Tom Cruise Is At it Again in the New ‘Mission Impossible’ Trailer

Tom Cruise could be compared to a dedicated postman: Come rain or shine, neither actor nor writer’s strikes can prevent him from fulfilling his tasks promptly. These tasks often involve hanging precariously from aircraft, skydiving, and executing numerous other high-risk stunts as part of traditional box-office spectacle.

Two years following “Mission: Impossible – Dead Reckoning Part One”, now simply titled “The Final Reckoning,” is set for its grand premiere in theaters. This film wraps up the suspenseful ending from “Dead Reckoning” and, as suggested by the title and trailers, could potentially conclude Tom Cruise’s character Ethan Hunt’s thrilling spy adventures (though we’ll have to wait and see).

Is it possible that a ninth “Mission: Impossible” movie follows “The Final Reckoning,” and if so, it appears to be as thrilling as we’ve grown accustomed to from Tom Cruise and writer/director Christopher McQuarrie? It seems Ethan Hunt is dangling from an aged biplane in one scene, but honestly, the question of why doesn’t really matter – it just looks amazingly awesome.

You watch the full Final Reckoning trailer below:

In addition to the movie’s promotional material, there’s a fresh poster featuring an abundance of biplanes. (One might wonder if Tom Cruise owns a biplane manufacturing firm or if there’s an unexpected surge in biplane popularity in 2025.)

On a typical Tuesday, I found myself chuckling at the hilarious behind-the-scenes snapshot featuring Tom Cruise in little more than a skimpy bathing suit and McQuarrie giving it a go underwater. Just another day on the set of Mission: Impossible!

Here is the film’s very brief official synopsis:

Life is a cumulation of the decisions we make, and for the character Ethan Hunt in Mission: Impossible – Fallout, that’s Tom Cruise.

Mission: Impossible — The Final Reckoning is set to open in theaters on May 23.

Remakes That Were Drastically Different From the Original

A Star Is Born (1976)

As a devoted movie enthusiast, I’ve always been captivated by the enduring tale that is “A Star Is Born.” The original film from the 1930s, a romantic drama intertwined with the intricacies of Hollywood, was actually a spin-off of another melodrama called “What Price Hollywood?” The 1954 version introduced musical numbers into the narrative, focusing on two silver screen stars portrayed by James Mason and Judy Garland. It wasn’t until the 1976 adaptation that the story morphed into a musical journey about two musicians, one ascending and the other on a downward spiral, featuring Barbra Streisand and Kris Kristofferson. The remake in 2018, starring Lady Gaga and Bradley Cooper, was another box office success and award-winner, echoing its predecessors. It’s fascinating to ponder what form the next “A Star Is Born” might take, perhaps in 2042, featuring a pair of TikTok sensations, one who recently burst onto the scene and the other whose last viral video dates back to the late 2030s.

Invasion of the Body Snatchers (1978)

As a cinephile, I’ve got to say that the fundamental concept behind both iterations of “Invasion of the Body Snatchers” (1956) revolves around extraterrestrials who can flawlessly replicate a human being’s appearance. However, the execution and core themes of these movies vary significantly. In the 50s, “Body Snatchers” was essentially a metaphor for McCarthyism and conformity, while in the 70s, it critiqued blind consumerism and self-help gurus. The original film didn’t exactly end on an optimistic note, but the 70s version of “Snatchers” might just have one of the most dismal conclusions in all of Hollywood sci-fi.

The Thing (1982)

In 1951, “The Thing From Another World” hit the silver screen, but its two adaptations of John W. Campbell’s “Who Goes There?” share a common theme – human crews in isolated locations battling an extraterrestrial threat. However, the menace in the ’50s had a rather conventional appearance with a large bald head and clawed hands. John Carpenter’s “The Thing” (1982) came closer to Campbell’s original concept as the alien could imitate human forms, similar to those pesky Body Snatchers. It also occasionally transformed into grotesque, flesh-filled nightmares of body horror. Notably, while the first film was set in the Arctic, the second takes place in Antarctica – a significant difference for geography enthusiasts!

Scarface (1983)

Originally released in 1932 as “Scarface” by Howard Hawks, the film was remade by Brian De Palma in the 1980s, becoming one of the defining crime films of that era. Posters of this movie could be found in countless dorm rooms, while references to it appeared frequently in TV shows, movies, and songs. However, many people may not realize that De Palma’s “Scarface” is actually a remake of an earlier gangster film, with the original Scarface being an Italian immigrant who rose to power in Chicago, whereas Tony Montana, the protagonist of De Palma’s version, emigrates from Cuba and becomes a crime lord in Miami. Despite sharing the same title, the two versions bear only a loose resemblance to each other.

The Bachelor (1999)

In 1999’s “The Bachelor,” an unexpected choice for Buster Keaton’s comic successor was Chris O’Donnell. This film is a modern take on the 1925 classic “Seven Chances.” Interestingly, some viewers might not realize that Robert Downey Jr.’s movie “Sherlock Holmes: A Game of Shadows” is actually a remake of Keaton’s earlier work, “Sherlock Jr.” (Although I must admit, that last comparison is more of an amusing observation on my part.)

When a Stranger Calls (2006)

Originally released as “When a Stranger Calls” in 1979, the movie gained recognition for its chilling opening scene, where a babysitter is stalked by mysterious phone calls originating from within her home. The remainder of the film followed a detective pursuing a murderer years later. In 2006, the iconic opening sequence of the original was expanded into a full-length film, stretching the initial 20-minute scene to a lengthy 90 minutes. While this remake managed to extend the suspenseful storyline, it may not be as memorable compared to its predecessor.

Bad Lieutenant: Port of Call – New Orleans (2009)

The film Bad Lieutenant: Port of Call – New Orleans (2009) might not be considered a traditional remake, given its distinct setting, characters, and director (Werner Herzog). However, when you look at the storyline, it revolves around a corrupt police lieutenant. By most definitions, that makes it a remake, albeit one with significant creative liberties taken.

RoboCop (2014)

Originally based on: RoboCop (1987)

It’s no easy task to emulate Paul Verhoeven in a franchise, as those who attempted RoboCop 2 and 3 can attest. However, this peculiar remake smoothed out all of Verhoeven’s distinctive rough edges. The new RoboCop character, portrayed by Joel Kinnaman, underwent a comical redesign. This reboot also significantly altered the original character arc. In Verhoeven’s version, RoboCop is a nearly blank slate with faint memories of his family; the film centers on his gradual reconnection to his humanity. José Padilha’s RoboCop interacts frequently with his wife and son – they even become hostages that he must rescue during the climactic action scene. Yet, it seems the remake never fully grasped the purpose behind this transformation.

Pete’s Dragon (2016)

In terms of Disney live-action remakes, I’ve grown rather skeptical, as they often appear to be more about making money than creativity. However, one exception that proves the rule is David Lowery’s reimagining of “Pete’s Dragon” (1977), which traded the musical elements and comedic slant of the original for a more serious and immersive children’s adventure. Comparing the cast lists between the two films speaks volumes: The remake features Bryce Dallas Howard, Wes Bentley, Karl Urban, and Robert Redford. In contrast, the original boasted Mickey Rooney, Red Buttons, Shelley Winters, and Jim Backus.

The Mummy (2017)

Paws of Fury: The Legend of Hank (2022)

Title change from original: “Blazing Saddles” (1974) to “Paws of Fury”

Initially named “Blazing Samurai,” the new movie follows a dog character (played by Michael Cera), who assumes the role of law enforcer, similar to the African American sheriff in the original film. However, instead of the Old West, the story takes place in a feline-populated land. The main character’s mission remains the same: confronting and defeating hostile cats. Despite not garnering the same critical and commercial success as Mel Brooks’ classic Western comedy, “Paws of Fury” does share some similarities if you look closely.

Road House (2024)

In 2024, there’s a reboot of the unique film, “Road House” (originally released in 1989). This original movie was an intriguing mix of tough bar brawls and philosophical ruminations, which might seem odd together. Remarkably, they decided to remake it. Instead of featuring the world’s top bar bouncer, the remake revolves around a fallen UFC fighter (portrayed by Jake Gyllenhaal) who takes on the role of a bouncer due to financial hardship. Unlike the original, this version involves more mixed martial arts and less philosophy, as our protagonist squares off against a local business tycoon. Despite its unlikely premise, it turns out to be just as enjoyable as the original – a testament to the enduring charm of “Road House.

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2025-04-07 16:54