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A middling Oasis gig where the Gallaghers might as well be holograms: TIM DE LISLE gives his VERY brutal review of the brothers’ reunion tour

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The air is buzzing with excitement. The crowd is ecstatic. Nearly half of Cardiff can be seen donning a bucket hat. The roof seems ready to burst. (or The roof appears to be on the verge of exploding.)

The Oasis reunion can’t fail, can it?

In a non-business context: Approximately 10 million individuals sought tickets. Regarding the initial feedback, it wasn’t exclusively positive, but rather an outpouring of enthusiasm. It’s tempting to assume that success can be achieved solely by creating a buzz.

In my opinion, what you’re suggesting isn’t accurate, even in this case. Any endeavor, be it a profession or a hobby, necessitates dedication from those involved. Unfortunately, the Gallagher brothers don’t appear to share that same passion.

Over the course of 34 years on tour, neither performer has come up with a unique dance move. Instead, Liam tends to stand still, with his hands tucked behind his back and slightly leaning forward.

Noel just stands there playing his guitar, studiously. 

Octogenarian rockers such as Mick Jagger and Paul McCartney are bursting with more vitality than most could imagine. The Gallagher brothers seem almost like holograms by comparison.

Performing live, Adele remarked, is primarily about engaging with the audience. At first, I found this statement to be overstated, but now I understand what she meant.

To begin, Oasis launches with three minor songs (Hello, Acquiesce, and Morning Glory), yet the audience remains exhilarated. The stadium’s ceiling, amplifying the music into a form of muck, simultaneously intensifies the noise of the cheering crowd.

Some celebrities gain fame simply for their status, while the Gallaghers are known for their contentious nature. In other words, they’re always causing a stir or controversy. So, what’s the tale with them? It seems like their feuds have a lasting intensity.

They’ve reconciled but haven’t developed much warmth or friendship. They remain at a distance, with Paul ‘Bonehead’ Arthurs acting as an intermediary.

In this scenario, neither sibling acknowledges the presence of the other. While Noel takes the stage, he introduces the band during Liam’s absence, thus avoiding the need to shout out “On vocals, Our Kid!

In the beginning, Noel extends a hand, and Liam takes hold of it by grasping his wrist. Eventually, Liam loops an arm around Noel’s shoulders, though Noel does not return the gesture.

A moment after, with Noel remaining on stage, Liam stealthily gets into his escape vehicle. It seems more like a temporary ceasefire rather than a full thaw.

The melody becomes more vibrant when Liam performs Roll With It and Noel sings Half The World Away, serving as a delightful, heartwarming theme for The Royle Family. However, it quickly loses its energy.

At the pinnacle of his career, in 1994-95, Noel’s music leaned towards tunes that were satisfactory yet unoriginal, displaying a straightforward but imitative style.

Or

In 1994-95, when Noel was at his best, his songs were simple and not particularly original, showing influences from others in their composition.

Or

During the years 1994-95, when Noel was at the top of his game, he created music that wasn’t especially innovative but was straightforward and reminiscent of other works.

He takes rhythmic elements from glam rock, but lacks its playful spirit; he picks up certain chord progressions from The Beatles, yet remains untouched by their creative genius.

The prices change flexibly, but the setup remains static. There’s neither a catwalk nor multiple stages, and there’s no effort made to bring performers close to the audience.

A band could hardly do less to please a crowd – yet the crowd couldn’t be more delighted.

Oasis symbolizes a specific period in time, not only Britpop, but the 90s and early 2000s as well. Additionally, they embody a large demographic – the white, working-class males.

In a manner that resonates with young males, they used to voice their opinions. Now, they also represent the sentiments of middle-aged men, often with a tense sense of dissatisfaction. Interestingly, they seem to be drawing more attention from female listeners. The line at the women’s section is longer than the one at the bar.

In summary, the music culminates in a powerful finale with “Live Forever,” “Rock’n’Roll Star,” “Wonderwall” and “Don’t Look Back In Anger,” all of which stand out significantly. While these tunes are faster and more energetic, they lack the emotional depth that is present in the softer, slower songs.

As an event, it’s been immense. As a gig, merely middling.

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2025-07-11 16:33

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