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Comedian Mae Martin wrote a rock album. When the world’s chaotic, “So much of life doesn’t have a punch line”

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Initially, when comedian Mae Martin relocated to Los Angeles, they secured a monthly residency at Largo at The Coronet. Notably recognized for their biting sobriety comedy series “Feel Good” and numerous acclaimed stand-up specials, Martin developed an affection for the rich musical legacy that had been part of the club’s history.

Martin mentioned that they possessed the piano which Elliott Smith likely played during ‘Baby Britain.’ Flanny, the proprietor of Largo, inspired him to invite musical guests, leading him to perform Elliott Smith covers. It was a wonderful experience knowing the comedy crowd tolerated these performances, as you could hear a pin drop and the atmosphere would change. These shows significantly boosted his confidence in music.

Martin’s debut album, titled “I’m a TV,” has finally been released and it’s a hit! This collection of original songs is reminiscent of the millennial indie music they grew up with, as well as the artistic pop style of Largo. The LP is filled with succinct, witty lines, similar to Phoebe Bridgers or Jenny Lewis. However, it offers a surprisingly heartfelt songwriting experience from one of the most insightful and self-aware minds in stand-up comedy. Martin will be performing these songs live at the Regent on Wednesday!

In a conversation, The Times discussed with Martin various topics such as creating sincere music for promoting peace, the impact of storylines involving cults that resonate more today, and navigating comedy’s complex ties to the extreme right.

In these stressful times, I wonder how a non-binary comedian from Canada living in the U.S. is managing? Are you coping well?

Given the current tense atmosphere, I’m curious about how a Canadian nonbinary comedian residing in the U.S. is faring. How are you keeping up?

Lastly:

It seems like an anxious period for a nonbinary comedian from Canada who lives in the U.S. How have you been handling things?

Just like many others, I’m grappling with profound feelings of anxiety about the state of things, attempting to shield myself from the looming sense of doom without succumbing to it or being overwhelmed by the apparent hopelessness. However, I know deep down that it’s not truly hopeless. It simply seems like a significant setback. I’m fortunate to have numerous friends who are eloquent advocates, and I often seek inspiration from their actions.

It seems unfortunate that, having just finished hosting a CBC documentary on nonbinary identity, you might find it distressing to observe individuals being involuntarily misgendered on their passports here.

It’s unsettling when government policies contradict scientific findings. Indeed, it seemed like we were making progress towards a time where individuals wouldn’t have to constantly defend their identity. It would be nice to enter a room without the topic being immediately brought up. Visibility is crucial in this respect, and I try to remain hopeful that by simply living my life with confidence, I am somehow resisting these norms.

(Alternatively)

It’s nerve-wracking when government policies clash with scientific facts. It felt like we were making progress towards a future where people wouldn’t have to continuously justify their identity. I wish I could walk into a room without the topic being addressed first. Visibility is essential, and I try to stay optimistic that by living my life boldly, I am somehow challenging these expectations.

It seems more pleasant for us if we could simply discuss your upcoming album and performance at The Regent on Wednesday instead.

Touring is a heartening experience as it offers a miniature version of society, reminding us that most people are kind, eager to interact, and share more similarities than differences.

Alright, let’s discuss this record. It perfectly resonates with my taste for nostalgic indie rock from the older millennial era, which carries a touch of melancholy. At what point in time did you find yourself prepared to produce an album?

In a private manner, I’ve been composing songs all along. However, the creation of the British show “Feel Good” marked a significant shift. My friend Charles Watson was responsible for the music composition, and I had the opportunity to strum the guitar on one of the songs. This experience was transformative as it boosted my confidence in expressing my own musical preferences, especially regarding the emotional depth of music.

Upon relocating to Los Angeles following 12 years residing in England, I found myself with ample solitude. This allowed me to rekindle the authentic North American aspect within me that I had suppressed. Remarkably, one of the album producers, Jason, was a fellow summer camp attendee from our teenage years. We would often strum acoustic guitars by the campfire, playing tunes by Ben Harper, The Tragically Hip, and Third Eye Blind. I believe this nostalgic atmosphere is reflected in the music, capturing the essence of a time when my love for music bloomed. Life doesn’t always have a clear resolution, but through music, one can express oneself more openly because it’s not about presenting a specific event from my life, rather a personal reflection.

You can really hear that Elliott Smith “Figure 8” influence on a few songs like “Garbage Strike.”

Man, I’m completely smitten with Elliott Smith! His last album, “From a Basement on the Hill,” was an extraordinary blend of dark and heavy tones that I simply can’t get enough of. While many might associate him with melancholic acoustic music, his compositions are richly layered, echoing the brilliance of Paul McCartney and George Harrison.

One of my favorites from that album is “Garbage Strike,” a track that captures the spirit of Canada so vividly. It tells a story about the garbage strike in Toronto in 2003, making it a unique piece in my collection. I find the connection to Canada fascinating, and I can’t help but admire that album more and more with each listen.

Music

The comedy star who shares credit for “Tim and Eric Awesome Show, Great Job!” discusses his songwriting being the main focus once more with the upcoming launch of his fresh album titled “Slipping Away,” due this Friday on Bloodshot Records.

In some cases, artists such as Jenny Lewis and Father John Misty blend humor with their songwriting, while entertainers like Tim Heidecker create music that’s deeply emotional. What makes wit function distinctly in these contrasting artistic realms?

If I occasionally show quickness and cleverness in my thoughts, it’s likely due to recognizing a genuine irony in life. I needed to break free from the habitual response of guiding people towards emotionally charged moments, only to lighten the mood with humor. This instinct is deeply engrained within me, as I don’t want to bring anyone down. Performing at Largo shows was like tearing off a bandage abruptly, because there’s an urge to engage with the audience or abandon a song halfway with a jest. However, I had to stay committed to the entirety of each song.

Regarding the vibrant Los Angeles nightlife scene, I’ve noticed that establishments such as Ruby Fruit, known for their queer atmosphere, have been closing recently. I can’t help but wonder if we’re facing difficulties in maintaining smaller clubs of all types. Does this concern you too?

In my younger days, living in Toronto during my twenties, there were numerous fantastic lesbian and queer bars that no longer exist. It’s certainly noticeable how they’ve vanished. For most of my life, I’ve found myself more connected to the comedy scene rather than the LGBTQ+ community, as I spend many evenings in comedy clubs. I haven’t intentionally sought out the queer nightlife, but now I feel a strong desire to engage with it. The motivation comes from a desire to help these businesses thrive and because the sense of community seems more crucial than ever before.

As a passionate film enthusiast, I’ve always been open about my experiences with addiction, particularly in shows like “Feel Good” and “Dope.” In times when the world seems chaotic and on the brink of collapse, maintaining recovery can indeed be challenging. Yet, it’s during these testing moments that I find solace in my commitment to my personal journey towards healing and growth.

I make an effort to stay aware of the emergence of habits that could be addictive. You’re correct in pointing out that during times when the world seems more apocalyptic, it’s tempting to resort to comforting behaviors so easily. For me, addiction was something I associated with drug abuse growing up and during my time in rehab. However, a significant realization for me came when I saw addiction as a coping mechanism for deeper issues, and realized that everyone partakes in some form or another.

Despite sounding rather mundane, I’m deeply hooked on my phone. I consider myself fairly adept at managing substances, but the deluge of negative news has me edging towards a numbness I can’t shake off. In an attempt to find solace, I’ve tackled over 60 escape rooms in L.A., and even earned an app-given award for my efforts. It’s a more constructive pastime, but the time I spent running from a Minotaur-dressed man through a maze made me realize that this might be a warning sign of how I unwind.

In a more casual tone, here’s how I would rephrase: “Since ‘Wayward’, your upcoming Netflix series, delves into the world of troubled teens and cult dynamics, do these topics resonate differently since you first began working on the show?

Absolutely. I’ve been exploring this subject for quite some time, and a few years back, it gained widespread attention with the Paris Hilton case. It offers an authentic perspective on the problematic teen industry, but it’s also reminiscent of cult thrillers. Cults serve as an insightful comparison to the manipulative nature of society.

2003 serves as the backdrop for this narrative, prompting intriguing comparisons between then and now, including intergenerational strife and the mental gymnastics required by adults to navigate these established systems. We’ve had conversations with several sociologists and cult experts who delve into the linguistic tactics employed by leaders of cults, a form of double-speak that I’ve undeniably observed in contemporary dialogue.

During the recent election period, it became apparent that certain aspects of stand-up comedy have a significant influence on the far-right, as evidenced by President Trump appearing on Joe Rogan’s podcast and Tony Hinchcliffe performing at a Trump rally. Moreover, Dave Chappelle’s work may have fueled the current wave of anti-trans sentiment. Is it troubling to observe individuals with roots in stand-up comedy having such direct connections to those wielding power on the far right?

Indeed, it’s quite unusual, but their connection makes sense given that governments have started to influence reality TV. As a result, it’s not surprising that the host of “The Apprentice” would want to interact with the host of “Fear Factor.” However, the individuals you mentioned are outside my circle in the comedy world. I seldom ponder them. They seem to be instigating conflicts, but I prefer to collaborate with knowledgeable people, thinkers, and scientists. I hope that my role models continue to stand firm for righteous causes and not succumb to the notion that the adversary is the progressive left.

In simpler terms, considering the part in your latest “SAP” where you discuss our minds as small stages we present to others for recognition, with everything going on now, are you of the opinion that your stage will forever remain in Los Angeles?

Recently, I managed to purchase a house in this location, something I never thought was possible. Yet, will it erode into the ocean or ignite? Los Angeles often receives negative reviews, but after spending a significant amount of time in England and being Canadian, it seemed enigmatic to me. I assumed it would be a fearsome, vacuous, solitary place, but I’ve discovered that quite the opposite is true. Instead, I’ve encountered individuals who have moved here with great excitement, seeking collaborators and companionship. It may sound trite, but I now gaze upon a stunning sunset through my window and enjoy the scent of palo santo. I’m embracing the LA lifestyle more and more, and I find myself growing to love it.

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2025-02-25 14:32

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