Collective Soul’s Will Turpin Slams Bands Who Snub Their Own Iconic Hits!
Will Turpin, bassist of the band Collective Soul, shares his insights on bands who find frustration in performing their hit songs. Given their own history of producing numerous chart-toppers in the 90s, it’s safe to say that Collective Soul can empathize with this predicament. In an exclusive interview, Turpin discussed the upcoming documentary, “Give Me A Word: The Collective Soul Story,” set to release on video-on-demand and Blu-Ray on July 8th, 2025, as well as the band’s extensive history and the experience of playing enduring hits like “December” and “Shine” after all these years.
Collective Soul Really Cranked Out The Hits In The ‘90s
For those of us belonging to Generation X, like myself, it can be quite effortless to overlook the immense popularity of Collective Soul in the 1990s. Their debut albums, “Hints Allegations and Things Left Unsaid” and simply titled “Collective Soul,” achieved worldwide sales in the millions. These records stayed on the charts for extended periods, and even three decades later, they continue to sell out shows across various venues.
Artists who experience numerous major hits early on in their career may develop a mix of admiration and frustration towards those songs. This is because, as lead singer Ed Roland explains in a rock documentary, artists generally strive to continue evolving with their artistic endeavors. Over time, revisiting and performing the “old tunes” can feel tiresome for them. Regrettably, this can sometimes lead bands to grow weary of those hits, even though fans continue to cherish them deeply.

Will Turpin’s Take On Collective Soul’s Hits Is Refreshing
In our conversation regarding his connection with tracks such as “Shine” and “The World I Know,” I inquired if there were times when Turpin found himself tired of performing them during concerts. In response, he shared some insightful thoughts on bands who may grow weary of their hits, expressing empathy towards their feelings.
I find it hard to agree with the perspective that constantly hearing a particular song is a problem. Some artists I know share this viewpoint, and I’ve always considered it somewhat childish or even unrefined.
It appears that Turpin perceives the songs from the perspective of the fans. He comprehends the reason these fans continue to attend concerts of their beloved artists, and it’s due to the significance these hits hold for them. In his words, “It seems as if I am viewing the songs through the eyes of the fans.
It seems to me that it might not be appropriate to view things from this angle when individuals make these tunes an integral part of their lives. Essentially, what they’re requesting is for you to enjoy yourself on stage as you perform the requested track, and in return, they compensate you for your performance.
Besides finding the concept arrogant, as I concur, Turpin further points out that it’s primarily a matter of self-importance.
A few individuals seem so preoccupied with their self-importance that they fail to grasp the overall situation.
In my opinion, he’s spot-on. He further emphasizes the sheer excitement and joy that Collective Soul experiences as they perform their most popular tunes.
If enjoying ourselves collectively during performances isn’t happening for us, let’s perform ‘Shine’ instead and witness the audience joining in. See their hearts resonate with the song, watch them relive memories…It seems like it’s time for us to find another activity, honestly.

All This Shows In The Documentary
The Movie: “Give Me A Word: The Collective Soul Story” presents a balanced perspective on this topic. A significant portion of the movie revolves around the creation of Collective Soul’s 2024 album, Here to Eternity, but it also delves into the comprehensive history of the band, featuring insights from various members, both current and former.
The climax of this outstanding documentary showcases the band performing live at a packed concert, with thousands echoing every lyric of their old favorites. The enthusiasm, from the musicians on stage to the fans in the back rows, is tangible – it’s like watching an exceptional concert movie. That’s exactly how such an event should unfold.
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2025-07-06 03:07