‘Who do I need to talk to or bribe to be a part of this?’ Laurence Fishburne looks back on 12 key roles
Had the award-winning filmmakers Daniels chosen a different name for their movie, “Everything Everywhere All at Once,” it could have fittingly been titled as a homage to the esteemed actor, Laurence Fishburne.
Ever since his notable role as the energetic “Mr. Clean” in the 1979 film “Apocalypse Now,” this actor has consistently been a familiar figure in Hollywood and beyond. He’s managed to move effortlessly between successful franchise films like “The Matrix” and “John Wick,” groundbreaking movies such as “Boyz N the Hood,” television series like “black-ish,” and even theater productions including “Thurgood” and a recent Broadway revival of David Mamet’s “American Buffalo.” Additionally, he also engages in writing and directing projects, and has been asked to contribute his unique voice to animated films, video games, and podcasts.
In the most recent addition to their extensive collection, 20th Century Studios presents “The Amateur,” an action-spy drama starring Rami Malek as Charlie Heller, a skilled CIA analyst. Following the tragic death of his wife in a terrorist attack, Heller embarks on a mission of vengeance. Meanwhile, Laurence Fishburne portrays Henderson, a former colonel proficient in training field agents, who crosses paths with Heller.
Despite appearing in just a few scenes, Fishburne’s powerful on-screen presence significantly elevates the overall weight and seriousness of the movie.
Though Fishburne is featured in only a few moments within the movie, his commanding screen presence lends a sense of importance and dignity to the entire film.
In a complimentary manner, James Hawes, the director of “The Amateur,” admired the actor’s mysterious demeanor and his unique talent to convey both threat and allure. He stated that the actor was an obvious choice for this role, as he was the top pick from the start.

Title “The Amateur” hits theaters on April 11, and it seems to have thrown Lawrence Fishburne into a whirlwind of activity – a testament that even as he celebrates his 50th year in show business, he shows no signs of letting up. It leaves one pondering if he ever finds time for rest.
He just chuckled heartily in response to the question. “Indeed, I do,” he confirmed, pausing momentarily during a photography session at a Hollywood studio. “I get plenty of restful sleep.
It’s understandable if you thought otherwise, but let me clarify. March was a busy month for theater work. For example, Fishburne teamed up with Titus Welliver (“Bosch”) in a staged reading or revival of his first play as a writer, “Riff Raff,” which was produced in 1995. He concluded the month with “Like They Do in the Movies,” a one-man show he wrote and stars in that explores “the stories and lies people have told me…and I have told myself.” Over the next few years, he plans to tour this production.
Forthcoming productions in both cinema and television feature exciting projects. One is “The Astronaut,” premiering at South by Southwest, where Kate Mara portrays a woman experiencing peculiar events upon her return from a NASA mission. Additionally, the fourth season of the Netflix fantasy-drama series “The Witcher” is on its way, with the actor commenting, “It offers a fresh take on character and setting for me.
As a seasoned film critic, I must confess that Laurence Fishburne’s impressive resume belies a humility that is both endearing and inspiring. In spite of his numerous accolades, he remains a passionate artist yearning for his debut role, a young thespian eagerly awaiting that elusive first break.
He expressed that he can’t put his career into words other than stating he is a journeyman. What keeps him going is the same passion that ignited him at the beginning of his journey. He still has an appetite, an appetite for producing quality work and engaging in intriguing projects. His thirst for knowledge about unfamiliar topics fuels his restlessness.

Working alongside Malek, who bagged an Oscar for his depiction of Freddie Mercury from the 2018 film “Bohemian Rhapsody,” aligns perfectly with Fishburne’s creative pursuit. Fishburne has been a supporter of Malek ever since he co-starred in HBO’s extensive World War II miniseries “The Pacific.
As a true movie enthusiast, when I witnessed Malek in that role, I couldn’t help but think, “This actor is the genuine article.” It was the chance to collaborate with him, combined with the compelling strength of the script, that ultimately convinced me to join this project.
He mentioned that his decisions tend to be instinctive more often than not, either because a certain material resonates with him or not. However, he acknowledges that there have been instances where other factors, such as being in the ideal location at the optimal moment, have also played a role in his past choices.
I got to know John Singleton while I was working on ‘Pee-wee’s Playhouse.’ That’s where we first met, him being the creator of ‘Boyz N the Hood.’
He was an assistant in that TV series, while I had recently finished ‘School Daze.’ He asked me questions about the movie and Spike Lee, then questioned why I was doing a kids’ show. I replied that I needed a job since I had just welcomed our first baby and another one was coming soon. We had also bought a house and had a mortgage to pay off.
Speaking fondly about various projects, both popular and lesser-known ones, Fishburne exuded a sense of joy, his characteristic laughter echoing through many reminiscences: “I enjoy what I do, and the fact that I can express myself in numerous fields and formats just adds to the excitement. I believe I’m living out my reason for being.

‘Apocalypse Now’ (1979)
At just 14 years old, Fishburne made his breakthrough appearance in films, marking the start of his creative partnership with director Francis Ford Coppola. Notable collaborations between them include “The Cotton Club” and the yet-to-be-released “Megalopolis.
This experience transformed my existence, leading me towards a life immersed in artistry. It was here that I grasped the possibility of becoming an artist myself, and understood that acting, particularly in movies, could offer more than I initially perceived. I unearthed a method to utilize this gift I’ve been bestowed with for service. Whenever I stumble upon this film again, I still see Larry Fishburne, the young boy within me.
‘Death Wish II’ (1982)
In the follow-up of the popular 1974 movie where Charles Bronson played the role of architect-turned-vigilante Paul Kersey, Laurence Fishburne portrayed a gang member named Cutter who attempted to harm Kersey’s family. Unfortunately for him, it did not have a positive outcome.
In search of employment, I attended an audition where I was told, “Alright, you all must simulate attacking this chair.” Reluctantly, I participated in a scene that involved acting as if I were violating a chair. To my surprise, I landed the role. Sharing the screen with Charles Bronson was an honor, and he even got me tipsy during filming.

‘Pee-wee’s Playhouse’ (1986-90)
In the trailblazing series appealing to both children and adults, Fishburne portrayed Cowboy Curtis, a character played by Paul Reubens.
Or:
Paul Reubens’ groundbreaking show, which attracted fans of all ages, saw Fishburne in the role of Cowboy Curtis.
Or:
Fishburne took on the role of Cowboy Curtis in a popular and innovative show created by Paul Reubens that entertained both kids and adults.
The unique aspect of “Pee-wee’s Playhouse” lay in its innovative nature, making it not universally appealing. This unusual character, a boy/man, was Paul’s brainchild. Together with Paul Paragon and Lynn Marie Stewart from the Groundlings, they envisioned a cowboy character. I agreed and portrayed a serious gunslinger, inspired by Yul Brynner from “The Magnificent Seven,” due to my bald head during the audition. However, they requested a lighter tone, which led me to embrace comedy. I opted for a jheri curl wig as it was popular on the West Coast, reminiscent of the joy I experienced watching “Batman” with Adam West. This show wasn’t just for kids; adults watched too. It became a nightly ritual in the ’80s: partying all night and ending with “Pee-wee” in the morning. I was delighted that we created something people enjoyed.
‘School Daze’ (1988)
Spike Lee’s musical production, centered around a prestigious historically Black university, tackled themes of colorism, hairstyles, and other related topics. Forest Whitaker played Vaughn “Dap” Dunlap, a fiery student who butted heads with the fraternity leader Julian “Big Brother Almighty” Eaves, portrayed by Giancarlo Esposito.
I’ve got a soft spot for “School Daze.” My daughter and I just re-watched it together, and it still resonates as a cultural landmark. Unlike other films, it portrayed a college experience that was unfamiliar to most viewers – only those who lived in that world truly understood it. The fact that the story was told through music made it even more impactful. Classic numbers like “Good and Bad Hair” and “Doing Da Butt” still hold up today. Plus, the cast! Spike Lee, Giancarlo Esposito, Samuel L. Jackson, Tisha Campbell, Kadeem Hardison, Jasmine Guy, Branford Marsalis – they all went on to have impressive careers. It’s a remarkable accomplishment for Spike.

‘Boyz N the Hood’ (1991)
In a gritty coming-of-age film set in South Los Angeles, Singleton received an Oscar nomination for directing. Morpheus himself, Laurence Fishburne, portrayed Furious Styles, a devoted single father endeavoring to guide his son, Tre (Cuba Gooding), towards the right path.
A notable milestone in filmmaking history. I collaborated with an inexperienced yet self-assured director for the project. His authenticity won my trust as he was genuinely narrating his own tale – no deceit or embellishment involved.
‘Deep Cover’ (1992)
In this role, Fishburne portrayed Russell Stevens, a covert police officer, who narrowly avoids being overwhelmed as he works tirelessly to take down the notorious drug trafficker, Jeff Goldblum’s character, David Jason.
1. The movie played a crucial role in solidifying my status as a prominent actor. It remains relevant. It’s the kind of film I had always dreamt of creating – movies similar to it were what I watched growing up. It has a “Serpico” and “Baretta” feel. Acting alongside Jeff, who is both unpredictable and intellectually deep but also playful – only to see him take on a darker persona – was an absolute pleasure.
2. The movie significantly boosted my career as a leading man. It’s still got it. It’s the sort of picture I’ve always aspired to produce, having grown up watching movies similar to it. There’s a hint of “Serpico” and “Baretta” about it. Performing alongside Jeff, who is so versatile, combining elements of mystery, wit, and a touch of darkness – that was a delight.
3. The film significantly contributed to my rise as a leading actor. It still stands the test of time. It’s the kind of movie I always wanted in my portfolio – movies like it were what I watched during my youth. It carries an air of “Serpico” and “Baretta.” Working with Jeff, who is so unpredictable yet thoughtful, playful at times but capable of darkness, was a true joy.
4. The movie played a pivotal role in establishing me as a leading man. It continues to shine. It’s the sort of film I had longed to be part of – films like it were my childhood favorites. There’s a touch of “Serpico” and “Baretta” in it. Sharing the screen with Jeff, who is both enigmatic and cerebral but also playful – before he delves into darkness – was an unforgettable experience.

‘What’s Love Got to Do With It’ (1993)
In this movie based on Tina Turner’s life, Fishburne and Angela Bassett received Oscar nods for portraying Tina’s efforts to escape from her turbulent and violent relationship with her spouse Ike Turner.
I adore music across all genres, from jazz to rock ‘n’ roll. Living out my rock ‘n’ roll dream has been fantastic. I sport a Beatles-style wig and tall boots. Come on! Sly Stone and Billy Preston can’t compare with my flair; Ike would be impressed. Yes, there was a dark side to him, but I strive to shine brightly.
‘Always Outnumbered’ (1998)
In the HBO version of Walter Mosley’s novel “Always Outnumbered, Always Outgunned,” Fishburne played Socrates Fortlow, a former inmate grappling with post-prison life. Cicely Tyson and Natalie Cole appeared alongside him in key roles.
What a fantastic job! Walter Mosley is incredibly gifted, I’m a massive fan of his work. Socrates was both intricate and straightforward at the same time. He was filled with anger yet remained patient and compassionate due to the unfortunate circumstances he faced. Natalie Cole was exceptional. Despite not being an actress, she held her own in that movie.

‘The Matrix’ (1999)
In the original film and the following two sequels, Fishburne portrayed the mysterious character Morpheus, donning sunglasses and a sturdy trench coat to exhibit his skills in action movies.
In the initial movie and the subsequent two follow-ups, Fishburne displayed his action hero abilities as the enigmatic operative Morpheus while sporting sunglasses and a heavy leather trench coat.
Experiencing a life-altering event I am incredibly proud to have been involved with – one of the culturally influential films from the past century. I had no inkling it would attain such iconic status, but I did sense it was the most unique piece I’d ever encountered; nothing like it had crossed my path before. It has become deeply embedded in popular consciousness, with phrases like “going down the rabbit hole” and “red pill, blue pill” being constantly discussed. Moreover, it drew inspiration from Chinese martial arts films, elevating and refining the American action film genre. Since its release, the concept of coexisting in multiple realities has become a common theme in cinema. In my opinion, “Everything Everywhere All at Once” is the finest interpretation of this idea.
‘Thurgood’ (2008)
Fishburne received a nomination for a Tony Award, recognizing his outstanding performance as civil rights attorney and Supreme Court Justice Thurgood Marshall in a one-person play.
As an ardent admirer, I can’t help but share my profound insights gained from delving into our nation’s history and the paramount significance of our Constitution, law, and the indomitable spirit embodied in dismantling segregation. I had the immense privilege and honor to deliver what I deemed a stellar performance for President Obama and his illustrious wife, Michelle. Performing that role for them in that city at that momentous time remains one of the proudest experiences of my life.

‘black-ish’ (2014-22)
In this ABC sitcom, Fishburne played both the role of an executive producer and a cast member. The show centered around a Black family who lived in an affluent, primarily white community.
I’ve long admired Anthony Anderson and knew deep down he had both dramatic and comedic talents. I was a big fan of Tracee Ellis Ross as well. The three of us brought a strong energy to that show. Additionally, there were the young talents [Yara Shahidi, Marcus Scribner, Miles Brown, Marsai Martin] – it’s amazing to think about their future success. And then there was Jenifer Lewis. There was an organic connection between us all. We didn’t force anything; it just came together naturally. The show also aligns with a key aspect of my work, which is portraying the Black American experience in its entirety – not only the hardships but also the triumphs.
‘John Wick Chapter 2’ (2017)
In the continuation of the “Assassin” series, I found myself rejoining my “Matrix” co-star Keanu Reeves. There, I was unveiled as the Bowery King, the leader of a soup kitchen that disguised itself as a homeless shelter, but in reality, it was a hub for an undercover intelligence network.
I watched “John Wick” and found it incredibly entertaining. When I met Keanu, I expressed my interest in joining this franchise, jokingly asking who I should speak to or bribe to make it happen. He mentioned they were considering me for a role. It’s an absolute delight to be part of another movie with him, and it’s thrilling to work on an action film that’s unlike any other. This one promises to surpass expectations and take the genre to new heights.
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2025-04-03 13:32