Movies

Can a Threesome Save a Failing Marriage? Discover the Shocking Truth in Unicorn!

BBG News

Unicorn (Garrick Theatre, London) 

As an ardent theater enthusiast, I must share my excitement about Mike Bartlett’s latest play, featuring the exceptional talents of Nicola Walker and Stephen Mangan from the captivating BBC series The Split. This production also stars Erin Doherty, who played young Princess Anne in The Crown. One unique aspect that caught my attention is its remarkably candid content advisory: “Contains explicit scenes of a sexual nature which some people may find intriguing.

In essence, Bartlett’s play portrays the ongoing strife between Walker and Mangan as their once-warm marriage falters under the weight of mid-life monotony.

However, Polly (Walker) proposes an unconventional solution to salvage their marriage: inviting the 28-year-old aspiring poet, Kate (Doherty), into a romantic relationship with both herself and Nick (Mangan).

In the unique role I’ve been given, I am indeed the ‘unicorn,’ a solitary woman stepping into a well-established duo, aiming to bring about harmony and balance.

As a die-hard admirer, I must admit that Bartlett’s concept is simply brilliant, filled with an intriguing blend of raw sexual candor that keeps me hooked. However, there are moments when his writing style becomes infuriatingly elusive, tricky, and repetitive, leaving me yearning for a more straightforward approach.

Walker’s Polly is a good liberal, slightly hyper progressivist who’s supposed to be a poet. 

However, she tends to speak excessively about her thoughts and emotions, often without pause, hoping to come across as open and approachable.

In a nervous and uneasy state, Dr. Nick, an ENT specialist, becomes overly anxious and talks incessantly due to the social customs surrounding sharing a bed with two women, one being his own spouse.

Doherty is a self-assured millennial who writes about fantasies, often publishing chaotic editorial pieces with an apocalyptic theme.

Doherty is a young adult with a knack for fantasy and a tendency to write dramatic editorials that usually have an end-of-the-world feel.

Doherty’s got a thing for fantasies and loves to write intense, doomsday-ish editorials. She’s a millennial, though!

4. In a more conversational style: You know Doherty? She’s always dreaming up fantasy stuff and writes these intense pieces that read like the end of the world is near. She’s a millennial, by the way.

5. For a creative rewording: Doherty’s got a flair for fantastical tales and a knack for crafting editorial pieces laced with an apocalyptic vibe—she’s a confident millennial who isn’t shy about sharing her thoughts!

In James Macdonald’s arrangement, you’ll find an appealingly sleek setting, marked by an illuminated arc that mimics the contour of a Sydney Opera House’s shell. The space is tastefully adorned with a progression of seating options like sofas, benches, and even a bed.

Setting up a curious yarn, it’s quite cute and rather long-winded in its cosy anguish.

Despite its bold discussions on sexual freedom and relationship dynamics, the narrative tends to become overly emotional and sentimental, which may not appeal to every viewer.

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2025-02-14 05:16

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