Dearest gentle reader, ‘Bridgerton’ has created a song for the first dance at your wedding

by

As a dedicated movie buff with a deep appreciation for music and its role in storytelling, I find the fusion of classical covers and pop hits in “Bridgerton” to be nothing short of brilliant. The intricacy and elegance of each orchestral adaptation perfectly complement the show’s opulent sets and captivating plotlines.

In every fresh installment of “Bridgerton,” there are abundant revelations: Sizzling love stories. Grandiose balls. Gossip from Whistledown. Plus, the addition of string quartet renditions of popular tunes to enhance the experience.

Music supervisor Justin Kamps explained, “We prefer covers that not only fit the story but are also easily identifiable. At times, we opt for straightforward tunes with consistent tempos for ballad scenes. Other moments call for more inventive arrangements to evoke stronger emotions.”

Selecting and arranging orchestral covers for Netflix’s series in Season 3 is a complex task. Initially, there could be around 100-200 orchestral adaptations of popular songs. With suggestions from directors, producers, and Netflix, this list gets narrowed down to just a dozen exceptional choices.

The Economist reports that classical musicians have seen a significant rise in activities such as recording pop covers and performing at weddings, thanks to this trend. Following the drop of the initial episodes from Bridgerton’s third season last month, there was a substantial 1,700% increase in Spotify searches for related content, along with almost 400% growth in the creation of Bridgerton-themed playlists within the US.

“Bridgerton” includes orchestral covers of pop music, but the show finally debuted its first original song.
(Liam Daniel / Netflix)

I’ve been thoroughly enthralled to observe the allure and widespread acclaim of the “Bridgerton” soundscape grow. Initially, it was an intriguing exploration, but now, several years later, there’s a vast expanse of classical renditions of popular tunes that have emerged. This phenomenon can be attributed to the inspiring effect “Bridgerton” has had on countless individuals or the aspirations of those seeking entry into the production.

In the finale of Season 3, the Bridgerton franchise introduces an original song called “All I Want,” covered in an orchestral arrangement by a string quintet. This rendition reflects the series’ distinctive sound and shares pop elements similar to previously featured hits like BTS’ “Dynamite,” Ariana Grande’s “pov,” and Taylor Swift’s “You Belong With Me.” Interestingly, the songwriters for “All I Want” weren’t aware they were composing for Bridgerton when they wrote it.

Rogét Chahayed explained that for a Netflix project, they were asked to compose a love song suitable for a wedding’s first dance. He and his collaborators, Wesley Singerman, Taylor Dexter, and Nicole Cohen, managed to write “All I Want” within a day. Writing to a prompt can be daunting, but during the session, they felt it had the charm of a cherished tune played at a significant family gathering.

According to Bowers, an original “Bridgerton” song has been in the works for years; he was part of an attempt to create one for last year’s spinoff series “Queen Charlotte,” but it didn’t come to fruition. For “Bridgerton” fans, “All I Want” is worth the wait: the full track features the intricate vocals of Tori Kelly; its lyrics are a litany of similes for perfect fits and long-lasting love.

Many individuals composing music nowadays strive to keep up with TikTok and current trends. However, Chahayed mentioned that for this particular song, we aimed for it to surpass the lifespan of social media and possess a timeless feel, beautiful sound, and heartfelt message.

×

Why is the orchestral cover of “All I Want” played during the end credits of the final episode of “Bridgerton,” instead of during a pivotal scene in the show as we might expect, given the effort put into it? This decision was primarily driven by timing. As explained by Kamps, the push for this arrangement came mainly from the Netflix music team and marketing team, who planned its use for the “Bridgerton” wedding event earlier this year – an occasion where Kelly performed the song as the first dance for two devoted fans.

As a movie critic, I’d put it this way: “The audience couldn’t get enough of that song and yearned for it to be included in the production itself. Kris delivered an exceptional cover, but finding the perfect fit proved challenging as we had already filled all the desired musical moments in the show. Now, ending the season with this number is a delightful surprise.”

Luckily, music enthusiasts can enjoy the complete “All I Want” track, featuring both Kelly’s original rendition and the orchestral cover, by streaming the show’s soundtrack on all major digital platforms.

Read More

2024-07-18 21:30