
Now that the first episode of the Game of Thrones spin-off, A Knight of the Seven Kingdoms, has been released, showrunner Ira Parker has discussed a surprising moment that even author George R.R. Martin found a bit odd. When Ser Duncan the Tall (played by Peter Claffey) competes in his first jousting tournament, he’s suddenly hit with an urgent need to use the restroom – a feeling amplified by the composer Ramin Djawadi’s music building at the same time. And the show doesn’t shy away from showing the whole awkward situation.
Martin had previously shared with The Hollywood Reporter that his initial reaction to a draft of the first episode included questioning a particular scene – he wondered what it was, where it came from, and if it was even necessary. However, Parker ultimately decided to keep it. Now, speaking again to the publication, Parker has explained why that unsettling content is important and why it fits into Dunk’s overall story.
The script described Duncan hearing a heroic melody internally – not necessarily the Game of Thrones theme right away. It was meant to represent that feeling of inspiration and determination we all get when we commit to a challenging, new endeavor.
There’s a moment of excitement, a feeling of, ‘I can do this!’ when someone takes on a big challenge, like picking up a sword. But then the weight of it hits them – how hard it will be, how frightening. It’s overwhelming because they’re not a hero yet – they’re just a regular person, maybe a bit anxious, just like anyone else. Even when you really want to achieve something amazing, actually doing it is much harder than you expect.
Dunk’s Feelings Transferred Over to the Actor Who Plays Him

HBO
It’s been amazing watching Conor Claffey, the lead in HBO’s A Knight of the Seven Kingdoms, navigate this new chapter! He’s relatively new to acting – he actually played rugby for Connacht until 2019 – and he’s told People Magazine how surreal it is. He was a huge Game of Thrones fan, like so many of us, and to go from watching the show to being in a spin-off is just incredible. Thrones was a cultural phenomenon, the biggest show ever, and it’s awesome to see someone who clearly loved it getting this opportunity.
Claffey admitted it’s a little scary being the new face of a well-loved franchise. He’d never worked on something this big before, and the team really focused on staying true to the characters and the source material – both the books and the TV show. He hopes fans will appreciate their efforts, but acknowledged it’s a daunting task.
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I’m actually kind of relieved about how HBO is approaching A Knight of the Seven Kingdoms. Unlike House of the Dragon, which felt like a massive, all-in bet, this new show feels more like a low-pressure experiment. It’s only six short episodes, so it doesn’t seem like they’re trying to make it the event of the year. That’s a good thing, honestly. It gives the show room to breathe and find its footing. Hopefully, if they get a second season, everyone will be a lot more confident about it.
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2026-01-19 23:06