Horror movies have a long and impressive history of showcasing strong female leads. These heroines often begin as vulnerable characters, but through facing terrifying situations, they become powerful survivors – a storyline that remains captivating even after countless retellings. Actresses like Mary Elizabeth Winstead and Maika Monroe have become popular thanks to this tradition, so there was extra anticipation for their new film, The Hand That Rocks The Cradle, especially as a remake. Fortunately, the movie lives up to expectations, effectively utilizing the dynamic between these two talented actors.
The Hand That Rocks The Cradle

Here are the details for the film: It will be released on Hulu on October 22, 2025. Michelle Garza Cervera directed the movie, and Micah Bloomberg wrote the screenplay. The film stars Mary Elizabeth Winstead, Maika Monroe, Raúl Castillo, Riki Lindhome, and Martin Starr. It has an R rating due to strong violence, sexual content, and language, and runs for 105 minutes.
At its heart, the story taps into the relatable worry parents feel when trusting someone with their children’s well-being. However, it expands on that simple premise to create a genuinely thrilling experience that respects the audience’s intelligence and delivers several unexpected twists. The film also benefits from the performances of two experienced actors who bring depth and nuance to their characters, allowing viewers to understand and empathize with both sides of the story.
The film, written by Micah Bloomberg, centers on Caitlyn Morales (Mary Elizabeth Winstead), a lawyer and mother, as she’s about to have her second daughter. She initially meets Polly Murphy (Maika Monroe) at a work event, offering to help with a dispute Polly is having with her landlord. They reconnect a few months later after Caitlyn’s baby is born. Polly, now without a job after her previous family moved, seems like a good fit, and after discussing it with her husband, Miguel (Raúl Castillo), Caitlyn decides to hire her as a nanny.
Polly’s job starts as part-time, but quickly becomes full-time when she moves into the family’s guest house, and for a while, everything seems good. However, things aren’t what they appear. Despite seeming kind and dependable, Polly is hiding a secret and is using the job to get revenge for something that happened in the past.
With its familiar story foundation, The Hand That Rocks The Cradle avoids a number of clichés in favor of compelling twists.
I went into watching the new film hoping it wouldn’t make the same mistake as many thrillers – needlessly hiding the villain’s motives. Thankfully, it avoids that trap. The film’s antagonist, Polly, quickly establishes herself in the Morales family, becoming especially close with the older daughter, Emma. However, she subtly undermines the family’s peace and Caitlyn’s mental state, with the tension steadily building. She starts with psychological manipulation, gaining Emma’s trust and exploiting the protagonist’s past relationships, but things quickly escalate to poisoning, drugging, and ultimately, extreme violence.
Although the audience knows Polly is up to no good, the reasons behind her desire for revenge and her history with Caitlyn are kept hidden, and this turns out to be the film’s greatest strength. It’s not a traditional mystery with subtle clues; instead, the important revelations come in two key scenes near the end of the movie. However, without giving away too much, these answers are genuinely surprising and add surprising depth to the story.
The turns by Mary Elizabeth Winstead and Maika Monroe make The Hand That Rocks The Cradle a special delight for genre fans.
The biggest appeal of The Hand That Rocks The Cradle for fans of the genre is seeing Mary Elizabeth Winstead and Maika Monroe face off, and the film gives both actresses plenty to work with. Winstead plays a character in more familiar territory, but she delivers a standout performance nonetheless. Her character initially appears as a composed and capable professional – Winstead’s charm softens some of her more controlling traits – but she also has a history of mental health issues that Polly exploits. This allows the actor to portray a compelling descent into fear and paranoia, fueled by manipulation, medication tampering, and concern for her family. It’s a very emotionally charged role, and Winstead handles every moment with skill.
Maika Monroe has built an impressive career with films like The Guest, It Follows, Watcher, and Longlegs, and this movie really allows her to showcase her acting skills. She clearly learned a lot working alongside actors such as Dan Stevens, Burn Gorman, and Nicolas Cage. Monroe brings a captivating mix of charm and allure to the character, allowing her to subtly infiltrate the Morales family’s life. However, the most compelling moments come when we see behind that facade. Though she doesn’t present as physically dangerous, the simmering anger in her eyes creates a palpable tension, combined with a relentless determination that truly makes her character come alive.
The movie’s storytelling is direct and centers heavily on the relationship between Caitlyn and Polly, but this approach works because the characters are well-developed and the actors deliver strong performances. It’s disappointing it won’t be shown in theaters – it would have been a great addition to the spooky season, which hasn’t had many standout horror films this year (though 2025 is looking promising). For now, The Hand That Rocks The Cradle is worth adding to your list if you’re planning a Halloween horror movie marathon.
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2025-10-22 10:39