Bergerac reboot’s big risk pays off: One key change makes the crime drama better than ever

In the dimly lit, sepia-toned setting of a room, I find myself standing up to address a gathering, much like the characters in old AA meetings. You see, I’m Jim Bergerac, and if you remember the ’80s version, you might recall that the original central character grappled with the same demons as I do – alcoholism. In this new iteration, I carry on the struggle, speaking my truth to those who understand the challenges of finding sobriety amidst life’s many trials and tribulations.

His candid unveiling in front of a crowd of unfamiliar faces alternates with instances of homicide; a homicide that will serve as his initial case once he resumes his position as Detective Sergeant, following a period of leave.

Although this new version of the Bergerac series keeps some elements similar to the original show, evoking nostalgia among fans, a subtle change in how the mystery unravels significantly sets it apart.

In contrast to its previous iteration, this fresh series breaks free from the traditional “mystery of the week” template, distancing itself from popular crime dramas such as Death in Paradise. Instead, it focuses on a single murder case that unfolds throughout the entire season.

Viewers are treated to a deeper, more personal exploration, both of the mystery at hand and the inner workings of the character known as Bergerac.

By consistently maintaining its focus instead of shifting it each episode, the show maintains a relentless pace. This unrelenting pressure never lessens for our main character, either. Instead, it remains like a heavy burden on him, echoing the oppressive nature of his trauma. In the end, this creates a more immersive viewing experience overall.

Additionally, let’s keep in mind that part of the enjoyment from these kinds of programs is solving mysteries alongside our on-screen companions. By extending the narrative, we also get to play the guessing game longer. There’s a sense of fun in believing you have everything figured out, only for the story to take an unexpected turn.

Regarding our main character, Damien Molony delivers a strong performance in the series, portraying Jim Bergerac convincingly as a man who’s been through tough times. He exhibits a mix of gruffness and sensitivity, with moments of roughness and vulnerability depending on the demands of the plot.

In his own words, John Nettles (of Bergerac fame) accurately described the portrayal of the detective in The Split as being significantly darker and complex compared to the character he previously played.

Nettles pointed out that it’s more complex than it seems, and indeed, this complexity becomes apparent fairly soon for the observer.

His softer side and quiet yearning for liberation from the agony that torments him are most evident when he’s with his daughter, Kim. When apart from her, he’s a tumultuous mix of anger and suffering, barely contained and ready to explode at any moment. Molony skillfully portrays this struggle.

He remains the same charming character we initially adored as fans, much like how Nettles put it, he is “still distinctly Bergerac.

The relationship between him and Zoë Wanamaker’s character, Charlie, is equally captivating. They share a bond, but there are hints of dissatisfaction and annoyance beneath the surface. However, even during their confrontational exchanges, it’s clear they don’t dislike each other.

Chloe Sweetlove’s Kim acts as a unifying force among them, making it intriguing to observe how they all cope with a shared trauma in distinct manners.

Robert Gilbert gives depth to the story by portraying Officer Barney Crozier, a character who experiences a noticeable change upon Bergerac’s resumption of work. His personal uncertainties subtly unfold throughout the narrative, adding layers of suspense and curiosity.

The interwoven tales, running alongside the main storyline, are what make for an engaging and effective beginning to this reboot.

Bergerac is available to stream for free on U, and airs Thursdays at 9pm on U&DRAMA.

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2025-02-27 14:19

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