Felicity Jones looks elegant in a strapless satin gown at a gala screening of The Brutalist during Savannah Film Festival
As a lifestyle expert with a background in both film and fashion, I must say that Felicity Jones’ elegant appearance at the Savannah Film Festival is nothing short of captivating. The strapless satin gown she donned for the event was not only a stunning choice but also perfectly complemented her sophisticated demeanor.
On Thursday, at the Savannah Film Festival, Felicity Jones gracefully attended the premiere of her latest movie, The Brutalist, and exuded an air of sophistication.
In a captivating satin dress without straps, the 41-year-old actress, playing Erzsébet Tóth in the historical drama, left everyone speechless.
The champagne dress cinched at the waist with a coordinating belt, showcasing a frilled top section that reached down to her ankles.
Felicity topped off her look with a pair of strappy gold heels and accessorised with some small hooped earrings.
At the event, she received the Spotlight Award following the movie presentation.
The film titled “The Brutalist,” helmed by Brady Corbet, revolves around a post-war narrative centered on a Holocaust survivor’s journey to reconstruct a life in the United States.
The movie is influenced by Jean-Louis Cohen’s book “Architecture in Uniform”. In this production, Adrien Brody portrays a Hungarian architect, while Felicity takes on the role of his wife.
Over several decades, “The Brutalist” narrates the journey of László Tóth as he chases his artistic dreams following World War II in America.
As a lifestyle enthusiast, I found myself in humble circumstances, much like Adrien Tóth. However, fortune took a turn when the affluent industrialist Harrison Lee Van Buren, portrayed by Guy Pearce, bestowed upon me an influential contract. The talented actors Joe and Alessandro Nivola joined me on this captivating journey.
The actor said it was a character and a story he felt an ‘immediate kinship and understanding for.’
His mom, renowned photographer Sylvia Plachy, originally hailed from Hungary. She escaped in 1956 amidst the anti-Soviet revolution, seeking refuge to pursue a new life as an artist.
Adrien said: ‘Even though it’s fiction, it feels very real and very real to me. That’s so important for me to embody a character and make it real.’
The movie, according to Director Brady Corbet, explores the tangible effects of the traumas experienced during the 20th century. It is a tribute to the artists whose visions remained unfulfilled.
Speaking at Venice Film Festival last month, he added: ‘This film does everything that we are told we are not allowed to do.
‘I’ve read great novellas, I’ve read great multi-volume masterpieces,’ Corbet said.
‘Maybe the next thing I make will be about 45 minutes, and I should be allowed to do that. … As Harmony Korine once said, cinema is stuck in the birth canal. And I agree with him.’
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2024-11-01 14:06