A Wicked-sceptic reviews the Wicked movie

As someone who’s been around the block a few times with musicals and has seen more shows than I can count (and yes, that includes “Cats” – twice), I must admit I approached “Wicked: Part I” with a bit of trepidation. I mean, I’ve heard the arguments for and against this beloved musical, but my personal feelings have always been… well, let’s just say they were not as green as Elphaba’s skin.

Just like folks are consistently surprised that I, a gaming enthusiast, haven’t seen the Harry Potter films, there’s an equally astounded response whenever our conversation veers towards the Broadway phenomenon, Wicked.

Contrary to the assumption many folks make about my taste in musicals, I’ve actually seen Wicked, yet I wouldn’t categorize myself as a die-hard fan. It might come as a surprise since musicals, horror films, and Paddington are supposedly staples of my entertainment diet (and Paddington, well, that’s just a peculiar intersection).

As a devoted admirer, I’ve shared my belief that only two songs truly shine – ‘Popular’ and ‘Defying Gravity’ – in the musical world, and I’ve often faced disagreement. There have even been instances where I was told, rather emphatically, that I couldn’t be more mistaken.

To be honest, wasn’t I overly enthusiastic about “Wicked” – or “Wicked: Part I” as its full title goes? Not really, at least not initially. But could it manage to sway my feelings towards it? Indeed, it might just do that.

Although not explicitly advertised, it should be noted that Wicked is actually just the first act of the musical. Consequently, those attending may find themselves anticipating a more comprehensive experience. The production remains exceptionally loyal to the original, employing ‘Defying Gravity’ as a fitting cliffhanger, but some viewers might become slightly agitated by this approach.

To a doubtful critic, the suggestion that half the story would unfold in about 160 minutes (similar to the duration of the musical, including breaks) raised some doubts. Remarkably, though, Jon M Chu’s adaptation manages to mask this length flawlessly. The rhythm is skillfully managed, and the musical numbers are strategically placed at just the right moments.

In this two-part adaptation, Winnie Holzman (who originally wrote the script for the musical) and Dana Fox incorporate elements from Gregory Maguire’s book that were not included in the original musical. This expansion features new scenes like Elphaba’s tutoring sessions with Madame Morrible, as well as extended songs.

Purists who value authenticity might find issue with every modification in notes or staging, but Christopher Scott’s choreography often acknowledges the musical by incorporating beats that originate from the stage. Any criticisms will probably be overshadowed by the audience-pleasing inclusion of ‘One Short Day’.

To some extent, the expansions influenced my perspective on the songs. While the cinematic elements, such as large dance sequences and clever use of split-screen, breathe new life into songs like “Dancing Through Life” and “No-One Mourns the Wicked”, other tracks like “I’m Not That Girl” and “Something Bad” still feel somewhat standard.

As a devoted fan, I can’t help but marvel at the extraordinary pairing of Cynthia Erivo and Ariana Grande in “Wicked.” Each actress brings an unparalleled brilliance to their respective roles as Elphaba and Galinda. Ariana’s comic timing is nothing short of terrific, particularly shining in ‘Popular.’ On the other hand, Cynthia’s portrayal of Elphaba is spot-on, capturing both the power of her big numbers and the emotional depth of Elphaba’s social rejection.

Jonathan Bailey steals the spotlight, captivating everyone right from Flyero’s encounter with Elphaba. If you’re not smitten already, you will be with his outstanding performance in ‘Dancing Through Life’. His charisma is clearly evident throughout this extended scene, reaching its peak during a creative rendition of the Ozdust Ballroom.

As a skeptic initially hesitant about Wicked, I was taken aback by an unexpected twist: rather than the elongated narrative being the main issue, it turned out to be that the iconic song “Defying Gravity” didn’t get its due spotlight.

In a more simplified and conversational manner: Erivo’s performance was strong, yet the song feels overly extended due to numerous action interruptions that lessen its emotional impact. Additionally, it’s odd that the song doesn’t end when Elphaba sings her final note but instead includes some extra, flat flying scenes.

Surprisingly, even as the words “to be continued” appeared, I found myself not feeling relieved, but rather eager and wanting to watch part two of Wicked straight away, as if it had cast a powerful spell on me.

Wicked is released in cinemas on November 22.

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2024-11-20 00:19