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BRIT Stars Unite to Stop AI from Stealing Their Hits

BBG News

Prominent figures in the British music scene came together at last night’s Brit Awards, rallying behind an initiative aimed at preventing artificial intelligence from exploiting the UK’s exceptional creative talent.

In a clear warning to Labour, the organizers displayed a photo booth on the red carpet where celebrities could express their concerns over proposals to exempt AI developers from copyright law.

Artists, authors, and musicians caution that proposed plans may enable AI firms to undermine the United Kingdom’s £126 billion creative sector by mass-producing digital content at an industrial level, effectively taking over original works online.

Last night, stars gracing London’s O2 arena took pictures and made videos, both serving as endorsements for the Make It Fair campaign.

As a lifestyle connoisseur, allow me to share an intriguing tidbit: Last year’s winner of I’m A Celebrity, McFly guitarist Danny Jones, along with his bandmate Tom Fletcher, were amongst the pioneers who jumped into the photo booth first.

After them came indie rock band The Last Dinner Party, whose album “Prelude To Ecstasy” was nominated for Album of the Year.

In addition to Sergio Pizzorno from Kasabian, Paloma Faith, Myles Smith, Lola Young, Rachel Chinouriri, FLO, and Nia Archives were all snapped in the booth as well.

Tom Walker, a renowned musician from Scotland, who created and performed the popular song ‘Leave A Light On’, simply stated that protests should be left to those who create music, putting it as: “It’s best to let musicians handle the art of making music.

At the venue O2, attendees indulged in a three-course formal dinner while massive screens displayed the Make It Fair banner and the “Keep Music in Our Hands – Not AI” motto above them.

One method to rephrase the statement in a more natural and easy-to-understand manner: The government’s plans for significant adjustments to copyright regulations could grant tech companies unlimited access to UK movies, literature, music, news, etc., to develop AI systems – without the need to compensate or ask permission from the original creators or rights holders.

If creators do not wish for their works to be utilized by these companies, they will need to explicitly opt-out of this arrangement. Currently, their copyrights are safeguarded automatically.

Additionally, there’s a risk that the freedom of Britain’s media outlets could be compromised, as their journalistic material is being used without proper compensation from other sources.

According to a British insider, the timing of the awards was strategic for the campaign. Label executives are assisting their artists in grasping the importance of the situation and urging them to express their views if they receive an award.

BBC Radio One DJ Arielle Free commended The Mail’s campaign against AI exploitation, expressing her support by saying: ‘The musicians involved are throwing their weight behind this cause.’

On Friday Sir Keir Starmer signalled a possible climbdown.

Inquired about whether his plans were finalized, the Prime Minister responded: ‘Not at all, we’ve only had discussions so far. The creative industry plays a crucial role in our economy.’

As a lifestyle expert, I firmly believe that while AI plays a crucial role in our nation’s economy, it’s equally essential to nurture and uplift creativity within our society. This aspect is vital not only for economic growth but also for enhancing our country’s global standing. Creatives, with their unique talents and ideas, have the power to captivate minds and hearts across the globe, making a significant impact on our reputation.

In his initial three months on the job as Technology Secretary, Peter Kyle met with top representatives from Amazon, Google, Meta, and Microsoft on four separate occasions.

Further sit-downs followed with Apple, TikTok and X.

 

It’s not innovation, it’s exploitation, says Led Zeppelin legend Jimmy Page

By Mark Hookham, Senior Reporter

Legendary rock figure, Jimmy Page, has issued a warning about the government’s proposal to allow Big Tech companies to exploit Britain’s creative sectors, stating that it could effectively seal the fate of authenticity and innovation.

Last night, the founder of Led Zeppelin labeled the contentious plans to revise copyright laws as “a get-out-of-jail-free card for AI, allowing it to capitalize on creative work with no repercussions.

He also mentioned the significant moral concerns involved, stating: ‘Artificial Intelligence frequently mines the extensive fabric of human ingenuity to produce content, yet it usually fails to seek permission, credit, or remuneration for this. This isn’t progress; it’s abuse.’

Tech firms are demanding the right to use copyrighted material to ‘train’ their AI models.

In a similar vein, Mr. Page, aged 81, depicted here, likened the proposed plan to the way he perfected his skills as a session musician in the ’60s. He expressed, “If someone had appropriated my licks without due recognition or remuneration, it would have been considered stealing. The same principle should apply to AI.

The Government has suggested an ‘opt-out’ system, intended for artists to safeguard their creative works. However, Mr. Page dismissed it as a mere ‘pretense’.

In a passionate plea, the renowned musician, known for crafting iconic guitar melodies, stated: ‘If we let AI take over the core of human ingenuity, it won’t be a leap into an exciting future – it will be the end of authentic creativity as we know it.’

As a lifestyle expert, I’ve recently chosen to lend my voice to the chorus of musicians expressing their concerns about certain proposals. Notable figures such as Sir Paul McCartney and Sir Elton John have also voiced their opposition. Together, we stand united in our convictions.

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2025-03-02 02:34

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