Movies

John Hughes’ 1987 Movie Remake of His 1986 Cult Classic

BBG News

John Hughes’ movies from the 1980s are a great source of nostalgia, with one film from 1987 being essentially a reworked version of a classic from the previous year. This prolific comedy writer is known for penning numerous hilarious adult comedies such as “National Lampoon’s Vacation” and “Planes, Trains and Automobiles”. However, it was his heartwarming coming-of-age stories that truly made him famous. Prior to the 1980s, teen movies were not uncommon, but they often fell into two categories: either adult-oriented raunchy sex comedies, or serious dramas focusing on the potential threats posed by adolescents to society.

Hughes effectively encapsulated the spirit of teenagers in the 1980s, weaving intricate tales that celebrated youth while subtly imparting wisdom about maturity. John Hughes’ films were marked by contemporary music and styles, significantly contributing to the enduring iconic representation of 1980s popular culture. While Hughes didn’t direct many of his most renowned works, his storytelling talent was evident even when he wasn’t in the director‘s chair, and he occasionally revisited successful ideas for new narratives. Some of Hughes’ concepts were so powerful that they deserved repetition, and one of his ’80s masterpieces can be considered a remake in essence.

Some Kind Of Wonderful Hits All The Same Beats As Pretty In Pink

The 1987 Movie Borrows A Lot From The 1986 Cult Classic

One of John Hughes’ top films, “Pretty in Pink,” beautifully showcases his knack for crafting poignant coming-of-age tales about youth. The movie primarily centers around a love triangle, with Molly Ringwald’s character Andie finding herself caught between Duckie (Jon Cryer), her long-time friend who harbors feelings for her, and Blane (Andrew McCarthy), whom she pursues despite his initial ignorance of her affections. The following year, John Hughes wrote “Some Kind of Wonderful,” which was also directed by Howard Deutch.

The second movie switches the roles of the genders while still exploring a love triangle. Characters Keith (Eric Stoltz) and Amanda (Lea Thompson) start a relationship, but Keith’s friend Watts (Mary Stuart Masterson) harbors hidden feelings for him. Despite some minor alterations, the fundamental theme remains consistent between the two films.

In simpler terms, both Pretty in Pink and Some Kind of Wonderful delve into the heartaches of young love without lecturing or oversimplifying emotions. Furthermore, they ensure that their trio of characters are relatable and free from stereotypical villains.

The initial ending of the movie “Pretty in Pink” was altered because audiences disliked Andie ending up with Duckie; instead, she ended up with Blane. However, Director John Hughes later used the original ending for “Some Kind of Wonderful”. Thus, while both films delve into similar themes, they present contrasting conclusions to mirror diverse real-life experiences. In essence, they can be seen as alternate interpretations of a common idea.

Some Kind Of Wonderful Is More Complex Than Pretty In Pink

Some Kind Of Wonderful Is A Little Rougher Around The Edges

Though both movies share a similar theme, their overall mood significantly differs. “Pretty in Pink” maintains John Hughes’ signature optimism, even amidst heartache, while “Some Kind of Wonderful” leans more towards a subdued, melancholic tone, still retaining the typical traits of ’80s teen movies. In “Pretty in Pink,” Andie is smitten with Blane, and her feelings for Duckie are rooted in friendship rather than romantic interest. Conversely, Keith develops feelings for Amanda, but ultimately realizes that it’s Watts he truly desires.

This intensifies the conflict as it portrays a genuine love triangle, not one skewed heavily towards one party. Regardless of the outcome in “Some Kind of Wonderful”, heartache is unavoidable and there’s no escape from it. To lessen the sting of Duckie’s rejection at the end of “Pretty in Pink”, a brief scene was included showing another woman showing interest in him. On the other hand, Amanda intelligently recognizes that Keith belongs with Watts and decides to let him go so he can be content, even though it causes her pain.

In contrast to Pretty in Pink, Some Kind of Wonderful delivers a more heartwarming conclusion by satisfying the audience’s anticipation. Duckie and Andie aren’t meant for each other romantically, so his rejection is less distressing. On the other hand, Amanda and Keith shared an undeniable connection, which means there will be sorrow no matter who he ends up with. Moreover, Watts shows unwavering support for Keith throughout the film, making it apparent that his decision to be with her was the best one. John Hughes skillfully used these films to convey distinct messages despite their similar narratives.

Read More

2025-06-07 13:09

Previous post Why the MCU Must Bring Back Eternals’ Major Character Now
Next post eFootball 2025 Show Time Luka Modric pack review