Author: Denis Avetisyan
New research demonstrates that collective creative output can arise from the simple interplay of individual memory structures and basic social interaction.
![Semantic modularity within neural graphs constrains exploratory ideation, demonstrated by an inverse relationship where higher modularity [latex] Q(G_i) [/latex] predicts reduced ideational breadth [latex] \widehat{B}_i [/latex], as established through analysis of graphs with 500 nodes and utilizing 30 walk replicates per prompt-a trend statistically supported by a 95% confidence interval.](https://arxiv.org/html/2602.03068v1/x2.png)
This review presents an agent-based model linking semantic memory organization to emergent collective creativity, bypassing the need for pre-defined creative traits.
While simulations effectively link social structure to collective performance, explaining collective creativity demands accounting for the underlying cognitive mechanisms driving novel idea generation. This paper, ‘From semantic memory to collective creativity: A generative cognitive foundation for social creativity models’, introduces a computational framework demonstrating that collective creativity can emerge from individual differences in semantic memory organization and minimal social exchange. Specifically, we show that varying semantic modularity within agents generates diverse ideation patterns, leading to predictable gains from social stimulation and emergent network redundancy without pre-defined creativity metrics. How might this generative approach illuminate the interplay between cognition, social networks, and the broader dynamics of innovation?
The Semantic Foundation of Creative Thought
Collective creativity, the remarkable human capacity to generate novel ideas through group interaction, isn’t a boundless process; rather, it operates within the established framework of semantic memory. This foundational knowledge store, encompassing concepts, facts, and relationships, fundamentally constrains the possibilities for innovation. The ease with which individuals connect and combine existing knowledge-the building blocks of new ideas-is directly determined by the organization and accessibility of information within this network. Consequently, even the most dynamic brainstorming sessions are tethered to pre-existing conceptual structures; truly radical ideas, while possible, require significant cognitive effort to bridge distant associations or restructure entrenched knowledge frameworks. Therefore, understanding the architecture of semantic memory is crucial for both predicting the limits and fostering the potential of collective creative endeavors.
The human capacity for innovation is deeply rooted in semantic memory, the vast network storing general knowledge about the world. This isn’t simply a passive repository; the very structure of semantic memory – how concepts are linked and categorized – actively shapes the potential for creative thought. Each idea, each invention, emerges from existing knowledge, and the pathways within semantic memory determine which concepts can be readily connected. A richer, more interconnected semantic network provides a greater landscape for association, increasing the likelihood of novel combinations. Conversely, limited or rigidly structured semantic memory can constrain thought, hindering the generation of truly original ideas. Therefore, the breadth and flexibility of an individual’s conceptual knowledge base serve as a fundamental limit – and a powerful catalyst – for creative expression.
The generation of genuinely novel ideas, as described by Associative Theory, isnāt a random occurrence but a structured process deeply rooted in how knowledge is organized within semantic memory. This theory proposes that creativity stems from forging connections between concepts that are typically distant or unrelated – a process reliant on the brainās ability to traverse the network of stored information. The strength and accessibility of these connections, determined by factors like frequency of co-occurrence and emotional resonance, dictate the ease with which remote concepts can be linked. Consequently, a richly interconnected and readily accessible semantic memory – one where diverse concepts are linked through multiple pathways – provides a fertile ground for innovation, allowing for the effortless combination of disparate ideas and the emergence of truly original thought.
![Recipients demonstrate significantly increased semantic overlap after shared inspiration [latex]p < 0.001[/latex], suggesting heightened redundancy in their exploratory processes.](https://arxiv.org/html/2602.03068v1/x4.png)
Network Topology and the Potential for Ideation
Semantic modularity, a property of semantic networks describing the degree of segregated sub-networks, exhibits a strong inverse relationship with creative capacity. Research indicates that networks with lower modularity – characterized by a higher degree of interconnectedness between concepts – demonstrate greater ideational breadth. Specifically, a correlation coefficient of r = -0.90 suggests a robust negative correlation; as modularity decreases, the range and diversity of generated ideas increases. This implies that creativity is not maximized within highly organized, compartmentalized semantic structures, but rather thrives in networks where concepts are readily associated across multiple domains.
The Watts-Strogatz model is a network construction algorithm enabling the systematic variation of network topology along two primary dimensions: characteristic path length and clustering coefficient. It begins with a regular ring lattice where each node is connected to its nearest neighbors. Rewiring then occurs by randomly selecting two nodes and reconnecting their edges, effectively creating āshortcutsā across the network. The probability, [latex]p[/latex], of rewiring controls the degree of randomness; low [latex]p[/latex] values maintain high clustering and short path lengths, resembling a regular lattice, while high [latex]p[/latex] values yield a more random network with shorter path lengths but reduced clustering. This model allows researchers to generate networks with āsmall-worldā properties – high clustering and short average path lengths – and to explore the relationship between these properties and cognitive functions like creative ideation.
The Watts-Strogatz small-world model posits that semantic memoryās capacity for generating novel ideas is maximized when networks exhibit a specific balance between local clustering and long-range connections. Local clustering, characterized by dense connections within immediate conceptual neighborhoods, facilitates efficient information retrieval and strengthens existing associations. However, these dense local networks must be bridged by long-range connections – sparse links to distant conceptual areas – to allow for the recombination of disparate ideas. This architecture enables both the efficient processing of familiar information and the unexpected integration of seemingly unrelated concepts, ultimately increasing the probability of novel idea emergence. The model suggests that either excessive clustering or a lack of local structure will impede creative thought by either limiting access to diverse information or hindering the efficient recall of relevant knowledge.
![Modularity decreases as the rewiring probability [latex]p[/latex] increases in Watts-Strogatz small-world networks with 100 nodes and an average degree of 4, as demonstrated by the mean modularity (points) and its 95% bootstrap confidence intervals (shaded bands) across 15 graph replicates.](https://arxiv.org/html/2602.03068v1/x1.png)
Simulating Ideation: A Computational Approach
The Random Walk algorithm is employed as a computational analogue for the associative process within semantic memory during ideation. This method models the flow of thought as a stepwise transition between related concepts, where the probability of moving to a neighboring concept is determined by the strength of their semantic association – often quantified through co-occurrence data derived from large text corpora. Each step in the walk represents a single ideational step, and the algorithm allows researchers to simulate and analyze the exploration of conceptual space, providing a measurable proxy for the cognitive processes involved in idea generation. Parameters such as step size and the weighting of semantic connections can be adjusted to model variations in individual cognitive styles or the influence of contextual factors on the ideation process.
The Ideation Trace, representing the sequential path of concepts activated during idea generation, provides a measurable metric for quantifying conceptual exploration. This trace is constructed by recording each concept visited as the ideation process unfolds, whether through human protocol analysis or computational modeling. Analysis of the Ideation Trace focuses on characteristics such as trace length – the total number of concepts visited – and the diversity of concepts within the trace, often measured by semantic distance between nodes. Shorter traces with limited conceptual diversity indicate constrained exploration, while longer traces exhibiting greater diversity suggest broader and potentially more innovative idea generation. Computational methods can then be applied to these traces to calculate metrics like āsemantic reachā or āconceptual entropyā, providing objective data regarding the scope and novelty of the ideation process.
Agent-Based Computational Models (ABMs) leverage the NK Landscape – a configurable fitness landscape where each elementās value depends on the state of K other elements – to simulate collective problem solving. In these models, agents interact within a network, exploring potential solutions and adapting their strategies based on feedback from the landscape. By varying network topology – including parameters like connectivity, clustering, and degree distribution – researchers can quantitatively assess the impact of network structure on idea generation efficiency, measured by metrics such as the speed of convergence to optimal solutions, the diversity of generated ideas, and the overall quality of the solutions found. The NK Landscape provides a tunable environment to manipulate problem complexity and observe emergent behaviors related to collective intelligence and innovation.
The Influence of Redundancy and Network Position on Creative Output
Collective brainstorming, while intended to generate a wealth of diverse concepts, frequently results in redundancy – the convergence upon and reiteration of similar ideas. This phenomenon isnāt necessarily a flaw, but rather an inherent characteristic of group ideation; as individuals draw from a shared pool of knowledge and experience, overlap becomes statistically probable. This convergence impacts the overall diversity of generated concepts, potentially limiting the exploration of truly novel solutions. The extent of this redundancy isnāt random, however, and can be quantified, revealing how shared inspiration predictably increases the similarity between independently generated ideas, thereby influencing the breadth and originality of collective output.
Cognitive stimulation fundamentally alters the process of ideation by broadening an individualās conceptual search space. Exposure to the ideas of others doesn’t simply add to existing thought patterns; it actively reshapes them, mitigating the natural tendency towards redundancy that occurs when individuals independently generate concepts. This expansion of perspective allows for the recombination of previously unconnected ideas, fostering innovation by creating novel associations and solutions. The effect is particularly pronounced when individuals encounter perspectives significantly different from their own, as this dissimilarity compels a deeper cognitive restructuring and encourages the exploration of previously unconsidered avenues of thought. Ultimately, cognitive stimulation shifts ideation from a process of recall to one of genuine creation, driving the emergence of truly original concepts.
The capacity for creative ideation is significantly enhanced when individuals bridge gaps within social networks – areas known as structural holes. These holes represent a lack of direct connection between otherwise separate clusters of people, and accessing information flowing through them provides exposure to a more diverse range of perspectives. Rather than relying on ideas circulating within a homogeneous group, individuals positioned at these network junctions gain access to novel information and non-redundant concepts. This exposure doesnāt simply increase the amount of information received, but fundamentally alters its character, fostering more unique and creative ideation traces as individuals synthesize previously unconnected concepts. Consequently, network structure isn’t merely a backdrop for innovation, but an active mechanism driving the generation of original thought.
The extent to which ideas overlap within a group – a phenomenon quantifiable through Jaccard Similarity – significantly impacts the potential for innovation. Research demonstrates that when individuals draw inspiration from similar sources, the overlap in their subsequent ideas increases by 0.026, a statistically significant finding (p < 10-300). Conversely, groups initially exhibiting lower idea overlap benefit more from external stimulation; for every unit decrease in pre-interaction Jaccard Similarity, the subsequent creative benefit increases by 5.8 (p < 0.001). These results highlight a crucial dynamic: while shared inspiration can reinforce existing thought patterns, a greater diversity of initial perspectives fosters a more substantial cognitive boost when exposed to new information, ultimately driving more original ideation.
The presented work rigorously establishes a foundation for understanding collective creativity as an emergent property, originating from the structure of individual semantic memory. This echoes Bertrand Russellās observation that āTo be happy, one must find something to do.ā In this context, āsomething to doā represents the cognitive processes within each agent – the association and recombination of semantic elements. The model demonstrates that complex creative outputs arenāt necessarily born from pre-programmed ingenuity, but from the simple, consistent application of these fundamental cognitive mechanisms, mirroring Russellās emphasis on consistent action as a pathway to fulfillment. The lack of reliance on pre-defined creativity scores underscores the elegance of the approach – the system proves creativity through generation, rather than assuming it.
Where Do We Go From Here?
The demonstrated emergence of collective creativity from relatively simple cognitive substrates offers a necessary, if unsettling, clarity. It forces a reckoning with the fieldās prior reliance on externally-defined ācreativityā metrics-essentially, treating the symptom as the cause. Future work must resist the temptation to merely measure creativity and instead focus on the underlying generative mechanisms. The current model, while demonstrating principle, remains structurally limited. Expanding the semantic networkās complexity-incorporating, for example, probabilistic associations and nuanced contextual embeddings-will be crucial.
A persistent challenge lies in scaling this model to reflect the messiness of actual social cognition. The current iteration relies on a rather austere communication scheme. Introducing noise, misinterpretation, and the inherent ambiguity of language will be essential, though fraught with peril. Such additions threaten analytical tractability, yet a model that cannot accommodate imperfection is, ultimately, a falsehood.
Perhaps the most demanding task is to move beyond purely associative mechanisms. True novelty-the genuinely unexpected idea-requires a principle of variation, a source of controlled stochasticity that transcends mere recombination. Optimization without analysis is self-deception; similarly, generating novelty without understanding the constraints that define it is merely random exploration. The path forward necessitates a rigorous mathematical formalization of the creative impulse itself.
Original article: https://arxiv.org/pdf/2602.03068.pdf
Contact the author: https://www.linkedin.com/in/avetisyan/
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2026-02-05 05:30