initial eight episodes first.
7. The Force Awakens
In isolation, “The Force Awakens” is among my top preferred films. J.J. Abrams has faced criticism for making this production similar to “A New Hope,” which I believe is an asset instead of a drawback. The film manages to evoke a sense of nostalgia without being overly predictable or trite, offering an enjoyable space journey. Fresh characters such as Poe Dameron, Kylo Ren, Rey, and Finn quickly gained favor with viewers. Moreover, we were introduced to new planets while revisiting beloved figures like Han Solo, Leia Organa, Chewbacca, and R2-D2 in a changing galaxy. It’s challenging to go wrong in this case.
The final fight scenes are among the best in the series, with Han Solo’s death scene being particularly poignant. However, if not for the subsequent films in the trilogy, this movie would have ranked much higher. Nevertheless, The Force Awakens leaves many unanswered questions that it seemed unprepared to address. Questions like: Who is Rey? What is the Resistance? Why has a Sith lord returned to power? Who is Snoke? Where did the First Order originate? The lack of satisfactory answers to these queries weakens The Force Awakens in hindsight.
As a gamer, I’d put it this way: The issues with “The Force Awakens” aren’t due to its similarities with “A New Hope,” which is an amazing film in itself. Instead, the problem lies in our current understanding of the galaxy being more advanced than it was back then. We crave a richer, more intricately crafted narrative that goes beyond rehashing old tropes without raising questions about the larger universe this new story belongs to.
In simple terms, despite having no issues with “The Force Awakens” by itself and finding joy in rewatching it, I regret that we only got a single trilogy similar to it.
6. Star Wars Rebels
I’m partially acquainted with the series “Rebels”; I’ve watched more episodes of it than I have of “Resistance.” The parts I’ve seen have left me entertained. Although the animation occasionally seems unrefined, the narrative is engaging and set during an intriguing period in the galaxy’s history.
This kids’ show is engaging because it doesn’t hold back on the significant challenges the characters encounter. The plot centers around a band of Rebel rebels, clashing with the Empire in numerous battles. Throughout their journey, we reconnect with beloved Star Wars figures such as Darth Vader, Ahsoka Tano, Obi-Wan Kenobi, Darth Maul, Saw Gerrera, Emperor Palpatine, Mon Mothma, Lando Calrissian, and Captain Rex. The series also borrows from the former Star Wars: Legends literature to introduce new characters like Grand Admiral Thrawn, and delves deeper into the backstories of villains like Grand Moff Tarkin from the original trilogy.
In simple terms, the “Rebels” series fills a significant narrative gap within the “Star Wars” saga. It lies between the collapse of the Republic and the establishment of the Empire, providing fresh perspectives as it depicts the galaxy’s tumultuous journey through civil war.
5. Star Wars: The Clone Wars
As a long-time fan of Star Wars, I can’t help but feel nostalgic when I think back to “The Clone Wars” series that aired on Cartoon Network before Disney acquired Lucasfilm in 2012. Having grown up with the original trilogy and later discovering the prequels, I found “The Clone Wars” to be an engaging addition to the Star Wars universe.
In simple terms, “The Clone Wars” series effectively places you among the clone soldiers and Jedi commanders, unwittingly leading them into Chancellor Palpatine’s deceitful plan. The last season primarily explores the war’s conclusion through the clones’ perspective, delves into Ahsoka Tano’s evolving ties with the Jedi order, and follows her quest to apprehend Darth Maul on Mandalore.
Fans of the Star Wars saga who were fond of Darth Maul are in for a treat. If you enjoyed him and wanted more, this is where we delve deeper into his character. He wields his iconic double-edged lightsaber, but it’s not just that – we gain insights into his personality unlike any other time in “The Phantom Menace”. Darth Maul has broken free from his Sith master’s control, making his alliance with Ahsoka as ex-members of the Sith and Jedi a compelling proposition.
Ahsoka Tano stands out among the exceptional Star Wars characters for her intelligence, resourcefulness, courage, and self-reliance. Her decision to leave the Jedi Order without joining the Dark Side offers a compelling perspective on the complexities of the Force. By showing us this alternative path, Ahsoka invites us to question our assumptions about good and evil in the Force. Despite her disillusionment with Anakin’s betrayal of the Jedi, she remains unable to accept that her revered master has taken this drastic step.
Meanwhile, spending time with the clones lets us see the brutality of war on both sides and to gain a better understanding of the inevitability of Palpatine’s master plan. In the final episode, he initiates Order 66, and we watch as the clones turn on Ahsoka as she’s bringing a captured Maul to justice. It’s one of the greatest sequences in all of Star Wars.
In “The Clone Wars,” Ahsoka successfully frees Rex from Palpatine’s control by extracting the inhibitor chip from his brain. Together, they manage to leave without causing harm to other clone troops. This heartwarming sequence sets the stage for the subsequent storyline and elicits deep emotions as we witness the characters struggling under the Empire’s oppression. “The Clone Wars” imparts a valuable lesson about the triumph of friendship and love, even when hope seems lost. Amidst seemingly unyielding hatred, there are always individuals working towards justice, even if their efforts go unnoticed.
4. Rogue One
Title cards at the beginning of “A New Hope” reveal: “Hidden base of Rebel spaceships scores initial triumph against the malevolent Galactic Empire.” This sets the scene for their tale.
A Star Wars Story” introduces a team of daring Rebel rebels on a daring mission to obtain the Death Star blueprints, aiming to save the galaxy from Imperial control. The tale is engaging with well-crafted characters. Unlike typical Star Wars stories, this film presents a distinct atmosphere. What sets it apart for me is the acceptance and portrayal of the inevitable fate of these characters, whose sacrifices are poignant despite being predetermined.
In addition, this production offers thrilling and terrifying scenes reminiscent of horror films, showcasing Darth Vader’s intimidating presence beyond what we’ve seen before in a science fiction context. It’s impressive how they manage to make such an iconic villain even more menacing. I was particularly intrigued by the way the movie broadened our understanding of the Force. One character, a blind monk, employs it in combat without using a lightsaber or moving objects telekinetically. Instead, he taps into the universe’s cosmic energy, making him a formidable adversary. The Force may seem like a joke to some, but for those who truly comprehend its power, it’s all-encompassing.
In a beautiful reflection of George Lucas’ saga vision, the Force is portrayed as an inherent part of nature with the power to be harnessed for beneficial or harmful ends by select individuals. However, the Force symbolizes not just destructive forces but also embodies pure goodness and heroism at its core. Ultimately, good triumphs over evil as depicted in “Rogue One,” where the Rebels’ successful mission comes with the understanding that their sacrifices are significant, paving the way for the Death Star’s eventual demise. Through unity, the film demonstrates that there is no challenge insurmountable for a determined group of people.
3. Andor
As a long-time fan of the Star Wars franchise, I have to admit that I was initially skeptical about the idea of a prequel series for Cassian Andor following the events of Rogue One. Having seen the movie multiple times and being deeply moved by its powerful ending, I couldn’t help but wonder if revisiting this character’s story was truly necessary. But boy, was I wrong.
Indeed, “Andor” stands out as one of Disney’s finest “Star Wars” TV productions, offering a unique perspective unlike any other franchise entry. Unlike the usual Jedi and lightsaber-filled stories, this series focuses on ordinary people, beginning with Cassian Andor himself. The narrative unfolds at a measured pace, without unnecessary action scenes or convenient Force-pushes. It may take some time to get started, but by the end, “Andor” compellingly portrays Cassian’s evolution from a self-centered man evading detection to someone ready to sacrifice himself for freedom.
During the course of events, Cassian will damage an Imperial base, experience the heartbreaking loss of dear ones, and end up incarcerated. This challenging storyline delves into the unjust aspects of imprisonment in a thought-provoking way that goes beyond our expectations from a “Star Wars” production. The insightful and intellectually stimulating “Andor” is certainly worth recognition on this list.
2. The Last Jedi
Placing The Last Jedi so highly on my list of favorite Star Wars movies may invite disagreement and debate. This film, in particular, has sparked intense discussions among fans due to its divisive nature. Initially, I was left feeling underwhelmed after watching it for the first time. I yearned for more clarity and depth, which seemed lacking. However, upon re-evaluation and further viewings, I came to appreciate the subtle answers that Rian Johnson provided in The Last Jedi. These responses offer a level of satisfaction that surpasses what I’ve experienced from other films in the sequel trilogy.
Mark Hamill’s portrayal of Luke Skywalker deserved recognition with awards. It is understandable that after his failure to establish a new Jedi order and losing his nephew to the Dark Side, Luke would retreat into exile. The narrative’s core revolves around Luke’s journey. He must relinquish old ways and comprehend that Jedi were not intended to regulate or foresee the Force. Instead, the Force is a fundamental aspect of existence, which we cannot manipulate or harness to anticipate events. When Yoda manifests as a Force specter and incinerates the sacred Jedi texts, he signifies the need to expand our perspective beyond Jedi and Sith dogmas and consider the vast galaxy population striving for equilibrium in their lives.
In the film, both Adam Driver as Kylo Ren and Oscar Isaac as Poe Dameron deliver exceptional acting performances. Kylo Ren is teetering on the brink of insanity throughout the story, grappling with self-doubt, longing for companionship, despising his family, and ultimately murdering his own master, leading him to a mental breakdown following his failure to eliminate Luke. The most exhilarating moment for me in the movie was when Luke met his end, merging with the Force as two suns vanished at the horizon, mirroring the sunset on Tatooine during Luke’s early journey in “A New Hope.” The production thoughtfully connects elements from the originals while carving its unique path forward.
The film boasts some weaknesses, such as Benicio Del Toro’s underdeveloped swindler role, yet its overarching theme is robust. Poe and Leia’s connection introduces themes of leadership, self-sacrifice, and trust, all vital to the core values of “Star Wars.” The dynamic between Leia and Poe, as well as Luke and Rey, showcases how the galaxy has evolved and how legacy characters have grown from past errors to become wiser and more effective champions for their causes.
1. The Mandalorian
As a longtime Star Wars fan with countless hours spent immersed in the galaxy far, far away, I can confidently say that The Mandalorian has single-handedly revitalized my love for this expansive universe. Mandalorians, those tough-as-nails bounty hunters, have catapulted themselves to the pinnacle of Star Wars coolness, eclipsed only by the legendary Jedi knights. The cultural phenomenon that is Baby Yoda has infiltrated every corner of pop culture, leaving an indelible mark on our collective consciousness.
As a gamer, I’d say that The Mandalorian draws from George Lucas’s inspirations yet manages to feel fresh and unique. It’s like a wild ride through various genres – at times it’s as gritty and intense as a Western, other moments bring to mind the elegance and honor of samurai films. There are dramatic twists that tug at your heartstrings, and unexpected comedic moments that make you laugh out loud. The characters may be new, but they inhabit familiar worlds in intriguing ways, taking us on thrilling journeys to unexplored corners of the outer rim.
The Mandalorian showcases remarkable acting from its diverse ensemble, keeping viewers on the edge of their seats with each episode’s heart-racing, tension-filled plot. Impressive production design, special effects, costumes, music, and writing all combine seamlessly to create a visually stunning and engaging experience.
I greatly enjoy the way the show incorporates real-life effects and puppetry instead of heavily relying on CGI. This authentic approach resonates deeply with the Star Wars universe and significantly contributes to the endearing popularity of Baby Yoda. Disney’s latest Star Wars project stands out as their most innovative and thoughtfully crafted story, making it a significant achievement due to its originality and connection to the long-standing themes that have made Star Wars a beloved franchise for generations.
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2024-07-20 17:44