Sunday night’s must watch: Gillian Anderson’s Trespasses is a ‘breathtaking’ Troubles-set drama

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Everyone’s going to be talking about the new drama, Trespasses, this fall. Like a fashion trend that becomes popular after thirty years, Belfast and the surrounding areas of Northern Ireland are suddenly the hot setting for compelling stories, even though ‘cool’ isn’t an easy word to associate with the Troubles.

Channel 4’s new four-part drama, Trespasses, which begins tonight, is full of tension. It features a dangerous and secret love story, constant threats, and a particularly powerful performance from Gillian Anderson – possibly the best of her career – showcasing both sadness and anger.

Wow, this show is incredible – seriously gripping from start to finish! It’s exactly the kind of brilliant, edgy drama Channel 4 does so well. It’s based on Louise Kennedy’s fantastic first novel – the one that was nominated for the Women’s Prize for Fiction last year – and it’s set in Northern Ireland in 1975, right in the middle of all the conflict. It really feels authentic and stays true to the book, which I loved.

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Lola Petticrew delivers a powerful performance as Cushla, a Catholic schoolteacher who also works evenings at her family’s pub. There, she encounters Michael, portrayed with wit and charm by Tom Cullen, known for his role in The Gold.

He’s a seasoned Protestant lawyer who defends people accused of being involved with the IRA, a dangerous job that puts him at risk from both sides of the conflict. He’s a bit of a charming rogue – cultured, worldly, and happily married. From the moment they meet, there’s a strong, undeniable attraction between them, and every conversation is filled with unspoken desire.

A strong attraction quickly blossoms into a deep and passionate love. Cushla isn’t just physically drawn to him; she’s captivated by his intelligence and the exciting future he represents – a future far beyond her ordinary routine of school and local pubs.

Honestly, one of the things that really gets to me in this show is Gillian Anderson’s portrayal of the mother, Gina. She absolutely nails the way Gina is falling apart – it’s heartbreaking and believable, and it feels like a huge part of why things are so messed up for everyone else. She perfectly captures that fragile, desperate energy of someone struggling with alcoholism.

Cushla is determined to leave home and the harmful relationship she’s in, though her mother might be the only one who can truly protect her. Saoirse-Monica Jackson’s portrayal of Gina, complete with a convincing Belfast accent, is particularly noteworthy, even for those unfamiliar with the region.

Ultimately, the story centers on Lola Pettigrew. The film is told from her perspective, and she delivers a standout performance as a relatable woman – kind, funny, and loving – who’s simply trying to figure things out in a complicated life.

Cushla presents a brave face, but underneath she’s vulnerable and her situation is heartbreaking. While a relationship with Michael is tempting – he’s charming and passionate – it’s not the right choice for her. Her colleague, Gerry, is the one who truly makes her happy and brings out her playful side.

Cushla’s line – “We’re doomed. Other than that we’re grand.” – perfectly captures the essence of their complicated romance. It speaks to the feeling that even facing inevitable hardship, love can make life feel incredibly vibrant, almost defying the idea of an ending.

Cushla’s strong feelings for Michael embolden him to speak his mind openly, even when it’s risky. This quickly draws the attention of dangerous groups – including illegal paramilitary organizations, enraged locals, and a ruthless government – who initially dismiss him, but soon become dangerously provoked. Their connection fuels a rapid escalation of violence, all while it’s revealed Michael may be deceiving everyone around him, with heartbreaking results.

The film, created by a team of women including writer Ailbhe Keogan and director Dawn Shadforth (a BAFTA winner), offers a distinctly female perspective on a conflict usually shown through men’s eyes. It powerfully illustrates the harm inflicted on women like Cushla and those around her, caught in senseless and destructive violence.

If you enjoy compelling historical dramas that focus on characters and their surroundings—like a blend of The Crown, Normal People, and a story set during the Troubles—then Trespasses is worth watching.

This production truly captures the feeling of the era. It’s a dangerous world – dark streets feel threatening, buildings are destroyed by bombs, and soldiers are intimidating. The atmosphere is beautifully sad, with smoky rooms, elegant suits, muted colors, and a sense of unease lurking beneath normal life. The costumes reflect this mood, being detailed and luxurious rather than typical, casual clothing of the time.

Unlike many shows that stretch on and on, Trespasses is a complete story told in just four parts. It reaches a definite ending – there won’t be a second season. It’s a quick watch, but be warned: it’s emotionally powerful and might be too much if you’re already feeling overwhelmed. It’s a fitting choice for these unpredictable times.

Trespasses begins on Channel 4 on Sunday 9 Nov at 9pm and on channel4.com

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2025-11-08 12:20