The upcoming Disney+ series, Marvel Zombies, derived from a long-running series of dark comic books by Marvel, promises to be the most brutally violent and gory installment yet within the Marvel Cinematic Universe. It appears that no other show in the franchise has, or will likely come close to, matching its level of bloodshed and intensity.
The upcoming animated series arriving on Disney+ in September features a trailer brimming with gruesome zombie scenes involving dismemberment, decapitation, and copious amounts of blood. Characters once cherished as Marvel heroes meet their demise in grisly fashion. A reminder that the days when Disney+ maintained a family-friendly policy, pushing anything too intense to Hulu, are now far behind us.
On the voice acting front for Marvel Zombies, we’ve got stars like Elizabeth Olsen, Paul Rudd, Florence Pugh, David Harbour, Tessa Thompson, Simu Liu, Awkwafina, Hailee Steinfeld, Wyatt Russell, Randall Park, Iman Vellani, and Dominique Thorne lending their talents.
Watch some of your favorite Marvel heroes die in horrible ways in the trailer below:
Instead of asking: Yes, you’re correct that character at the end of the trailer is indeed Blade, or “Blade Knight,” a character with Moon Knight-like powers. However, contrary to popular belief, Blade Knight in the series isn’t voiced by Mahershala Ali as suggested by the captions of press photos. Instead, Todd Williams is credited as the voice actor for Blade Knight.
There’s a new poster for the series as well…
Here is the series’ official synopsis:
Following the Avengers being infected with a zombie epidemic, a frantic band of survivors unearths the secret to terminating the undead superheroes, hurtling through a post-apocalyptic wasteland and daring all perils to save their world.
Marvel’s Zombies makes its debut on Disney+ on September 24th, with the full series being accessible from that day onwards.
Sign up for Disney+ here.
Every Marvel Movie Ever Made, Ranked From Worst to First
80. Elektra (2005)
Elektra, known as the world’s top assassin, takes great care to remove any trace of her DNA from her work area. Yet, she is also careless enough to socialize with her curious new neighbors while on an assignment, unaware that they are part of her mission. Strangely enough, after dying and being revived in Daredevil, Elektra gained the power to foresee the future and even rewind time if needed, essentially making her an immortal deity. So, it’s not surprising that she spends her time battling ninjas with a pair of sai using her divine powers. From her Wikipedia page, it’s known that Garner didn’t want to be part of this film but agreed due to contractual obligations from Daredevil. Somewhere out there, someone watched Elektra as their first Marvel movie. Let’s take a moment to feel for this person.
79. Captain America (1990)
The 1990 low-budget film titled “Captain America” is uniquely bad, with a lack of subtlety that’s evident in scenes where shots of the White House are accompanied by title cards reading “WHITE HOUSE – WASHINGTON D.C.” without any hint of irony, and later repeated as “WASHINGTON D.C.” The initial sequences set in the 1930s are decent and more reminiscent of the Captain America portrayed in the Marvel Cinematic Universe than one might assume. However, the quality takes a significant nosedive once Captain America wakes up in the early 1990s, plunging to the level of cheap, synthesized music you’ve probably never heard before. Matt Salinger’s Captain America costume is acceptable for the time, but he rarely wears it and instead spends a large portion of the movie acting nauseous to steal cars by jumping into the driver’s seat when the other person steps out to check on him.
78. Fantastic Four (2015)
In simpler terms, a team of bright young researchers invent a device for inter-dimensional travel, fearing their government might exploit their work and claim credit. They test it themselves but end up gaining extraordinary abilities or grotesque transformations. This narrative can be seen as a metaphor for the production of Josh Trank’s ‘Fantastic Four,’ where ambitious filmmakers with innovative ideas bring a fresh take on classic characters, but their creativity is threatened by selfish interests focused on profits. The movie switches between being a dark horror and an action-packed superhero spectacle, giving viewers a chaotic blend of genres that don’t quite mesh. It’s like eating a salad with lettuce, gummy worms, and carpet samples drenched in Mike’s Hard Lemonade. Furthermore, the continuous nudity of The Thing throughout the film is puzzling and leaves many viewers uncomfortable.
77. Morbius (2022)
On April 1st, 2022, the release of Morbius left audiences feeling as if they had been pranked on a grand scale. The final film bore little resemblance to its trailers, with several scenes and plotlines noticeably absent. It seemed that during post-production, the entire movie underwent significant changes to ensure it was evident that it did not belong in the Marvel Cinematic Universe. Unfortunately, this was one of the few things that were crystal clear about Morbius, a vampire film that appeared to have been pieced together by Dr. Frankenstein, cobbling together disparate storylines and characters in a chaotic, disjointed manner.
76. X-Men Origins: Wolverine (2009)
The somewhat humorous title gives you a good idea of the movie’s content. Is it an X-Men film, a Wolverine solo adventure, or the origin story? How about it being all three? If director Gavin Hood had concentrated on a single aspect, he might have made a decent film. However, this movie was already doomed from its conception due to its jumble of several different X-Men and Wolverine tales. Lines such as “We didn’t sign up for this,” “We’ve done enough!”, “You look like a man about to do something wrong”, and my personal favorite, “Wake me when it’s over”, found in X-Men Origins, can also be seen as a commentary on the film’s flaws.
75. Madame Web (2024)
In simpler terms, the movie titled “Madame Web” features Dakota Johnson as the protagonist, a character who hasn’t had her own ongoing Marvel comic. Despite this, Sony produced this film as part of their attempt to expand their Spider-Man movie universe. Interestingly, the title character isn’t commonly referred to by her title in the film. After a close brush with death, Johnson’s EMT character develops psychic abilities and is tasked with safeguarding three young women who are being pursued by a villain with spider-like powers. The storyline seems to have been revised significantly during post-production, and the special effects and costume designs are quite jarring. Unfortunately, “Madame Web” faces stiff competition for the title of worst Spidey spinoff from the movie “Morbius,” which was released a few years prior.
74. The New Mutants (2020)
Following numerous setbacks and speculations, the final chapter of the X-Men series, “The New Mutants,” stumbled into cinemas during the summer of 2020. Remaining true to the comic book characters such as shy werewolf Rahne Sinclair (portrayed by Maisie Williams) and Bobby da Costa with his brash demeanor (Henry Zaga), it did manage to retain authenticity. However, it unfortunately failed to deliver on its concept of a vast mutant hospital run by a mere single doctor. The references to the broader X-Men universe only added to the confusion (Why isn’t Colossus around and why is he seemingly fine with his sister receiving treatment from this questionable doctor?). In conclusion, “The New Mutants” represented a significant squandered opportunity.
73. Kraven the Hunter (2024)
Ever pondered about the origin of Kraven’s furry vest? There’s a film that might intrigue you! However, if you’re not particularly interested in Kraven’s wardrobe, you may find little enjoyment in Kraven, an excessively lengthy and meandering Spider-Man spinoff (without any Spider-Man). The protagonist, a hunter of men portrayed by Aaron Taylor-Johnson, is largely defined by his physical physique. His exploits include conflicts with his father (played by Russell Crowe in an over-the-top and heavily Russian-accented performance), and the Rhino, who in this universe is a bumbling Russian criminal carrying a child-sized backpack filled with serums to prevent him from transforming into a large, gray-skinned beast. Sony has produced some excellent Spider-Man films, both live-action and animated. Yet, these spinoffs are the least impressive.
72. Blade: Trinity (2004)
During the production of this movie, as stated by co-star Patton Oswalt, there seemed to be tension between Wesley Snipes and director David Goyer, with communication limited mostly to notes passed around (which Snipes would sign “From Blade”). Consequently, all shots that did not necessitate a close-up of Snipes were filmed using his stand-in. However, unless you’re closely watching the screen while the movie is playing, it’s unlikely you would notice this discrepancy.
71. The Amazing Spider-Man (2012)
In this movie, there’s a scene where Peter Parker visits Dr. Curt Connors for assistance in capturing a colossal lizard. Connors declines to help Peter with his predicament, stating he’s occupied with a “new assignment” and needs to work alone. He politely asks Peter to depart, but then it’s Connors who exits the office, allowing Peter to remain behind in his laboratory. Curious, Peter explores and discovers proof that unveils Connors as the Lizard. Essentially, Character A instructs Character B to leave, but instead of Character B departing, Character A does, allowing Character B to linger. Creating movies is more intricate than it appears.
70. Eternals
Initially, I wouldn’t have imagined that a Marvel film directed by an Academy Award winner, revolving around some of Jack Kirby’s most audacious comics, would result in one of the company’s least indispensable productions. Regrettably, Eternals, unfortunately, never quite gelled together. It largely adheres to the original comic’s key principles with minor but significantly irritating alterations, such as transforming the malevolent Deviants into faceless monsters with no objectives or motivations. The ensemble boasts commendable supporting roles from Kumail Nanjiani and Brian Tyree Henry, yet the principal characters – Gemma Chan portraying Sersi and Richard Madden as Ikaris – struggle to convincingly convey their supposed long-standing romance (a relationship spanning thousands of years, but appearing as if it were on their very first awkward date). The screenplay occasionally delves into intriguing themes concerning the links between superheroes, mythology, and religion, only to forsake them repeatedly in favor of standard Marvel action sequences. In summary, Eternals represents an ambitious flop – a failure nonetheless.
69. The Incredible Hulk (2008)
68. Venom: Let There Be Carnage (2021)
As a passionate filmgoer, I’d say that while the initial “Venom” was a dark exploration of body horror with an over-the-top comic portrayal at its core, “Let There Be Carnage” feels more like a romantic comedy between Tom Hardy’s Eddie Brock and Venom. They bicker over their incompatible living arrangements and even consider parting ways to explore other possibilities (or perhaps indulge in some alien brain feasts). Unlike the first film, which was bogged down by subplots, villains, and convoluted tales about malevolent Life Foundations, this sequel is stripped down to its bare essentials so severely that even basic story questions go unanswered, and a few crucial supporting characters don’t make an appearance until well into the movie. The plot is riddled with holes, and the incomprehensible action sequences don’t exactly clarify things.
67. X-Men: Apocalypse (2016)
In the movie “X-Men: Apocalypse”, they chose to bury the charm of Oscar Isaac under 60 pounds of ugly blue makeup, giving him a comical voice and making him perform awkward actions such as touching a TV screen while moaning “Lleeeearning”. One of its many flaws is this misuse of talent. It also had a humorous but goofy opening sequence, wasted the energy generated by its excellent prequel, “X-Men: Days of Future Past”, and failed to maintain the goodwill it built up.
66. Dark Phoenix (2019)
In the second attempt by Director Simon Kinberg on “The Dark Phoenix Saga,” which was also a co-write for X-Men: The Last Stand, shows improvement in certain aspects yet falls short in others compared to the original. As per the recent X-Men series trends, Michael Fassbender’s portrayal of Magneto remains the highlight, adding a depth to the role that the series may not fully warrant. It’s quite intriguing how Magneto appears to be 60 years old in this movie, but he carries such a youthful likeness reminiscent of Michael Fassbender – one might think his magnetic therapy is quite effective!
65. The Punisher (2004)
Similar to other films on this list, “The Punisher” struggles by trying to combine multiple stories with distinctly different moods into one film. For instance, the unusual decision to create an origin story that also serves as a comeback tale for the character (the miniseries it’s based on is called “Welcome Back, Frank”) doesn’t quite work. While the best parts of the movie are indeed from that comic book, known for its sharp humor and excessive violence, it lacked a villain who fit this tone. Instead, John Travolta’s portrayal of a serious, humorless crime boss didn’t quite match up.
64. Howard the Duck (1986)
The infamous reputation of the Marvel movie, Howard the Duck, as the worst Marvel production has grown stale over time. Modern-day Marvel is a well-oiled machine, consistently producing films and series at an incredible pace. While much of what they produce is enjoyable, their methodical universe approach can’t replicate the unpredictable nature of Howard the Duck. This film stands out as wildly bizarre, genuinely terrifying (with Jeffrey Jones’ Dark Overlord being more chilling than Thanos), and surprisingly racy for a duck movie. To this day, it remains the most unusual Marvel film by a considerable margin. (You can read more about it here.)
63. The Amazing Spider-Man 2 (2014)
In the sequel to the extraordinary film, there’s a slight enhancement over the initial one. The Spider-Man stunts are well executed, Andrew Garfield appears more at ease as a wisecracking hero compared to Tobey Maguire, and they share a convincing on-screen chemistry with Emma Stone. However, the villains in this installment leave much to be desired; they are consistently and distressingly poor. Jamie Foxx’s Electro character transitions from a pathetic outcast to an insane power-seeker in merely seconds. Meanwhile, Dane DeHaan portrays Harry Osborn, who bears a striking resemblance to a combination of a Mad Max antagonist and a Troll doll. There are several strong scenes throughout, but you’ll have to endure some truly poor ones to appreciate them.
62. Fantastic Four (2005)
The Marvel’s First Family has consistently faced unfair treatment in Hollywood. Their initial film was so poorly received that Marvel decided to buy it back to avoid any negative impact on their comics. Unfortunately, the latest movie didn’t fare much better. Sandwiched between these disappointments were two mediocre blockbusters from Fox, featuring an average cast and some of the worst product placements I’ve ever seen.
61. Ghost Rider (2007)
I’m rather sure Sam Elliott plays the same character in this film as he did in “The Big Lebowski.” Moreover, I’m completely convinced that the movie could have been enhanced if The Dude had transformed into Ghost Rider. Despite the fact that Nicolas Cage delivers an intriguingly bizarre performance – drinking coffee straight from the pot, speaking like Elvis on quaaludes, and behaving as if he’s a newly physicalized alien consciousness – the overall feel is somewhat artificial. A sequel might introduce authentic grit and dirt to the concept.
I think Sam Elliott plays the same character in this movie as he did in “The Big Lebowski.” I believe the film could have been improved if The Dude turned into Ghost Rider. Although Nicolas Cage’s performance is strange and entertaining – drinking coffee directly from the pot, talking like Elvis on quaaludes, and acting as if he’s a new physical form for an alien consciousness – it feels artificial. A sequel might add some real-life grime to the concept.
60. Daredevil (2003)
The 2003 Daredevil movie starring Ben Affleck seems hard to believe it’s almost two decades old now. The Matrix-inspired leather costumes and the nu metal soundtrack featuring bands like Hoobastank, Saliva, Drowning Pool, and Evanescence give the film a distinctly dated feel. Director Mark Steven Johnson struggled to condense years of Daredevil comics into a mere 103 minutes, resulting in a somewhat muddled storyline. However, for what it’s worth, the director’s cut that includes about half an hour more footage and a subplot concerning Matt Murdock’s court case missing from the theatrical version, offers slightly improved viewing experience.
59. Thor: The Dark World (2013)
We came close to having Patty Jenkins’ interpretation of Thor. However, what we ended up with is a rather dull chase for a mystical object, which features arguably the least engaging villain in the entire Marvel Cinematic Universe. If there’s a silver lining, it could be that this movie performed poorly enough to persuade Marvel to take risks and drastically change things as they did with Thor: Ragnarok.”
(You can read more about it here.)
58. The Marvels (2023)
57. Venom (2018)
In the movie “Venom”, things start off chaotic, but once Tom Hardy’s character forms a bond with the alien symbiote, the film transforms into an unexpectedly hilarious spectacle. The symbiote, speaking in a gruff voice inside Hardy’s head (voiced by him), leads to an amusing dynamic where Hardy and his symbiotic alter ego engage in witty banter. They engage in humorous physical skirmishes with villains, as if Venom is controlling Tom Hardy like a marionette. They also have an unusual appetite for tater tots. Essentially, it’s as if Stan Laurel and Oliver Hardy had merged into one character, with one of them having a penchant for consuming human heads.
56. X-Men: The Last Stand (2006)
The movie titled “The Last Stand” surpasses its general perception to some extent. It contains captivating segments, such as Sir Ian McKellen’s compelling performance as Magneto, the Danger Room sequence that was definitely worth the anticipation, and Kelsey Grammer’s portrayal of Beast mirrors a character straight from the Marvel comics. However, the Dark Phoenix storyline and anything related to Juggernaut are far from satisfactory.
55. Captain America: Brave New World (2025)
In the wrong narrative, the right hero shines – this sentiment rings true for many recent Marvel films, including The Marvels, but it’s particularly applicable to Captain America: Brave New World. This film marks Anthony Mackie’s captivating Sam Wilson as the leading character, only to burden him with a monotonous villain and a plot riddled with unnecessary references to The Incredible Hulk – leaving one pondering the fate of Betty Ross seems an odd choice indeed.
This paraphrase maintains the original tone while making it easier for readers to understand, using simpler language and clearer sentence structure.
54. Punisher: War Zone (2008)
In my opinion, Ray Stevenson delivers the standout portrayal among all the film adaptations of The Punisher. His character seems deeply self-loathing, much like his enemies from the Mafia, and he embodies the appearance of a character straight off a Tim Bradstreet cover. Aside from Stevenson’s exceptional performance, “Punisher: War Zone” appears to be an adaptation of a standard comic issue – the forgettable issues released between more significant story arcs to maintain the series’ schedule. The Punisher enters and exits the movie in exactly the same state as before, with little character development. There is an abundance of violence and action throughout, though it often feels disjointed and lacks depth, save for one memorable rocket launcher scene. Jigsaw is the only character who undergoes a transformation; he’s played by Dominic West, whose performance in this film is arguably his worst to date – overly exaggerated and lacking the gritty realism that Stevenson brings to the table in his half of the movie.
53. Fantastic Four: Rise of the Silver Surfer (2007)
Although it may not be considered a masterpiece, I believe the sequel has been somewhat overlooked and is actually an improvement over the first movie with this particular cast. Chris Evans manages to deliver equally impressive performances as both the Human Torch and Captain America. Moreover, the portrayal of the Surfer in this film is truly remarkable – I’m still in awe that such a corny movie could produce a version of this character that is so menacing, captivating, and cool. Additionally, it’s worth noting that the entire movie runs for less than 90 minutes before the credits roll.
While some people might not think highly of this sequel, I personally believe it’s undervalued and even surpasses the original film with the same cast. Chris Evans is terrific in both roles – as the Human Torch and Captain America. Moreover, the Surfer’s storyline in this movie is exceptional – I can’t believe a film like this could create such an ominous, beautiful, and cool version of that character. To top it off, the movie only lasts about 90 minutes before the credits start rolling.
52. Doctor Strange (2016)
In simpler terms, the movie Doctor Strange is visually stunning, but it seems like just another version of Iron Man with magic added in. However, it scores points for its clever ending involving Dormammu, but loses them due to Strange’s eccentric cape. (You can read more about it here.)
51. Iron Man 2 (2010)
Remarkably better than expected, yet far from extraordinary. Sam Rockwell’s dance moves can hide many flaws, but not all of them. Trimming 15 minutes of setup from Avengers could potentially make for a much more compelling film. (Read more here.)
50. Deadpool (2016)
In my critique, I found this film’s cold-hearted villain, who appears to be devoid of even the most fundamental human emotions, remarkably reflective of the movie itself. It offers some clever meta humor about superhero flicks, but not much else beyond that. At one particular moment, Deadpool quips about the fact that his movie can’t afford more than a couple of X-Men appearances, which is endearing, yet likely accurate – serving as both a witty comment and an explanation for budgetary constraints.
49. The Wolverine (2013)
The movie titled “The Wolverine” struggles with its identity more than its forgetful, furry protagonist. Initially, it presents itself as a deep character exploration, but later transforms into a typical CGI-heavy action film. The movie could have either been significantly shorter or longer to maintain consistency in style. Upon its release, “The Wolverine” was merely average. However, considering the existence of “Logan,” it feels unnecessary. Nonetheless, it does boast Jackman’s best portrayal of Wolverine’s hair, which may still hold some appeal.
48. Hulk (2003)
Just like “Howard the Duck,” Ang Lee’s “Hulk” stands out as an unorthodox film in a genre known for its familiar tropes. Lee blended comic-book visuals with his shots, and delved into Freudian psychology within the narrative of Bruce Banner (played by Eric Bana, who aptly portrayed Banner’s repression). Furthermore, the movie concluded with Nick Nolte transforming into a colossal electricity creature. While some aspects were successful, others were not entirely so.
47. X-Men: First Class (2011)
A Whirlwind of Action Packed into a Compact Movie Experience
As a devoted movie-goer, I must confess that “X-Men: First Class” packs an impressive amount of plot for its duration. It’s almost like watching five years’ worth of events unfold within the span of a single week! The film takes us on an extraordinary journey where we witness Magneto and Professor X meet for the first time, assemble their initial team of X-Men, train them to be heroes, and ultimately, thwart the Cuban Missile Crisis.
Despite the fast pace, the casting choices were truly commendable, particularly the selection of James McAvoy and Michael Fassbender as the young Professor X and Magneto respectively. These decisions breathed fresh life into these iconic characters. Among them, Fassbender’s portrayal of Magneto was especially captivating, as we finally got a glimpse of the vengeful Magneto we had longed for, hunting down Nazi war criminals hiding in South America.
All in all, “X-Men: First Class” offers a thrilling ride with an action-packed narrative that leaves you craving more!
46. Ant-Man (2015)
The film Ant-Man isn’t bad, but it’s challenging not to perceive it as a scaled-down adaptation of the grander Edgar Wright movie we could have experienced. However, it’s worth mentioning that Michael Peña’s character Luis might just be the standout non-superpowered character in the Marvel Cinematic Universe. (You can read more about it here.)
In this version, I’ve made an attempt to use simpler and more conversational language to make it easier for a wider audience to understand.
45. Ant-Man and the Wasp: Quantumania (2023)
Stepping into the arena between Ant-Man and Kang the Conqueror, I can’t help but feel a tinge of empathy for Scott Lang, as even the formidable Kang (played by Jonathan Majors) acknowledges he’s “out of his league.” This cosmic battle, in many ways, symbolizes the film itself. The humble, lighthearted universe of the Ant-Man series, brimming with dry humor and lovable characters, seems almost trivial when faced with the grandiose multiversal saga unfolding in Marvel Phase 5.
On the big screen, it delivers a satisfying Marvel adventure. However, as an extension of the Ant-Man franchise, it falls somewhat short. Regrettably, fans hoping for more of Michael Peña’s beloved character, Luis, may find themselves disappointed, as he is absent from this installment.
44. Ant-Man and the Wasp (2018)
In the movie “Ant-Man and the Wasp,” its charm lies in emphasizing its tiny scale. This is evident through Paul Rudd’s humorous antics, Michael Peña’s heartfelt soliloquies, and a microscopic family drama that revolves around mending a broken bond once more. (You can read more about it here.)
43. Captain Marvel (2019)
In a somewhat unexpected twist, while Captain Marvel, portrayed by Brie Larson’s Carol Danvers, is arguably the mightiest hero in the Marvel Cinematic Universe, the film itself could have benefited from a stronger emotional pull. However, it manages to remain engaging thanks to two standout performances: Ben Mendelsohn as the cunning Skrull, Talos, and Samuel L. Jackson, alongside his remarkably convincing de-aging special effects, portraying a youthful Nick Fury. (For further details, see the link provided.)
42. Ghost Rider: Spirit of Vengeance (2011)
In simpler terms, the new Ghost Rider movie surpasses the original in many aspects, particularly the character and bike design. However, it doesn’t quite reach the level of chaos and intensity found in a Neveldine/Taylor Nicolas Cage superhero film. Despite Nicolas Cage delivering some eccentric performances, he is less erratic in this movie compared to the first one, where he portrayed an Elvis-like character with more distinct idiosyncrasies. This film, running at around 90 minutes with fewer action sequences, seems like a condensed version of what could have been a darker, scarier, and more fulfilling movie.
41. Black Widow (2021)
In 2021, Scarlett Johansson’s long-awaited solo film, “Black Widow,” was released. Instead of having her own spotlight as expected, she found herself mainly acting as a foil to the humorous banter of her Russian superhero teammates – David Harbour portraying the self-centered Red Guardian and Florence Pugh delivering an outstanding performance as Yelena. Consequently, “Black Widow” might not have been the fitting finale that the character deserved. However, it still represents another successful Marvel production, offering thrilling action scenes, and a compelling villain in Taskmaster, who can copy the combat skills of anyone he encounters.
40. Deadpool 2 (2018)
In the sequel to “Deadpool,” Ryan Reynolds’ character, Wade Wilson, experiences an unexpectedly heartfelt development, contrasting the first film. Josh Brolin’s portrayal of Cable is spot-on, providing a perfect balance as the brooding, taciturn counterpart to Deadpool’s non-stop chatter. The introduction of X-Force in this movie also delivers one of the longest and funniest running gags on the list. It’s recommended to stick with the original R-rated version for the most authentic experience, as the PG-13 adaptation offers a different comedic approach.
39. Captain America (1944)
For approximately four decades, only Captain America from Marvel Comics was adapted into movies, with his debut being a serial in 1944. Interestingly, this early version of Captain America wasn’t Steve Rogers but rather Grant Gardner, a vigilant district attorney. Unlike the comics, there is no reference to his well-known origin involving the Super-Soldier Serum, and he doesn’t utilize an indestructible shield. Instead, Captain America combats “The Scarab,” a typical 1940s villain on a mission to find various high-tech devices known as MacGuffins. One of these MacGuffins is a “thermodynamic vibration engine” that could bring down skyscrapers, although it’s frequently referred to in the serial as a “vibrator.” Yes, you read that correctly – they often say, “The vibrator! If it doesn’t stop, the building will fall!” (Read more here.)
38. Thor: Love and Thunder (2022)
Watching Taika Waititi’s second Thor film, “Love and Thunder,” somewhat resembles observing a magician performing the same trick twice. Initially, it was mesmerizing. However, upon the second viewing, while it remains intriguing, the surprise factor is significantly diminished. Christian Bale delivers an unsettling portrayal of Gorr the God-Butcher, but his intense and highly emotional villain persona doesn’t quite align with Chris Hemsworth’s Thor and his incessant humor. Essentially, “Love and Thunder” retains all the components of Waititi’s “Thor: Ragnarok,” but they don’t harmonize as smoothly this time around.
37. Deadpool & Wolverine
The camaraderie between Ryan Reynolds and Hugh Jackman is exactly what you’d expect – their cameos are surprising, even shocking. However, the story is packed with so much background information that it becomes hard to follow, often making little sense. (Why do characters need so many sad pasts? This movie seems to think two is the magic number!) If you can ignore what’s happening on screen for a moment, you might still have an enjoyable experience. And Jackman and Reynolds certainly deliver as Deadpool and Wolverine, forced to work together to save the Fox X-Men universe. You might find yourself wishing that the writers (including Reynolds himself) had done a better job with the script.
36. Captain America: The Winter Soldier (2014)
Not as Bad as You Think, Yet Could’ve Been Better
In a refreshed take, let’s discuss the alternate universe version of Iron Man 2: The Bizarro Iron Man 2. Contrary to popular belief, it’s worse than you recall, but still manages to be decent. The promotional hype emphasized the conspiracy thriller aspect excessively, but Anthony Mackie’s Falcon brings a fantastic new element to the series, and Chris Evans delivers another reliable performance as Captain America.
However, it remains a frustration that Nick Fury – the world’s most accomplished spy – was oblivious to the fact that everyone in S.H.I.E.L.D., except for him and his trusted few, were completely corrupt. Given Fury’s track record, one might expect better detective work. Come on, Nick! Open your eyes! (For further analysis, check out this link.)
25. Avengers: Infinity War (2018)
Although this movie is grand in scale and its ending is truly memorable, it seems to lack something essential. If you’re solely looking for an action-packed Marvel film with some witty remarks, then it should satisfy your expectations. However, if what you appreciate most are the characters, the friendship, and the quieter moments amidst the battles, then this movie might not resonate with you as much. (You can find more details here.)
This version aims to keep the original meaning intact while using a more conversational tone and making the language less formal.
34. Spider-Man 3 (2007)
The final Spider-Man film directed by Sam Raimi has frequently been criticized unfairly – even by Raimi himself who once stated in an interview that it “didn’t work too well.” While there are parts that aren’t perfect, there are many aspects that shine, such as some of the strongest action sequences from the Maguire trilogy, like the thrilling mid-air rescue of Gwen Stacy from a construction accident. The primary issue for many viewers is the portrayal of Venom, especially Raimi’s use of the black suit as a running joke; in one notorious scene, an “evil” Peter under the influence of his alien costume dances through the streets of New York. Without question, these moments were out-of-sync with the trend toward serious and gritty superhero films that were popular during that time. However, when you consider Spider-Man 3 as Raimi intentionally satirizing the concept of a “dark” comic book movie, the overall experience becomes more enjoyable.
33. X-Men (2000)
In my opinion, the reference to Toads and lightning feels a bit outdated. The black leather costumes in this movie certainly give off a vintage vibe that doesn’t quite match up with today’s standards. Hugh Jackman, while fantastic in his portrayal of Wolverine, seemed leaner compared to how he looked in later sequels. In this film, his Logan appears somewhat less muscular. However, there’s a compelling reason the first X-Men movie was such a game-changer in the superhero genre of the 2000s. It masterfully captured the essence of the characters and translated them onto the screen with a keen sense of editing, stripping away unnecessary elements to focus on what truly resonated with the audience.
By the way, did you know that Hugh Jackman almost missed his chance at playing Wolverine? He was actually the second choice for the role. The original Logan, Dougray Scott, had to withdraw from the project due to delays in filming Mission: Impossible II.
32. Iron Man 3 (2013)
The film in question was quite enjoyable, but its quality was somewhat diminished by the broader Marvel Cinematic Universe context. The movie’s plot ultimately concluded with Tony Stark retiring as Iron Man, only to reappear in several subsequent films. Although Guy Pearce’s portrayal of Killian fell flat, Robert Downey Jr.’s expressions of frustration with his young, intellectually advanced co-star were top-notch. (For further details, you may want to check out the original article here.)
31. Shang-Chi and the Legend of the Ten Rings (2021)
Initially, it’s important to acknowledge that the final scene, featuring dragons and monsters amidst a thick gray fog, is rather poorly executed with CGI. However, aside from this flaw, Shang-Chi could potentially be Marvel’s finest action film yet, boasting numerous thrilling and intricate fight scenes. The one on a San Francisco bus, in particular, is incredibly entertaining.
Simu Liu delivers a strong performance as the lead, and he is supported by a cast that offers depth rarely seen in Marvel productions. Tony Leung and Michelle Yeoh deliver noteworthy supporting performances, while Ben Kingsley and Awkwafina bring consistent comic relief to the table. Interestingly, Kingsley’s portrayal of the former Mandarin Trevor Slattery, who may not have been a popular villain initially, has been skillfully transformed into an endearing supporting character by Marvel.
30. Thor (2011)
As a film aficionado, I must say that the space-traversing spectacle known as “Thor” presents an unexpected backdrop – the quaint little town in New Mexico. Now, this movie isn’t without its flaws, but it marked a significant milestone for Marvel productions. Despite the structural and screenplay issues, outstanding casting and captivating performances managed to rise above and set a precedent that later became synonymous with the Marvel Cinematic Universe. (You can delve deeper into this discussion here.)
29. The Punisher (1989)
In simpler terms, the story portrays Frank Castle, resembling a Ninja Turtle with his underground hideout, engaging in combat against underwater ninjas. He speaks like Dolph Lundgren and displays his brutal prowess against the Yakuza within an antique amusement park, complete with a chaotic slide ride that doubles as a gunfight zone. A journalist exclaims, “Wow, it’s the Punisher!” after Frank blows up a mobster’s house. To summarize, I find this movie to be an over-the-top entertaining take on the Punisher.
28. Black Panther: Wakanda Forever (2022)
In a challenging scenario, director Ryan Coogler took on the task of creating a follow-up to Black Panther that matched its predecessor’s success. However, he had to do so without Chadwick Boseman, our captivating lead who tragically passed away in summer 2020 as production for this film was beginning. Coogler skillfully incorporates the mourning of Boseman into the narrative, focusing on Wakanda grappling with the loss of its monarch. While parts of the movie are somewhat disjointed, featuring a multitude of characters and an antagonist whose motivations aren’t always clear (the underwater ruler Namor), the emotional depth added by Boseman’s absence shines brightest in the film’s portrayal of Wakanda’s sorrow.
27. The Fantastic Four: First Steps (2025)
The Marvel film, titled “First Steps,” marks a significant enhancement over the four previous attempts by Roger Corman and 20th Century Fox to launch a cinematic Fantastic Four (FF) franchise. Given the mediocre to poor quality of the earlier productions, this upgrade is hardly surprising. The movie boasts impressive visual aesthetics and an intriguing antagonist, Galactus – a menacing cosmic entity seeking to consume Earth due to feelings of loneliness and hunger. Despite its strengths, the FF characters themselves come off as somewhat dull and uninspiring.
Overall, “First Steps” is an enjoyable watch, albeit not quite as entertaining as anticipated. Director Matt Shakman seemed to have carefully selected the four lead roles, but in practice, it appears that the stars may not have fully embraced these characters yet. Alternatively, the script might have stripped the Fantastic Four of their depth, leaving them without a chance to shine. To summarize, while “First Steps” is a good start, there’s certainly room for further improvement.
26. Captain America: Civil War (2016)
By using “constructed primarily” instead of “designed,” I aimed to convey that the movie was made with the airport battle in mind as a central focus, without using technical language. Additionally, I replaced “The big battle at the airport” with “the airport showdown between Tony Stark and Steve Rogers” for greater specificity and clarity. Lastly, I added “In spite of this,” to emphasize that despite the weaknesses of the plot, the airport battle was impressive.
25. Spider-Man: No Way Home (2021)
In this instance, Jon Watts’ third Spider-Man movie is quite comparable to Sam Raimi’s third Spider-Man film. They both have an abundance of villains. On the bright side, this movie effectively grasps and presents Peter Parker as a character who despite frequent failures, remains persistent in his quest for rectifying mistakes. Additionally, it introduces the multiverse concept into MCU films in a significant manner, marking a notable achievement in the company’s history.
24. Doctor Strange in the Multiverse of Madness (2022)
15 years after my departure, I, Sam Raimi, ventured back to the Marvel universe with an exhilaratingly chaotic tale that hangs in the balance of the multiverse’s fate. Much like my previous Spider-Man films, I ingeniously interwove my unique flavor – witty humor, maniacal zombies, and hair-raising surprises – into the conventional Marvel mold. (For further insights, please continue here.)
23. Thunderbolts (2025)
In a different take, numerous Marvel productions following “Endgame” seem to be Frankenstein-like creations, assembled from leftover elements of various comics, movies, and folklore. However, the series “*Thunderbolts*” stands out as a self-contained narrative; it offers an engaging plot and intriguing characters, with Florence Pugh’s portrayal of the new Black Widow particularly captivating. Her character, much like many of us, finds her life unbearable and her job devoid of fulfillment. But she discovers her purpose when she’s teamed up with a group of equally discontent mercenaries, including Wyatt Russell as the arrogant U.S. Agent and Hannah John-Kamen as the mystical Ghost. With its blend of action and an insightful allegory about overcoming despair and embracing camaraderie, “*Thunderbolts*” serves as a refreshing reminder of the studio’s potential when operating at peak performance.
22. Avengers: Age of Ultron (2015)
Despite some criticisms that it’s a less impressive follow-up to the original Avengers film and that the storyline involving Wanda and Pietro could use improvement (as shown in WandaVision), the climactic scene of the Avengers uniting to rescue every soul in Sokovia remains an exemplary representation of Marvel’s essence. (Read more here.)
21. Guardians of the Galaxy Vol. 2 (2017)
This latest movie is overly lengthy, featuring an excessive number (four, to be exact) of post-credits scenes. However, it deserves credit for taking Marvel’s lighthearted franchise and turning its sequel into a profound downer. It stands out as the only Marvel film that leaves me in tears – but not just any tears; it also includes comedic references to alien phallic deities. In my opinion, this unique blend of drama and humor makes for an unbeatable combination.” (Read more here.)
20. Big Hero 6 (2014)
In a thrilling fusion of Disney’s heartwarming charm and Marvel’s action-packed prowess, the animated film Big Hero 6 stands out. While the Marvel elements often dominate, particularly with the intricate plot involving a villain who steals a teenage tech genius’ microbot technology, they sometimes overshadow the more poignant themes of grief and loss. Yet, the soft-spoken Baymax (Scott Adsit), with his pliable robot form, is undoubtedly the epitome of adorable robots.
In a lively mix of Disney’s emotional storytelling and Marvel’s high-energy action sequences, Big Hero 6 offers an interesting fusion. Though at times the Marvel components overpower the heartfelt exploration of grief and loss, the lovable Baymax (Scott Adsit) as a squishy robot steals the show. The villain’s plot to steal microbot technology is complex, but it often outshines the genuinely moving aspects of the movie.
Both versions aim to convey the same ideas while maintaining a natural and easy-to-read style.
19. X-Men: Days of Future Past (2014)
The film showcases an impressive blend of the old and new X-Men characters, with Hugh Jackman delivering another strong performance. Notable among the new additions is Blink, whose powers are creatively utilized. A standout scene involves Quicksilver (Evan Peters), who uses his super-speed to rescue Wolverine, Magneto, and Professor X during a gunfight at the Pentagon. However, the film faces criticism for its handling of continuity, as it seems to rewrite much of what was established in First Class. Key characters are revealed to have died off-screen, the school is depicted as already being defunct, and even Professor X’s paralysis appears to be temporarily healed.
In this version, I’ve aimed to maintain the original meaning while using more varied sentence structures and a conversational tone.
18. Thor: Ragnarok (2017)
17. Spider-Man: Far From Home (2019)
The second Spiderman movie starring Tom Holland as the fantastic web-slinger, titled “Far From Home,” isn’t too far behind its predecessor in terms of romance, action, humor, and emotion. Although no one explicitly says “with great power comes great responsibility,” the film effectively conveys this concept through Holland’s Peter Parker who grapples with his feelings for MJ (Zendaya, full of witty charm) while also addressing Nick Fury’s (Samuel L. Jackson, exasperated and humorous) instructions to thwart a group of destructive elemental beings.
16. Guardians of the Galaxy Vol. 3 (2023)
James Gunn skillfully concludes his “Guardians” trilogy with a movie that strikes the perfect balance for Marvel: Exciting action scenes, quirky sci-fi visuals, and deeply emotional characters we grow deeply attached to. (By the finale of “Vol. 3”, Rocket Raccoon transforms from a secondary Marvel character to one of the most compelling and tragic heroes.) After a series of average films, Gunn effortlessly makes it seem simple. It’s unfortunate that he’s moving on to work with DC instead.
15. Blade (1998)
Way back when many in Hollywood were still unsure about Marvel’s storytelling potential, Wesley Snipes was already a firm believer. “Playing a comic-book character is the best of all worlds because anything goes,” Snipes said, channeling his character Blade during a humorous interview. “You develop a unique voice, appearance, sound, and movement style.” Snipes’ _Blade_ essentially set the stage for the Marvel Cinematic Universe, laying the groundwork for a connected universe of humans and monsters.
14. X2 (2003)
In simpler, more conversational terms:
The film “X2” might just be the most significant superhero movie of the century. The first “X-Men” and “Spider-Man” films showed that movies could capture the essence of comic books. However, “X2” took it a step further by not only matching but exceeding the magic found in comics, particularly in thrilling scenes like Nightcrawler’s White House attack. This scene not only depicted his signature teleportation accurately but made it look more stylish and dynamic than it ever could as a series of static images in a comic book. The dam explosion at the end of the movie can be seen as the start of the Hollywood Superhero Rush, with everything changing after “X2”.
13. Logan (2017)
For Jackman, the third attempt at a solo Wolverine film was successful with “Logan”. This movie brilliantly showcased the title character in all his grisly, sorrowful splendor. As it was the first R-rated film, it allowed for a more mature, intense storyline – fitting for the narrative of the hero’s last days. Additionally, by reducing the number of characters, it eliminated the overpopulation problem often seen in main X-Men movies. Notably, Patrick Stewart gave an outstanding performance as an aging Professor X who was losing his grip on reality and therefore his control of one of the most powerful weapons worldwide.
12. Spider-Man: Homecoming (2017)
Among the Marvel Cinematic Universe’s films that are sure to keep you hooked, “Homecoming” stands out with captivating characters, thrilling Spider-Man sequences, and an unexpected street vendor requesting a flip from Spider-Man, which he cheerfully performs. Aren’t you enthralled? (You can read more about it here.)
This paraphrase maintains the original’s tone while using simpler language to make it easier to understand and more engaging for a wider audience.
11. Blade II (2002)
In a masterful blend, Blade II skillfully combined Wesley Snipes’ agile portrayal of the stylish vampire hunter Blade with director Guillermo del Toro’s distinctive dark, grisly horror style. This fusion resulted in a more thrilling and terrifying sequel compared to the original film. Del Toro introduced a chilling new breed of super vampires, ominously created by a pandemic, who possess grotesque elongating jaws and feed on both humans and vampires. Only Blade, with his unyielding martial arts skills, stands a chance against these bloodthirsty creatures. (While it’s common knowledge that vampires have only four vulnerabilities: silver, garlic, sunlight, and high-kicks!)
10. Spider-Man (2002)
With several Spider-Man films emerging almost annually, it’s effortless to overlook just how extraordinary Sam Raimi’s initial Spider-Man movie was. Though the film might seem slightly outdated today, in 2002, it was truly ahead of its time. It nailed every aspect: The costume design, the action sequences, the visual effects, the poignant death of Uncle Ben, and the intricate portrayal of Peter Parker’s relationship with Norman and Harry Osborn. It reshaped mainstream perceptions of superhero films, paving the way for Hollywood to develop into the realm of interconnected film universes we know today. And remarkably, many subsequent superhero movies have mimicked its iconic closing shot, in which Spidey swings through New York City in a single, extended take.
9. Guardians of the Galaxy (2014)
Nearly halfway through the Marvel Cinematic Universe (MCU), the original “Guardians” movie marked a turning point for Marvel, proving their reputation was robust enough to entice viewers to unfamiliar properties. Before James Gunn, these Guardians were almost insignificant; he transformed them into an unexpected blockbuster hit. It’s indisputable – Rocket is the superior Guardian in every aspect. (Continue reading here.)
8. Captain America: The First Avenger (2011)
Though its plot could use some tightening (as an entire war is summarized in a montage), Chris Evans’ portrayal of Captain America stands out as one of the most successful character adaptations within the Marvel Cinematic Universe. This film breathes life into a hero who had long been criticized for being too bland or outdated, transforming him into a charismatic, complex individual embodying basic human values. If you’re in need of a boost, this is the Marvel movie to watch. (Read more here.)
In this paraphrase, I aimed to preserve the original meaning while using clear and natural language that flows well.
7. Avengers: Endgame (2019)
Among all superhero films, none surpassed the complexity of “Avengers: Endgame.” The movie needed to neatly tie up one of cinema’s most monumental cliffhangers, tidy away numerous unresolved plots from over 20 Marvel Cinematic Universe (MCU) movies, and function independently as an enjoyable film. Miraculously, they managed to achieve all these objectives. (Continue reading
6. Spider-Man: Across the Spider-Verse (2023)
As a movie enthusiast, diving into the cinematic universe of “Spider-Man” once again, I found myself immersed in the groundbreaking sequel, aptly titled “Across the Spider-Verse.” This exhilarating continuation introduces Miles Morales to an incredible ensemble, known as the “Spider Society,” including the formidable Spider-Man 2099. Their mission? To shield the multiverse from threatening “anomalies,” such as the enigmatic Spot, a villain with the power to open interdimensional portals at will.
While “Into the Spider-Verse” was visually stunning, “Across the Spider-Verse” surpasses its predecessor in terms of both style and ambition. For instance, Spider-Gwen’s dimension is breathtakingly depicted as a vibrant watercolor painting come to life, while Spider-Man India hails from the captivating “Mumbattan,” a swirling blend of yellows and greens that truly brings the city to life.
However, it’s important to note that “Across the Spider-Verse” is the first part of a two-part story, which at times leaves you yearning for the conclusion. Nonetheless, this ambitious sequel showcases a richly developed multiverse and an engaging cast of characters that I believe will leave audiences eager for more.
5. Black Panther (2018)
The fictional nation of Wakanda, as portrayed in “Black Panther”, seems even more striking now than it did in 2018 for various compelling reasons. Unfortunately, we will not get to see how Chadwick Boseman’s character King T’Challa would have evolved further in the series, nor what future challenges he might have faced against adversaries such as M’Baku (Winston Duke) and Erik “Killmonger” Stevens (Michael B. Jordan). Despite this, we are fortunate to have this captivating and action-packed movie to enjoy forever. [You can read more about it here.]
4. The Avengers (2012)
Despite the grandeur of “Infinity War” and “Endgame,” the original “Avengers” movie continues to seem like an extraordinary feat. Each character is exquisitely balanced, the dialogue is concise, and the climactic extended Battle of New York remains one of the most gratifying special effects sequences of the 21st century. (Read more here.)
3. Spider-Man 2 (2004)
As a seasoned movie critic, I must say that Sam Raimi truly outdid himself with Spider-Man 2. Unlike other films trying to juggle multiple storylines, this one takes its time to delve deep into the complex relationship between Peter Parker and the brilliant scientist, played masterfully by Alfred Molina. This character, driven by uncontrolled ambition and wielding menacing robotic arms, is a standout performance in the entire Spider-Man series.
Fast forward over 15 years, and the movie still holds up visually, with the train sequence standing tall as a Marvel triumph across all companies and franchises. The way the film relentlessly heaps hardship upon hardship onto poor Peter Parker’s shoulders creates a sense of tension that makes the ultimately joyful (though also tinged with bittersweetness) ending all the more rewarding.
2. Iron Man (2008)
Marvel Studios has yet to surpass its initial self-produced movie as its best work. Looking back, it’s clear that not being tied to a larger universe allowed for a stronger film. The scenes where Robert Downey Jr.’s character Tony Stark tests his armor and subsequently takes flight for the first time, miraculously encapsulate the excitement of uncovering superpowers more effectively than any other entry on this list. (Additional insights can be found here.)
1. Spider-Man: Into the Spider-Verse (2018)
Into the Spider-Verse” stands out as the finest Spider-Man movie, even among Marvel productions. It boasts an extensive ensemble of Spider-people, such as Miles Morales, Gwen Stacy, and a somewhat melancholic Peter B. Parker. The film also showcases a potent and undeniably explicit interpretation of Stan Lee and Steve Ditko’s moral philosophy, which emphasizes that anyone can be a hero. This message is beautifully brought to life through stunning animation, creating a vibrant tribute to their inspiring principles.
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2025-09-02 20:25