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Noah Cyrus says the ability to write ‘classic’ music is in her blood. Her latest album offers a chance to show the world

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In the captivating track “What’s It All For” from her latest album “I Want My Loved Ones to Go With Me,” Noah Cyrus croons: “Is there a purpose for having a family if it’s not what you desire? Why bring a child into the world if you don’t know how to show affection?

I’ve put forth all these inquiries so far, and I have just one more to go. If that’s the whole story, then why bother with any of it? What’s the point of it all? Why is it all worthwhile?

Cyrus, frequently collaborating with Australian songwriter PJ Harding, possesses a unique storytelling style that beautifully encapsulates the raw reality of everyday life much like Kris Kristofferson in his iconic “Sunday Morning Coming Down,” or the way John Mellencamp and Lucinda Williams portray it.

Her song “July,” which she released at age 19, garnered acclaim from artists such as John Mayer and Leon Bridges, amassing over a billion streams. This suggested that she had the capacity for greatness from early on. However, her latest album, “I Want My Loved Ones to Go With Me,”, takes it to another level. The collection of 11 songs seamlessly blends storytelling with traditional country and folk melodies reminiscent of the ’70s, akin to the Eagles’ “Wasted Time.

She expresses her expectation that upon listening to this record, she’ll encounter sounds that are distinctly timeless, evoking melodies that have endured through the ages.

Cyrus carries a deep-rooted love for traditional music within her, reflecting her old soul nature. Given her upbringing in a well-known family under public scrutiny – with her dad being country music legend Billy Ray Cyrus and her sibling being the renowned pop star Miley Cyrus – the term “old soul” seems particularly fitting for her.

Cyrus stated that her upbringing was accelerated more than others her age due to factors like starting her music career and touring at 16, being part of a family in the limelight, and experiencing limitations and judgment from the public eye, particularly when making mistakes during her childhood.

At the beginning of January, she celebrated her 25th birthday, ushering in a new level of maturity. Much like the legendary songwriter Jackson Browne, who penned “These Days” at just 16, Cyrus demonstrates an insight and understanding that transcends her age.

The album revolves around her journey through growing up, which she reflects on since she turned 25 in January. One of the central themes is personal growth, exploring the idea of stepping out into new territories and learning to rely on oneself. She expresses this as walking into unknown lands, no matter where you go, it’s still you. The album was created during a time when she was grappling with these issues, which naturally became central themes for her. As she explains, “I was trying to figure out how not to doubt myself every step of the way, learning to trust myself, growing up to become an adult who will one day be a mother, and figuring out how to mature so that I can care for another person someday.

After experiencing both stardom and the uncertainties inherent in her youthful years, she felt prepared to direct her creative direction with this particular album.

Through a song and education, I discovered more about my senses, which as a songwriter, I learned to trust. As a musician, I also learned how to take charge. This is the first album on which I have producer credits, and I even collaborated with Mike [Crossey] to produce some of these songs. It was an incredible, enlightening journey. I was astounded by my intuitions throughout this process. Upon hearing the final product, I believe it’s the first time in my career that I can truly say I’m proud of myself.

Cyrus carefully infused a personal element into every part of the album, even inviting Robin Pecknold from Fleet Foxes, Bill Callahan, Ella Langley, and Blake Shelton as her unique collaborators.

She ensured that the invitation for Shelton on “New Country” originated directly from her. She explains, “I really wanted to have a personal conversation with Blake, so I wrote him a letter and took all the necessary steps to establish a genuine connection.” “Blake and I share a mutual friend in songwriting – Amy Wadge. She’s one of my favorite artists, and I adore her deeply. It felt like destiny prompting me to contact Blake. When I heard that song, it was always meant for Blake. And Blake facilitated it. It seemed like a spiritual event, something that was predestined, and having Blake on this track was written in the stars.

Prominent attendees will find the focal point of the album appropriately centered on Cyrus’ grandfather’s voice. The captivating spiritual ballad “Apple Tree,” reminiscent of a hybrid between a Nick Cave composition and a Dolly Parton tune, is constructed primarily using her grandfather’s voice as its foundation.

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She remarks, “The song ‘Apple Tree’ seems deeply spiritual to me, reminiscent of divine origin, especially since it ends with a prayer that my grandfather Ron Cyrus used to recite.

It’s appropriate that the song includes her grandfather since “I Want My Loved Ones to Go With Me” represents Miley Cyrus reconnecting with her Nashville heritage and the music she was raised on. Despite claiming it was a mere coincidence, her adoption of the music that is rightfully hers aligns with the rising trend in country music’s popularity.

During the creation of this album, country music was regaining significant popularity worldwide, reminiscent of when I was a child and CMA fans would have Fanfare events. I recall my father participating in Fanfare. It’s incredibly exciting for me because I believe country music is reaching an even broader audience, and more people are discovering its charm. I think the timing of the album’s release and its success was divine intervention.

As I’ve observed, there’s an evident surge of artists dabbling in country music these days. Yet, Miley Cyrus isn’t jumping on a bandwagon; she’s simply reconnecting with her innate rhythm. Much like other musicians, as they mature, they often find themselves drawn back to their musical origins.

Cyrus was returning home, and as he gained more independence, he poured even more of himself into his music. This was symbolic and literal, a return to his roots. He felt a longing to connect with where he came from, which he did through his music. Music is a wonderful outlet for him. As an adult, many people, not just children, carry their inner child within them, and this inner child often comes out in Cyrus’s music.

As a follower of classic country music, I’m captivated not only by the stories told through its songs but also by the authentic, raw sound that these albums and artists embody. In crafting my own album, I sought to replicate that very same organic feeling.

It’s truly enjoyable when you strip down a vocal track to its essence, showcasing the artist’s unique qualities and personality. Minimizing effects and letting their raw talent shine is what makes it special. This is something I appreciate in country music, particularly older records where full takes are used, making the recording feel more authentic. Similarly, Mike and I aim for a similar approach with our songs. We prefer to record complete takes of all elements, creating a live feel that we believe is crucial to the final product.

Her ambition was to create an album that couldn’t be pigeonholed or tied to any specific era. She aimed for a record that, if discovered in 1975 and played alongside Bob Dylan’s “Blood on the Tracks,” or if listened to in 2025, would still resonate as being of its time. In her quest for such a timeless masterpiece, she moved beyond the confines of any particular genre classification. This isn’t the typical definition of country music today. If there is a contemporary artist who comes closest, it would be Chris Stapleton, whose live performances evoke the spirit of Neil Young during his solo acoustic shows. His music could be labeled as country, folk, or rock, depending on the context.

As a devoted cinephile, here’s how I might put it: “That’s what I aimed to achieve with my latest project. When I listen to it, I envision a piece that could potentially help listeners heal, much like it did for me during its creation. I hope that this work becomes timeless and is still referenced 20 years from now as a significant milestone in my artistic journey – a monumental album in the chronicles of my career.

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2025-07-11 01:01

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