
The El Dorado Film Festival recently featured the five best films from last fall’s Louisiana Film Prize. The Louisiana Film Prize, a Shreveport-based short film competition and festival established in 2012, consistently highlights talented and innovative filmmakers from around the United States.
Here are a few impressions from this year’s block…
Alexander Jeffery’s short film, “The Old Man at the Bar,” is a beautifully made and immersive experience reminiscent of classic cinema. Filmed with stunning attention to detail, the story unfolds in a Parisian bar as two bartenders, Abby Tozer and Noah Silver, prepare to close up for the night. Their routine is interrupted by an American man (Stan Brown) who orders a bottle of wine. What follows is a quiet, compelling interaction between the three that prompts one of them to reflect on their feelings. The film is skillfully directed and acted, with Abby Tozer delivering a particularly outstanding performance, subtly revealing her character’s inner life and leaving a lasting impression. She’s central to what makes this film so special.
VERDICT – 5/5
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Rachael Hudson’s short film, “Girl Dad,” is a touching story that will resonate with fathers. The film, beautifully directed by Hudson, stars Ty Hudson as Anthony, a father shown bonding with his daughter Emily at different ages – from age five through her early teens. We gradually learn about their relationship through these sweet, shared moments. While their connection is heartwarming, the film explores deeper themes that create a lasting emotional impact.
VERDICT – 4.5/5
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Michael Cusumano’s film, “Last Minute,” captures the familiar chaos of parents helping with last-minute homework – especially for those of us who remember life before the internet. It’s a relatable story of exhaustion, frustration, and the occasional laugh, but also the surprising connection and bonding that often happens during those stressful moments. The film, set in 1989, centers on a single mother, Jackie (played wonderfully by Charity Schubert), and her 12-year-old son, Jason (Espyn Doughty), who suddenly reveals he has a science project due the next day. Viewers who remember the 80s will appreciate the nostalgic details, but the film’s real strength is its realistic and heartwarming portrayal of a mother-son relationship.
VERDICT – 4/5
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John F. Beach’s film, “M.R.I. (or, Michael Returns Indefinitely),” takes a surprisingly clever and insightful look at the often-frustrating healthcare system. Beach both directs and stars as Michael, a man who experiences strange events during a routine MRI appointment. The movie is a unique mix of suspense, sci-fi, and dark humor, drawing heavily from Beach’s own life. It’s well-written and skillfully made, with strong visuals and sound. While the film doesn’t explicitly state its message, it delivers a powerful impact, and that’s intentional.
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2026-02-27 18:57