The 30 Rock Team Is at the Top of Its Game in NBC’s The Fall and Rise of Reggie Dinkins

I’ve always loved comedies like 30 Rock and Community that are fast-paced, a little chaotic, and full of inside jokes, so I’ve been hoping for something similar. I’m thrilled to say that The Fall and Rise of Reggie Dinkins – a new NBC sitcom starring Tracy Morgan and co-created by Robert Carlock (who worked with Tina Fey on 30 Rock) – feels like a worthy successor. While 30 Rock was a spin-off of Saturday Night Live, this show cleverly draws inspiration from the world of the NFL. Surprisingly, it also borrows a lot of what made The Office so funny.

Baz Luhrmann’s Radical EPiC Is the Tribute Elvis Deserves

Elvis Presley’s cultural presence occasionally fades, despite never being truly forgotten. Recently, Baz Luhrmann has been instrumental in revitalizing interest in the King. First, he did so with his energetic 2022 biopic, Elvis, starring Austin Butler, and now with a new film, EPiC (Elvis Presley in Concert), which feels more like a tribute than a traditional documentary. EPiC is built from previously unseen footage – 59 hours of performances and interviews – discovered by Luhrmann’s team while researching the biopic. This footage had been stored in a Warner Bros. vault, surprisingly located in an underground salt mine in Kansas. Luhrmann also included rare Super 8 film from the Graceland archives. Painstakingly restored, this footage forms the heart of EPiC, and despite Luhrmann’s typically flamboyant style—or perhaps because of it—the film feels surprisingly personal and moving.

‘Midwinter Break’ shows a marriage that’s too accommodating of an unspoken strain

Things are different now, so it’s understandable if you find yourself drawn to the quiet, intimate nature of this film adaptation of Bernard MacLaverty’s novel. Without relying on flashy effects or grand gestures – aside from its beautiful scenery – and thanks to the wonderful performances by Lesley Manville and Ciarán Hinds, it’s a moving story about a couple facing a breaking point they’ve never truly confronted. Polly Findlay directs with a subtle confidence, making it a solid and satisfying film.

‘Kokuho’ sets up an epic backstage clash amid the highly lacquered world of kabuki theater

In 1964 Nagasaki, young Kikuo, a 14-year-old performer, catches the eye of Hanjiro, a famous kabuki actor, during a New Year’s celebration. When Kikuo’s father, a yakuza boss, is killed, Hanjiro takes him in and begins to train him – along with his own son, Shunsuke – in the art of kabuki. They learn to become “onnagata,” male actors who specialize in playing female roles. As they train in Osaka, enduring Hanjiro’s strict methods, the shy and gentle Kikuo and Shunsuke form a close bond and strive to become graceful, skilled performers.