Daymé Arocena is bringing a Black woman’s voice to Latin pop

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As a Cuban-born artist who spent years in exile, I can relate deeply to Daymé Arocena’s journey. Her story of finding inspiration in unexpected places and connecting with her cultural roots resonates strongly within me.

As a devoted cinema enthusiast, I strongly believe that each person of African descent, regardless of where they were born beyond the continent, carries a unique and profound purpose in life.

“Arocena pondered, ‘Why was I not born in Africa instead? Why do I face the struggle of being myself in the place I was born?'”

Growing up in Havana during the 1990s, a time of severe economic hardship for Cuba called the “special period,” the 32-year-old musician faced challenges such as limited electricity and food supplies. Living with 14 family members in a small space, she endured difficult circumstances every day. Yet, each night was filled with the lively rhythms of rumba music. Watching her aunts sing, uncles drum, and cousins dance kept her spirit alive. It was during these moments that she discovered her passion and sense of purpose.

From a young age, she’s observed music having the power to uplift and mend people’s lives amidst hardships. Surrounding oneself with music ensures that one’s spirit stays resilient.

In my experience as a moviegoer, I was intrigued by Anabelle Arocena’s announcement that her fourth album “Alkemi,” released in February, would mark a fresh departure for her as a Grammy-nominated jazz singer. This project, rooted in the pulsating beats of Afrobeats, represents an innovative take on Latin pop from the unique perspective of a Black woman – a perspective I believe is underrepresented within this genre. During the recording process, I truly felt the conviction behind her intention to fill this gap.

As a devoted cinema-goer, I’d recount it this way: Growing up, Arocena’s musical journey began in earnest. At just eight years old, my parents enrolled me in Cuba’s Amadeo Roldán Conservatory, an esteemed music institution. There, I embarked on a rigorous classical training regimen. However, the curriculum then primarily revolved around Russian and European composers. Sadly, our cherished Cuban tunes were considered unfashionable and even forbidden to play. Throughout my school hours, I’d meticulously practice conducting Tchaikovsky symphonies. But once home, the vibrant rhythms of timba and cha-cha-chá would fill the air, a delightful contrast to my daytime pursuits.

As a moviegoer, I’d put it this way: “To tell the truth, my experience was incredible. Formal education equipped me with valuable abilities. But let me clarify, it’s not just about mastering an instrument to perfection. Perfection isn’t what music is all about. Music thrives on connections.”

In the confines of the conservatory’s rigid instruction, Arocena discovered a sanctuary through joining a jazz choir. She shares that her initiation into this versatile genre granted her a feeling of liberation as she explored innovative ways to utilize her voice and delve deeper into the intricacies of a jazz standard. Upon graduating with a degree in choir conducting, Arocena embarked on co-founding the Cuban Canadian jazz ensemble Macqueque.

In 2015, after earning recognition as a jazz singer on the island, she launched her debut solo album, titled “Nueva Era.” This Latin-flavored jazz record showcased African chants and heartfelt singing. However, in 2018, the Cuban government implemented Decree 349, which necessitated artists to secure approval from authorities prior to performing. To preserve her artistic freedom, Arocena opted to depart.

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“Immigration cannot be fully understood unless you experience it firsthand,” shared Arocena. “Being in a new country all alone with no way to return is a profoundly difficult situation. It puts one in a position where they must beg for compassion, an experience I would not wish on anyone.”

In the summer of 2019, Arocena and her husband moved to Canada as new immigrants. As they were getting used to their new environment, an unexpected turn of events occurred – the COVID-19 pandemic broke out. During this challenging time, Arocena shares that she fell into a deep depression and lost interest in listening to jazz.

She expressed her desire to groove to some music but found herself immobile. Jazz once brought her joy, but lately it felt too intense for her.

In a foreign land and feeling lost, she started questioning her decision to leave Cuba. In July 2020, Beyoncé unveiled “Black Is King,” her unique take on Disney’s “The Lion King.” This visual album and accompanying music inspired Arocena, reminding her of the passion that initially drew her to music.

“Without this situation, ‘Alkemi’ wouldn’t exist,” said Arocena.

“The ‘Black Is King’ album captivated Arocena for two reasons. First, it was her introduction to authentic Afrobeats rhythms in mainstream pop music. Secondly, Beyoncé openly paid homage to the orishas, gods revered in the Yoruba faith prevalent in Cuban culture. This resonated deeply with Arocena as she identified with this representation of her heritage in the limelight. However, it also brought her awareness of the scarcity of Black artists in Latin music.”

Arocena expressed that she’s comfortable with diversity and doesn’t require everyone to resemble her. However, she acknowledged a lack of representation for Black women like herself in major markets. We find them in cultural hubs yet seldom selling out arenas. This is why, when I’m on the streets, people address me in English, assuming I’m not from the Caribbean.

As a movie reviewer, I’ve found myself deeply moved by Arocena’s film, which explores the underrepresentation of Afro Latino people in the world of Latin music. This is a subject that resonates with me strongly, as I’m constantly reminded of the immense influence African cultures have had on genres like reggaeton, salsa, merengue, cumbia, and dembow. It’s both surprising and disheartening to realize how often their contributions go unacknowledged or erased from the narrative. Arocena masterfully brings this issue to light with her compelling storytelling and powerful imagery.

The phrase “Black Is King” ignited a flame in her. Eager to create music once more, her initial contact was with esteemed producer Eduardo Cabra of Calle 13 renown. Graciously, he extended an invitation for her to visit his home in Puerto Rico, commencing their collaboration.

As I stepped off the boat onto the sun-kissed shores of the Caribbean island, I was immediately struck by the intoxicating aroma of tropical flowers and the vibrant hues of the lush greenery and vividly colored buildings surrounding me. This scenic beauty was a sight I had long thought I would never behold again. Yet, as Arocena shares in her account, I soon discovered a culture and a people that resonated deeply with me. Their warmth and familiarity felt like a long-lost piece of myself, reclaimed.

Upon reaching Puerto Rico, Arocena was overwhelmed by powerful emotions. It felt as if she had returned home. The sensation of leaving one’s homeland due to immigration issues such as exile or dictatorship, followed by the pandemic and isolation, is indescribable. Finding a place on this earth that mirrors the comforts of home was all Arocena required.

The short trip quickly turned into a permanent move and a completed album.

“Arocena’s album ‘Alkemi’ is a personal journey through sound, comprised of ten tracks. She blends neo-soul with catchy pop tunes. The artist admits that she revisited old lyric drafts from the past to complete them for this project.”

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As a film enthusiast, I’d describe it like this: In “American Boy,” Arocena shares her experience of falling in love with a brave man who wasn’t shy about holding her hand in public. The rhythmic backdrop of this song takes me back to the soulful world of R&B, creating an enchanting atmosphere. On the other hand, “Por Ti” is a powerful ode to self-love and sensuality. Its captivating blend of trap and rumba beats resonates deeply with my senses, leaving me feeling empowered and alive.

As a cinephile, I can relate to this artist’s words when she shares, “These songs hold stories of my past, but I wasn’t prepared to reveal myself completely yet.” Music, for her, is a powerful force that weaves its way into our lives. I don’t believe in forcing creativity; instead, I trust the process and wait for the right moment when music calls out to me, ready to be shared with the world.

In my perspective, after a five-year hiatus, “Alkemi” marks actress X’s bridge between her past self, rooted in Cuba, and her present identity residing in Puerto Rico.

“Being here in Puerto Rico has rejuvenated me. I felt I needed this experience,” expressed Arocena.

As a film enthusiast, I’m thrilled to share that on the coming Saturday, I’ll be attending a free concert in downtown Los Angeles headlined by Daymé Arocena. This wonderful event is brought to us by De Los and Grand Performances. The show will be expertly hosted by KCRW’s DJ Wyldeflower, and we have a special treat in store with a live performance from the talented Pan Dulce, featuring Alan Lightner. Don’t miss out – secure your spot by RSVPing right here.

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2024-07-18 20:30