Movies

Pulp shows how to make a comeback with More

BBG News

Jarvis Cocker from Pulp often appears similar to the master of ceremonies in the musical “Cabaret,” maintaining command over any chaotic environment while expertly guiding the unfolding events.

In the realm of ’90s British music, Pulp was often lumped together with the Britpop bands, but that classification only stems from their rise to prominence in both decades. Jarvis Cocker and the gang weren’t really embodying Britpop though.

Instead of closely resembling Oasis or Blue, they draw significantly more influence from Elvis Costello and disco music than these bands did. Unlike Oasis, who were primarily a rock band, Blur experimented with rock but leaned more towards pop, while Pulp had an entirely distinct sound.

Pulp produces more greatness with More

A significant portion of this can be attributed to Cocker himself. His performance style harks back to the ’50s rather than the ’90s, yet he executes with unwavering confidence, lacking any other approach. This is truly impressive and, as it ought to be, upcoming vocalists should emulate his methods.

After a hiatus of nearly a quarter-century, Pulp, my favorite band, finally returned to the studio. They dropped singles occasionally and frontman Jarvis Cocker pursued some solo ventures, but it’s clear that Pulp is more than just one man – it’s a collective entity. As talented as Cocker is individually, he benefits from the balance and guidance provided by his bandmates in Pulp.

As a gamer, I’d put it like this: In their latest (and possibly final) album titled “More”, released on June 6, Pulp has returned in such a way that it feels like they never left us post-“Different Class”. Frontman Jarvis Cocker serves up intricate lyrical landscapes, and the band delivers an outstanding performance. This album offers a complete Pulp experience, seamlessly transitioning from the Nick Cave-esque vibe of “Farmers Market” to the full-throttle rock-pop blast of opener “Spike Island”.

Tina has a pure disco vibe, right down to the backup vocals. It could be just another filler track if not for Cocker’s sincere delivery of the lyrics. My Sex is a fitting look back at the Live Bed Show from Different Class, as if sung by an older gentleman.

As a fan, I’d say the album wraps up with songs that feel more open-ended and reflective. They aren’t exactly somber, but there’s a sense of maturity and honesty that perhaps reflects growing out of the energy that comes with being 25. Tracks like “A Sunset” might resonate more deeply, though it seems there’s a touch too much influence from a specific Coca-Cola commercial in this song.

The entire album serves as a poignant reflection, beautifully infused with the harsh truths of mortality. After their last studio album in 2001 titled “We Love Life”, the band has experienced significant losses – their lead singer’s mother and long-time bassist Steve Mackey have both passed away. These events inspired Cocker to reunite the band for one final hurrah, to create more music before the sands of time run out on everything.

To music enthusiasts, it’s undoubtedly Pulp that we gift. Unique, perhaps not as universally acclaimed as Oasis, but that’s more a reflection on us than on Cocker and his bandmates. They have once again shown their worthiness to be heard, even if this may be their final act.

Read More

2025-06-08 16:00

Previous post Mel B’s farmhouse Hollywood makeover: Spice Girl is giving her £2m Yorkshire idyll some zigazig ah with an indoor pool, cinema, and reiki room
Next post The Boyfriend Of ParaNorman’s Queer Character Mitch Was Finally Revealed Over A Decade Later, And Now I Officially Need A Sequel