The seven best films we saw at 2024 Telluride Film Festival

In its early days, this Colorado Rockies settlement was primarily a mining town during the mid-1800s. However, over time, it transformed into a popular ski resort and hiking destination. Interestingly, during Labor Day weekend, it takes on a different role as it becomes a hub for journalists, producers, and publicists, who are not after traditional minerals but rather the coveted Oscars. Our team of three reporters spent their time watching various films and returned with some valuable insights of their own.

Review: A nightmarishly good character actor obscures everything else about ‘The Front Room’

In “The Front Room,” I find myself whispering to myself, incredulously, as if in disbelief. This role is played by Brandy Norwood, who’s back in the horror genre after 26 years since “I Still Know What You Did Last Summer.” The strange mix of grotesque bodily functions and sinister smiles directed by Max and Sam Eggers might initially leave one puzzled. These directors are the half-siblings of Robert Eggers, a more recognized name in the genre scene, having created “The Witch” and “The Lighthouse.” Yet, amidst this excessively exaggerated and tonally strange production by the Eggers brothers less known to us, there exist hidden delights.

Review: Despite its charm, ‘Beetlejuice Beetlejuice’ sequel shouldn’t have been summoned

1988 saw Tim Burton’s “Beetlejuice” leave an indelible mark on popular culture; it seems as though the eccentric “bio-exorcist,” portrayed by Michael Keaton, has been a constant presence for many millennials who were repeatedly captivated by this unique blend of horror and comedy. The film was both critically acclaimed and commercially successful, leading to an animated series and eventually a Broadway musical adaptation. Now, 36 years after “Beetlejuice” catapulted Winona Ryder into stardom, a long-awaited sequel titled “Beetlejuice Beetlejuice” is finally gracing cinema screens.

Fall preview: The best movies, TV shows, music, books and arts of the season

Unlike those on the Eastern seaboard, Angelenos haven’t yet experienced the sudden onset of autumn at this time: Our crisp days are still a few months off, and we’re not particularly known for enjoying fall foliage. However, there’s definitely a change in the atmosphere as August transitions into September, with the school year gaining momentum, and the days gradually shortening. Perhaps it’s the excitement of the fall film festivals or the build-up to awards season. The joy of favorite shows coming back on TV. The influx of new releases, book launches, art exhibitions, and L.A.’s cultural events.

Review: Anticipating loss, sisters rub against old frictions in superb ‘His Three Daughters’

In a small New York apartment, where two adult sisters on the verge of drifting apart wait for their father’s final moments, “His Three Daughters,” written and directed by Azazel Jacobs, is not a comedy. Instead, it subtly carries a dose of poignant humor amidst its slow, somber pace. This intimate indie film, one of the year’s standouts, powerfully demonstrates that there’s no simple way to prepare for loss, particularly when chaos and dysfunction are the norm.