
This autumn’s movie lineup includes two films based on Stephen King’s works, as well as two movies directed by Richard Linklater. Additionally, Downton Abbey concludes its run, and Paul Thomas Anderson is set to release his most expensive production yet. Despite some unnecessary sequels and reboots, there’s a diverse selection for moviegoers of all tastes. Here are the upcoming films that will keep you entertained as the weather gets colder.
Twinless (Sep. 5)
In 2019, James Sweeney penned, helmed, and acted in the under-appreciated comedy-drama titled Straight Up. However, his next project might just be his big break; it’s already garnered the Audience Award at this year’s Sundance Film Festival. Sweeney and Dylan O’Brien portray two young men who find solace in each other after meeting at a support group for individuals whose twin children passed away.
The History of Sound (Sept. 12)
In a historical melodrama directed by Oliver Hermanus, actors Paul Mescal and Josh O’Connor portray lovers. This movie, titled “The Ballad of Love and War,” is based on a short story by screenwriter Ben Shattuck and unfolds during and after World War I. The narrative centers around two men who find love at the Boston Music Conservatory. After the war ends, they reunite and journey through picturesque rural Maine to record traditional songs from their fellow countrymen.
Downton Abbey: The Grand Finale (Sept. 12)
Finally, the “Downton Abbey” series is drawing to a conclusion. The third and final movie unfolds in the 1930s, meaning the Crawley family and their staff will be navigating societal change, intertwined with public turmoil and financial hardships. In this concluding chapter, many of the primary cast members return, along with new faces such as Joely Richardson, Alessandro Nivola, Simon Russell Beale, and Arty Froushan.
The Long Walk (Sept. 12)
As the director behind four out of five installments of the Hunger Games series, I, Francis Lawrence, have become quite accustomed to navigating dystopian landscapes and orchestrating high-stakes games where only one victor emerges. Therefore, it seems fitting that I take on the challenge of adapting Stephen King’s 1979 novel, published under the pseudonym Richard Bachman, which revolves around a grueling walking contest involving 100 young men. The twist? They must maintain a minimum pace of four miles per hour, or face the harsh consequences.
Spinal Tap II: The End Continues (Sept. 12)
Around four decades ago, Rob Reiner took charge as director and co-writer for the debut of “This Is Spinal Tap,” a mockumentary comedy. This hilarious production was penned by its leading trio – Christopher Guest, Michael McKean, and Harry Shearer – who portrayed the fictional heavy metal band Spinal Tap. Now, this talented group is reunited for an unexpected sequel that focuses on the band’s reunion concert, boasting high-profile guest appearances from Paul McCartney, Elton John, Garth Brooks, and Lars Ulrich.
The Lost Bus (Sept. 19, on Apple TV+ Oct. 3)
In this gripping survival drama, Matthew McConaughey portrays a courageous bus driver, inspired by a true-life figure, amidst the aftermath of the most devastating wildfire in California’s history – the 2018 Camp Fire, responsible for 85 fatalities. Director Paul Greengrass crafts a narrative around this bus driver, who embarks on a mission to escort a teacher (America Ferrera) and her 22 students to safety.
Predators (Sept. 19)
After a span of approximately 18 years since the television show “To Catch a Predator” produced by NBC ceased broadcasting, its legacy remains complex. The question arises as to whether Chris Hansen’s on-air sting operations truly served any beneficial purpose. Moreover, is it morally justified to generate excitement from attempted sex crimes in the first place? David Osit’s documentary, which received recognition at Sundance this year, delves into these questions and many more.
A Big Bold Beautiful Journey (Sept. 19)
Originally penned by Seth Reiss for the Blacklist, this romantic fantasy is now set to hit the big screen with Korean-born director Kogonada (known for “Columbus” and “After Yang”) at the helm. Featuring the talents of Margot Robbie and Colin Farrell on a bizarre journey through memory and dreams, it promises to be Kogonada’s most widely appealing tearjerker to date.
Him (Sept. 19)
The sports horror film directed by Justin Tipping and produced by Jordan Peele poses the question: “What are you willing to give up to be the best of all time?” In this movie similar to ‘Whiplash’, but focused on football players, a veteran athlete (Marlon Wayans) nearing retirement takes a young prospect under his wing, driving him to stake everything.
One Battle After Another (Sept. 26)
It’s quite surprising that Paul Thomas Anderson hasn’t collaborated with Leonardo DiCaprio until now, considering their shared history of working on intricate narratives. For his latest project, inspired by Thomas Pynchon’s works – he earlier adapted Inherent Vice – Anderson delves into an action-thriller genre, drawing from the 1990 novel Vineland while setting the story in the contemporary era. This film marks one of Anderson’s largest budget productions to date, boasting a star-studded cast that includes Teyana Taylor, Sean Penn, Regina Hall, Benicio Del Toro, and the breakout star from Presumed Innocent, Chase Infiniti.
The Smashing Machine (Oct. 3)
Benny Safdie’s first film without collaborating with his brother Josh marks a shift in tempo. This biographical sports drama revolves around Mark Kerr, a former wrestler and MMA fighter, portrayed by Dwayne Johnson in an entirely fresh light, marking one of his most challenging roles recently taken on. Could this film signal the commencement of a new era of prestigious projects for The Rock?
Anemone (Oct. 3)
Daniel Day-Lewis, the actor who has retired from acting on two occasions so far, hasn’t stayed away this time. His recent role is based on a script he co-wrote with his son Ronan Day-Lewis, who directs him in an intricate family drama that spans multiple generations.
If I Had Legs I’d Kick You (Oct. 10)
Rose Byrne has consistently delivered remarkable performances throughout her career, with notable roles in comedic series like Apple TV+’s Physical and Platonic. Her current role as a working mom in the psychological comedy-drama could potentially be her best performance to date. Additionally, the supporting cast includes ASAP Rocky, making his second significant appearance this year, and Conan O’Brien portraying an unusually serious, passive-aggressive therapist.
Kiss of the Spider Woman (Oct. 10)
The musical drama directed by Bill Condon, known for movies like “Dreamgirls” and “Beauty and the Beast”, features Diego Luna and Tonatiuh playing characters Valentin and Molina, who are cellmates under Argentina’s military dictatorship and form an unlikely bond. Additionally, Jennifer Lopez is part of the cast as Ingrid Luna, a shining figure in Molina’s favorite film, which serves as a subplot within the main story, shared with Valentin to help them pass their time together.
Roofman (Oct. 10)
As a film connoisseur, I’ve been eagerly waiting for Derek Cianfrance’s return to the director’s chair since his last project, “The Light Between Oceans,” back in 2016. However, this upcoming film promises to be an unprecedented departure from his previous works. It’s a crime-comedy-drama that revolves around the fascinating life of Jeffrey Manchester, portrayed by Channing Tatum, who was a real-life spree robber active in the early 2000s. His modus operandi? Daringly drilling and dropping through McDonald’s rooftops to make his getaways! But that’s not all; after serving time, Manchester managed to evade prison by hiding within the walls of a Toys “R” Us store, dodging the law for quite some time. This film is set to be a thrilling ride, unlike any other from the mind of Derek Cianfrance.
Tron: Ares (Oct. 10)
The third movie in the Tron series was released 15 years after Tron: Legacy, and it’s particularly relevant in our age of artificial intelligence. The story revolves around a powerful program named Ares, which ventures into the real world for a risky assignment – interacting with humans for the first time. Jared Leto portrays Ares as a super-soldier who can regenerate.
After the Hunt (Oct. 10)
In the newest production directed by Luca Guadagnino (known for “Call Me By Your Name” and “Challengers”), Julia Roberts takes center stage. She portrays a renowned philosophy professor at Yale, who finds herself grappling with a challenging moral dilemma. This arises when her colleague and dear friend, played by Andrew Garfield, is accused of sexual misconduct by a student, Ayo Edebiri.
A House of Dynamite (Oct. 10, on Netflix Oct. 24)
Kathryn Bigelow’s latest film since the controversial “Detroit” is a political thriller for Netflix that centers around a team of White House officials confronting an imminent missile attack. A notable cast includes Idris Elba, Rebecca Ferguson, Jared Harris, Tracy Letts, Anthony Ramos, Greta Lee, and Renée Elise Goldsberry, with more talented actors joining them in this production.
Ballad of a Small Player (Oct. 15, on Netflix Oct. 29)
Edward Berger’s film “All Quiet on the Western Front,” which won the Best International Feature Film Oscar two years ago, has been followed by increased attention for his recent papal drama “Conclave.” Now, he is returning to adapt another novel: Lawrence Osborne’s “The Ballad of a Small Player,” in which Colin Farrell portrays Lord Doyle, a gambler seeking to escape his past in Macau, China.
It Was Just an Accident (Oct. 15)
Similar to many films by Jafar Panahi, which tackle political suppression and injustice in Iran, his latest creation was produced clandestinely since it lacked governmental filming authorization. Shot covertly, this movie showcases actresses defying their mandatory hijab rules-an act that earned it the Palme d’Or at Cannes, an event Mohammad Rasoulof deemed a potent strike against the repressive apparatus of the Islamic Republic.
Frankenstein (Oct. 17, on Netflix Nov. 7)
Adapting Mary Shelley’s famous Gothic novel is commonplace, but Guillermo del Toro’s interpretation for Netflix offers something fresh and unique. In this version, Oscar Isaac assumes the role of the mad scientist, while Jacob Elordi portrays Frankenstein’s creature.
The Mastermind (Oct. 17)
Josh O’Connor stars as a ’70s art thief disguised as a family man in Kelly Reichardt’s new heist movie. This is quite different from the realistic dramas Reichardt is known for, but her unique style shines through. The film is worth watching mainly because it features Alana Haim, who made a big screen debut here after “Licorice Pizza”. You can also spot her in a minor role in Reichardt’s latest work, “One Battle After Another”.
Black Phone 2 (Oct. 17)
In crafting the initial “Black Phone” movie, director Scott Derrickson took inspiration from Joe Hill’s terror-filled short story of the same title. The narrative revolves around a teenage character named Finney (Mason Thames), who manages to survive an ordeal with a notorious serial child killer known as the Grabber (Ethan Hawke). This survival is made possible through his communication with other victims, all accessible via a mysterious telephone. For the sequel, both the principal cast and the enigmatic phone reappear in a chilling storyline featuring a threatening predator at a winter retreat called Alpine Lake.
Stiller & Meara: Nothing is Lost (Oct. 17)

After the passing of Jerry Stiller and Anne Meara, comedic icons and Ben Stiller’s parents, he aimed to pay tribute and commemorate their legacy. To achieve this, he created a documentary that showcases the impact they made in Hollywood, pop culture, and on his personal life.
Good Fortune (Oct. 17)
Aziz Ansari experienced significant growth in his screenwriting career, particularly with the Netflix series “Master of None,” which he co-created with Alan Yang. Now, he’s moving up to directing films for the first time, with a humorous story about a character portrayed by Keanu Reeves – dubbed a “budget guardian angel.” In this tale, he swaps bodies with Aziz Ansari and his boss, Seth Rogen. However, things take a turn when he loses his wings after the lesson he intended to teach doesn’t quite go as planned.
Blue Moon (Oct. 17)
This autumn, the first film by Richard Linklater begins its story on a single night: March 31, 1943, marking the debut of Rodgers and Hammerstein’s “Oklahoma!”. However, instead of focusing on the musical, the spotlight is on Lorenz Hart, a troubled and intoxicated songwriter played by Ethan Hawke. He finds himself struggling with jealousy and self-doubt as he anticipates meeting his ex-collaborator, Richard Rodgers (portrayed by Andrew Scott).
Hedda (Oct. 22, on Prime Video Oct. 29)
Nia DaCosta, known for directing independent crime dramas, horror sequels, and Marvel films like one yet to be released titled “28 Years Later Sequel,” is now venturing into an entirely new genre: a modern retelling of Henrik Ibsen’s classic play, “Hedda Gabler” starring Tessa Thompson in the leading role.
Springsteen: Deliver Me From Nowhere (Oct. 24)
I’m captivated by the fact that Jeremy Allen White dons a pair of dark-hued contact lenses to embody the Boss in Scott Cooper’s upcoming musical biopic. This film, centering on the creation of Springsteen’s 1982 album “Nebraska,” delves into a pivotal moment in the musician’s life, making it an intriguing exploration. For White, this is his initial significant leading role on the big screen, and it could mark a significant leap forward for him as well. Jeremy Strong portrays Jon Landau, the artist’s long-standing manager.
Bugonia (Oct. 24)
Yorgos Lanthimos’s series of collaborations with Emma Stone continues with this darkly humorous sci-fi film, which is a remake in English of the 2003 South Korean movie “Save the Green Planet!“. In this adaptation by Lanthimos, two individuals who believe in conspiracy theories (Jesse Plemons and Aidan Delbis) abduct a powerful CEO (Emma Stone), believing she is an extraterrestrial planning to demolish Earth.
Nouvelle Vague (Oct. 31, on Netflix Nov. 14)
In simpler terms, Richard Linklater’s first autumn release, titled “Blue Moon,” unfolds primarily within a single setting over the course of one night. His second film immerses us in the backstage world of renowned artists, specifically focusing on Jean-Luc Godard (played by Guillaume Marbeck), and the stars of the classic movie “Breathless,” Jean Seberg (portrayed by Zoey Deutch) and Jean-Paul Belmondo (Aubry Dullin). Linklater’s creation pays homage to an influential film from the New Wave era, while also offering a lighthearted, enjoyable comedy set in that milieu.
Wake Up Dead Man (November TBA)
In the third part of Rian Johnson’s “Knives Out” franchise, there will be a shift towards a moodier, more Gothic style and atmosphere compared to the sunny Greek islands backdrop of “Glass Onion.” Once again, Daniel Craig will portray detective Benoit Blanc, who this time is joined by an impressive ensemble cast including Josh O’Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Haden Church.
Peter Hujar’s Day (Nov. 7)
Ira Sachs elicited an outstanding performance from Ben Whishaw in the 2023 film “Passages.” In this new project by Sachs, Whishaw portrays the main character Peter Hujar, a photographer whose black-and-white images gained public acclaim posthumously after his death in 1987. The biographical drama is set in New York City during 1974 and primarily explores Hujar’s close friendship with writer Linda Rosenkrantz, portrayed by Rebecca Hall, who had previously published a transcript detailing one day in Hujar’s life.
Sentimental Value (Nov. 7)
Renate Reinsve gained international recognition following her starring role in Joachim Trier’s movie, “The Worst Person in the World.” This project marked a significant milestone for her, ten years after she first appeared in Trier’s film, “Oslo, August 31st”. In their third joint venture, which has been making waves at Cannes this year, Reinsve plays Nora alongside Inga Ibsdotter Lilleaas as Agnes. The story revolves around these estranged sisters who confront their ailing film director father (Stellan Skarsgård) after the death of their mother.
Predator: Badlands (Nov. 7)
Dan Trachtenberg, renowned for directing one of the best Predator movies in 2022 with Prey, is now helming two additional films this year. One of them is the animated Predator: Killer of Killers, and the latest is the live-action Badlands. In this new production, Dimitrius Schuster-Koloamatangi portrays a young Predator outcast named Dek, while Elle Fanning plays a character called Thia, who is a “synthetic.” The story unfolds on the Predators’ native planet.
Die, My Love (Nov. 7)
Jennifer Lawrence may take on a substantial part in her latest film following “No Hard Feelings”, given Lynne Ramsay’s history of creating thought-provoking dramas. In this upcoming project, Lawrence and Robert Pattinson play a loving couple whose marriage undergoes strain after an interstate relocation and an unexpected pregnancy disrupt their harmony.
Train Dreams (Nov. 7, on Netflix Nov. 21)
In this contemplative, philosophical film, actor Joel Edgerton takes on the role of a forest worker. The movie, inspired by Denis Johnson’s 2011 novella, was highly praised at Sundance and even drew comparisons to the work of Terrence Malick.
Jay Kelly (Nov. 14, on Netflix Dec. 5)
Noah Baumbach collaborated with Emily Mortimer on a comedy-drama production, which revolves around the friendship between a renowned actor (George Clooney) and his faithful manager (Adam Sandler), as they embark on an unexpected journey across Europe. Notable actors like Laura Dern, Riley Keough, and Greta Gerwig are among the star-studded cast that completes the ensemble.
Keeper (Nov. 14)
Recently, Osgood Perkins has been producing numerous horror films, and this time, the lead role is performed by the versatile Tatiana Maslany. In the film, she takes on the character of a wife who experiences a sinister entity during a romantic getaway to a secluded cabin with her husband (Rossif Sutherland), for their anniversary trip.
Eternity (Nov. 14)
In this heavenly fantasy-comedy romance, we explore a thought-provoking scenario: Could it be that after death, one gets to select their eternal companion? Our protagonist, Joan, portrayed by Elizabeth Olsen, faces an agonizing dilemma. She can either remain with the partner she’s known longest and best (Miles Teller), or reconnect with her lost first love (Callum Turner) from the war.
The Running Man (Nov. 14)
This movie is actually the second screen adaptation of Stephen King’s 1982 novel with the same title, and it happens to be the second film based on King’s works this autumn, joining Edgar Wright’s latest production since the controversial “Last Night in Soho”. The role of Ben Richards, a participant in the show named after itself, is portrayed by Glen Powell. In this game, he must survive for 30 days while being pursued by assassins to win a billion dollars.
Rental Family (Nov. 21)
In this comedy-drama, the acclaimed Japanese director Hikari narrates a story that follows Brendan Fraser, an American actor, as he takes on a unique job: working for a family rental service in Tokyo where he portrays stand-ins in various peoples’ lives.
Wicked: For Good (Nov. 21)
In 2021, the blockbuster movie version of the Broadway musical Wicked, which is based on a novel from 1995, concluded at a suspenseful point after the “Defying Gravity” scene, leaving many questions unanswered. The upcoming film For Good, directed by Jon M. Chu, continues their story five years later when Elphaba (Cynthia Erivo) and Galinda (Ariana Grande), now in the roles of Wicked Witch of the West and Glinda the Good, must navigate how their evolving identities strain their once strong friendship.
Zootopia 2 (Nov. 26)
In the follow-up to the 2016 animated buddy cop comedy, Judy Hopps (Ginnifer Goodwin) and Nick Wilde (Jason Bateman) join forces once more. This time, their mission involves tracking down a dangerous pit viper named Gary De’Snake (Ke Huy Quan). To locate him, they must adopt undercover identities.
The Secret Agent (Nov. 26)
In a twist from your typical spy film, Kleber Mendonça Filho’s fourth movie (similar to “Bacurau”), hailed universally at Cannes this year, is actually a political thriller that unfolds during the final years of Brazil’s military dictatorship. Here, Wagner Moura takes on the role of a teacher escaping persecution in 1977 Recife.
Hamnet (Nov. 27)

As a film critic, I’ve been eagerly awaiting Chloé Zhao’s next move after her award-winning dramatic masterpieces. However, her foray into the Marvel universe didn’t quite hit the mark. But this time around, it seems she might be back on track, and that’s all thanks to the brilliant co-writing of Maggie O’Farrell, who expertly adapts her own 2020 novel. This film offers a compelling fictional tale that delves into the heart-wrenching journey of William Shakespeare (Paul Mescal) and his wife Agnes (Jessie Buckley), as they grapple with the loss of their 11-year-old son Hamnet (Jacobi Jupe).
Father Mother Sister Brother (TBA)
Adam Driver gave what might be his finest performance in Jim Jarmusch’s movie “Paterson,” and he showcased his dry comedic talents in “The Dead Don’t Die.” It’s thrilling to know that he will be part of Jarmusch’s upcoming film project, alongside Cate Blanchett, Vicky Krieps, and Mayim Bialik.
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2025-08-27 15:07