‘Danny Go!’ Jumps From YouTube to Netflix

If you’ve been around young children recently, you’ve probably heard of Danny Go! – the incredibly popular YouTube channel with millions of followers and billions of views. And if you’ve talked to their parents, they’ll likely tell you their kids are the reason for a huge chunk of those views!

Fans of Danny Go! will be happy to know it’s coming to Netflix next month! This makes it easier to watch – you won’t have to switch between apps on your TV. Netflix will start with five episodes of the show.

I’ve been watching this new show on Netflix, and it’s great for my little ones! It’s designed for kids between 3 and 7, and it’s full of original songs and fun dances that get them moving. But it’s not just about being active – they actually learn things too! There are interactive games built in, so it’s a really engaging way for them to play and learn at the same time.

The show was created by its star, Daniel Coleman, along with his wife Mindy and friends Michael Finster and Matthew Padgett. Besides the popular videos online, Danny Go! has already toured live to great success – just ask any kid, they’ve likely been to a show! The show’s popularity has also led to a line of toys, and a series of picture books will be released this spring.

In recent years, Netflix has been actively seeking partnerships with popular children’s content creators who’ve gained large followings on platforms like YouTube. They already feature shows from well-known online personalities such as Ms. Rachel and Mark Rober. And then there’s Blippi – a character whose early episodes my kids watched extensively, and frankly, I’m glad those days are over! Just seeing orange glasses still gives me a bit of a shock.

Essential Movies on Netflix Every Film Lover Should See

Night of the Living Dead (1968)

While Netflix has a lot of content, it doesn’t have many classic or historically important films. One notable exception is George A. Romero’s Night of the Living Dead, a groundbreaking horror film about a zombie outbreak. Beyond the zombies themselves, the film is significant because Romero made it independently, and it achieved remarkable success and cultural impact, making it a landmark achievement in filmmaking.

The Sting (1973)

Often considered even better than their classic film Butch Cassidy and the Sundance Kid, The Sting is a captivating and surprisingly poignant story about two con artists. Robert Redford plays a young crook who teams up with veteran hustler Paul Newman to get revenge on a ruthless mobster (Robert Shaw) who killed his friend. With stellar performances from all three leads, the film is full of clever twists and turns, balanced by a touching portrayal of hardship during the Depression. The Sting rightfully won the Academy Award for Best Picture in 1973 and remains a standout film from the 1970s.

The Texas Chain Saw Massacre (1974)

The 1974 horror film that started a long-running series was recently added to the Library of Congress for being culturally, historically, and artistically significant. (A documentary about the film, called Chain Reactions, was also released this year.) If you only know the sequels or reboots – many of which aren’t very good – now is the time to watch the original, which is currently available on Netflix. It’s a bloody, brutal, and surprisingly beautiful film.

Pulp Fiction (1994)

As a fan, I remember when Pulp Fiction came out and it felt like everyone was trying to copy it, though honestly, most of those attempts were pretty bad. It really highlighted just how talented Quentin Tarantino is, then and now. What struck me most about the film is how it shouldn’t work – it’s this huge, sprawling story about crime in LA, but also incredibly focused on the characters. It jumps between these crazy, almost unbelievable scenes – like mysterious briefcases and secret clubs – and then totally normal stuff, like people talking about foot rubs or what they had for lunch. It’s both grand and intimate, funny and sad, violent and silly. It’s just… Pulp Fiction, and nothing else quite like it.

Titanic (1997)

James Cameron’s most famous films consistently blend several key ingredients: a love story, large-scale action, exciting chases, and a complex relationship with technology. While Titanic isn’t as explosively action-packed as films like The Terminator or Avatar, it still features all of these hallmarks. It was a massive undertaking – and a huge success – for its time, and it’s clear why. Cameron excels at keeping the story grounded in its characters, even when surrounded by spectacular visuals and grand settings.

Election (1999)

Reese Witherspoon truly stood out in the 1999 comedy Election, where she plays a driven high school student who clashes with her cynical history teacher (Matthew Broderick, cleverly playing a role similar to his famous character Ferris Bueller). The film centers on Tracy Flick’s ambitious run for student council president and the amusing conflict that develops between her and her teacher. Election is a darkly funny and realistic movie, and many film fans consider it a standout from a fantastic year for cinema. What’s also great is the title – simply Election, not The Election – because it’s about the difficult choices we make in life, not just the outcome of a school election.

Donnie Darko (2001)

Netflix isn’t the best choice for finding classic cult films – it mostly offers newer, often low-quality, Netflix originals. If you’re looking for truly unique movies that gained a following as midnight favorites, your options are limited. One standout title is Richard Kelly’s Donnie Darko, which features a young Jake Gyllenhaal as a teenager who survives a near-fatal accident and may be the key to preventing a global catastrophe. The film is known for its unsettling visuals, moody atmosphere, and satisfying conclusion, cementing its place as a memorable independent film from the early 2000s.

The Squid and the Whale (2005)

Noah Baumbach really established himself as a talented filmmaker with a deeply personal movie about a young man (played by Jesse Eisenberg, who also benefited from the film’s success) navigating his parents’ divorce. The film received many award nominations and launched Baumbach into a new, highly successful period of his career, continuing with projects like the Netflix films Marriage Story and Jay Kelly.

Zodiac (2007)

David Fincher is known for directing thrillers about serial killers, but Zodiac is more than just a crime story. It’s a look at San Francisco over several decades, seen through the perspectives of three men obsessed with solving the Zodiac Killer case. These include a police inspector—who inspired the film Bullitt—a newspaper reporter who became a target of the killer, and an amateur detective who can’t shake the case even after the murders stop. What makes Zodiac stand out is its portrayal of how all-consuming an obsession can be. Fincher draws viewers into a complex web of clues and false leads using clever camera work and editing. By the end of the film—which circles back to the very beginning after a tense two and a half hours—you understand exactly what drives Robert Graysmith’s relentless pursuit.

Boyhood (2014)

For twelve years, director Richard Linklater secretly filmed scenes with the same cast and crew, following the life of a boy, his mother, and his sister as they grew up. Some might think it’s just Linklater making a movie about his own life, but it feels like so much more – a truly amazing look at American life over a decade, and the real love, struggles, and sacrifices of one family. Every movie deals with time, but Boyhood feels different. Seeing the actors actually age on screen makes certain moments incredibly sweet and others deeply moving. When Patricia Arquette’s character reflects on her life at the end, you can feel the weight of twelve years of genuine happiness and heartache behind every word. The late Roger Ebert once said movies are windows into our world, and I honestly can’t think of a film that throws those windows open wider than Boyhood.

Whiplash (2014)

The film Whiplash brilliantly explores the sacrifices artists make for their craft – a theme I particularly enjoy. It follows Miles Teller as a driven young jazz drummer at a top music school, and his intense, often abusive relationship with his demanding teacher. This pushes him to excel, but at a significant personal cost. Director Damien Chazelle subtly suggests the troubling answer to that question while still delivering a thrilling experience, culminating in what many consider the best scene of the year: a powerful showdown between student and instructor. Surprisingly, Whiplash also works as a truly terrifying horror film; the calm disapproval of the instructor, simply saying “not quite my tempo” after a mistake, is far more frightening than anything found in typical horror movies of the 2010s.

Sing Street (2016)

Let me tell you, Sing Street is incredible. It actually made me cry while I was on a plane! Seriously, even on that tiny screen with limited space, the movie’s hopeful story about these Irish teens chasing their music dreams really hit me. The writing is witty, the acting is fantastic, and I honestly think the music is even better than La La Land. It’s just a really feel-good movie, and we could all use one of those right now. Be warned though, it might make you tear up a little… or a lot. Don’t judge!

Spider-Man: Into the Spider-Verse (2018)

While more isn’t always better, Spider-Man: Into the Spider-Verse remains a standout and arguably the best Spider-Man movie. It features a large team of Spider-People, including the new hero Miles Morales, the determined Gwen Stacy, and a downhearted Peter B. Parker. The film powerfully embodies the selfless heroism championed by Stan Lee and Steve Ditko, beautifully illustrating their belief that anyone can be a hero.

Roma (2018)

2018 marked a turning point for Netflix’s original films, with standout movies like Alfonso Cuaron’s deeply personal film, Roma, which tells the story of a Mexican family and their housekeeper, Cleo (Yalitza Aparicio). When it was first released, many people argued that Roma deserved to be seen in a movie theater to fully appreciate it – and Cuaron’s beautiful black-and-white visuals certainly looked best on a big screen. However, watching it at home had its perks – you could cry as much as you needed without worrying about other people seeing! This highlights some real benefits of Netflix’s approach to releasing films.

The Irishman (2019)

Frank Sheeran truly supported Jimmy Hoffa – and ultimately, that’s where he ended up. This early hint is just one example of the incredible detail and artistry in The Irishman, a remarkable film that feels like a culmination of Martin Scorsese’s career. The most powerful moments come towards the end, as Robert De Niro’s character, Sheeran, faces the consequences of his life choices. He seems to take pride in his past, especially his close relationship with Teamsters leader Jimmy Hoffa (Al Pacino), but also realizes that all the power and wealth he gained couldn’t prevent him from dying alone. A priest attempts to offer forgiveness. But will it be enough to redeem him?

Cats (2019)

Let’s be honest, Cats doesn’t compare to the other films on this list. However, to truly understand something amazing, it helps to look at its opposite – and Cats provides that. Even years after it came out, the movie leaves you with so many bizarre questions. Why do the cats have human hands? Where are all the people? What is “hot milk soup”? Why does Jennifer Hudson have a runny nose the whole time? And why does Idris Elba look half-naked? Plus, Taylor Swift is rocking heels while everyone else is barefoot! These questions will probably stay with us forever, and that’s what makes it so great.

The Power of the Dog (2021)

Jane Campion’s The Power of the Dog is a slow-burn Western that demands your full attention; it’s easy to miss crucial details if you’re distracted. The film offers a compelling look at masculinity and follows Phil Burbank (Benedict Cumberbatch), a tough cowboy grappling with change after his brother (Jesse Plemons) introduces his new wife (Kirsten Dunst) and her son, Peter (Kodi Smit-McPhee), to the ranch. As Phil misjudges Peter, and we misjudge Phil, the story builds to a surprisingly impactful climax. Hopefully, we won’t have to wait another decade for Campion’s next film.

RRR (2022)

As a huge film buff, I have to say this Indian epic completely blew me away! It’s a three-hour rollercoaster of stunning visuals, a sweet romance, non-stop action, and incredibly energetic musical numbers. The basic idea reminded me of those classic John Woo films – it’s about two incredibly strong men, on opposite sides of the law, who end up forming an unexpected bond. Here, those guys are Bheem, a warrior from the Gond tribe, and Rama, who works for the British Empire. Bheem heads to Delhi looking for a kidnapped girl, and Rama’s job is to track down whoever is searching for her. You’d think they’d be enemies, right? But a crazy accident brings them together, and they become fast friends. From there, the movie is full of this delicious tension – you’re constantly waiting for them to discover each other’s true identities. There are incredible scenes – rescuing kids from a burning river, sticking it to the prejudiced British upper class – all set to some amazing dance numbers. Seriously, the film uses water and fire as symbols for Bheem and Rama throughout, and it’s just brilliantly done!

Godzilla Minus One (2023)

It’s rare for a prequel to truly stand out, but Godzilla Minus One is a brilliant exception. By setting Godzilla’s story in post-World War II Japan, the film powerfully revives the original intent of the character – as a frightening symbol of the devastation of atomic weapons and the lasting psychological scars of war. And this Godzilla is truly frightening – he feels massive, looks disturbingly unwell, and his atomic breath is genuinely terrifying.

But Godzilla Minus One isn’t just a visually impressive monster movie. It features a compelling, flawed protagonist (Ryunosuke Kamiki) and explores complex themes related to kamikaze pilots, adding emotional weight to the story and culminating in a powerful decision. One section of the film feels reminiscent of a classic Howard Hawks adventure, with a crew of tough sailors battling a colossal, nuclear-powered dinosaur – and it’s as amazing as that sounds.

Are You There, God? It’s Me, Margaret. (2023)

While Are You There God? It’s Me, Margaret didn’t make a huge splash in theaters, it’s clear this film will become a defining movie for today’s young generation, much like Ferris Bueller’s Day Off was for those of us who grew up in the 80s. This excellent adaptation of the classic Judy Blume novel comes from writer/director Kelly Fremon Craig and boasts a fantastic cast, including Rachel McAdams, Benny Safdie, and Kathy Bates. Abby Ryder Fortson, who was wonderful in the Ant-Man movies, is also a standout as Margaret. As a father of two daughters, I’m honestly a little worried about when they reach this age. But I’m glad there’s a movie like this waiting for them when they do.

2026-03-30 21:00