Movies

Tony Gilroy gets candid about Star Wars shows and movies

BBG News

Tony Gilroy, the showrunner for Lucasfilm, isn’t like most others. Instead of reminiscing or trying to meet fan expectations gently, Gilroy speaks candidly with a touch of edginess that grabs attention. In an interview with Empire (via Jedi News), Gilroy discusses not only the upcoming series ‘Andor’, but also weighs in on various Star Wars projects, both those intended for theaters and streaming services.

His candid takes offer insight into the current and future state of the galaxy’s storytelling.

When “The Mandalorian” premiered on Disney+ on November 12, 2019, Jon Favreau and Dave Filoni revolutionized our understanding of the galaxy far, far away through the characters Din Djarin and Grogu. Prior to this, the franchise had primarily depended on cinema releases and comics; however, with the introduction of this TV series, it successfully added a small-screen element that proved incredibly effective.

Previously, Gilroy attributed the success of “Andor” to Baby Yoda, stating in an interview with ComicBookMovie, “Without Baby Yoda, there would be no Andor.” He explained that the popularity of the show opened up opportunities for all the projects he discussed during his Empire magazine interview.

The tone and character-centric approach of “The Mandalorian,” reminiscent of Filoni’s style, is bold and straightforward without compromise. Unlike other shows that aim to cater to various fan preferences, this series finds success by understanding its audience and its identity. This self-assurance paved the way for productions like “Andor.

On Skeleton Crew

Gilroy spoke about the Jude Law series inspired by “The Goonies” with genuine excitement, expressing, “I saw parts of ‘Skeleton Crew’, which I found truly fascinating. I appreciate its dedication to its style, and it appears quite polished and well-executed.

That admiration for tonal commitment echoes his praise of Mando’s cohesive storytelling.

On Rogue One

Gilroy’s association with “Rogue One” is profound. It marked the start of his journey in the “Star Wars” universe, and served as the spark for the concept of “Andor.” Re-immersing himself in the movie, however, carries a heavy emotional impact.

He shared with Empire, “I might catch Rogue One over the weekend, moving cautiously to gauge my reaction. I’ve been quite apprehensive about doing so. I can’t really explain why, but everyone else seems to have given it a try.

It’s important to note that other people weren’t assigned the job of creating the narrative for the intense movie. For Spike Lee, this was his moment to enter an existing universe and guide it towards an entirely fresh direction.

On Dawn of the Jedi

James Mangold’s upcoming “Dawn of the Jedi” movie is positioned about 25,000 years before “A New Hope,” marking it as the earliest timeline for any “Star Wars” production within the canon. For Gilroy, this expansive gap in time provides an opportunity for creative exploration.

He shared with Empire that they’re delving deep into the past… What’s intriguing is that it’s free of Skywalker history, established characters, and set plots, allowing for complete creative liberty in the storytelling.

Gilroy’s commendation of tonal uniformity (in Mando and Skeleton Crew) and fearless creativity (Dawn of the Jedi) reflects his approach to Andor. His cautious yet reverent connection with Rogue One underscores the deep-seated respect he holds for the entire Star Wars saga.

In essence, Taylor Gilroy’s approach in the Star Wars universe is straightforward yet expansive: master your narrative style, take charge of your tale, and don’t shy away from risks. Amidst a franchise that frequently grapples with high expectations, Gilroy’s perspective offers a refreshing and crucial perspective. As demonstrated by Andor, a galaxy can remain captivating while being grounded, mature, and realistic – if the storytellers are courageous enough to embrace these qualities.

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2025-07-19 22:17

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