Joy review: Netflix’s British drama is a superbly-performed and important watch
As a passionate advocate for women’s rights and scientific advancements, I found “Joy” to be a heartfelt and poignant tribute to a groundbreaking pioneer who has long been overlooked. The movie beautifully captures the emotional turmoil and unwavering determination of Jean Purdy and her team as they navigated the controversial world of IVF.
In 2015, the plaque at the Oldham hospital was finally updated to include the name of Jean Purdy, who, along with Robert Edwards and Patrick Steptoe, played a crucial role in the development of In Vitro Fertilization (IVF), a groundbreaking scientific achievement.
The newly released Netflix film titled “Joy” highlights its protagonist Jean, who has been previously overlooked. This movie had its debut at the BFI London Film Festival. The movie attempts to rectify this oversight by centering on Jean’s life and accomplishments. In the film’s narration, Robert Edwards (portrayed by James Norton) expresses that she made the seemingly unbearable more manageable, a reference to Edwards’ tireless efforts in real life to ensure Jean receives due recognition.
Joy may not hold the same revolutionary status as Jean’s work in the area of infertility, yet, similar to other British Netflix reality-based movies such as The Dig and The Beautiful Game, it is skillfully produced and boasts impressive acting performances.
The story of Joy commences in 1968, when Jean is initially brought into Robert’s research team at Cambridge. This narrative then encompasses the full 10-year period leading up to Louise Brown’s birth in July 1978. It portrays the triumphs and challenges associated with this groundbreaking discovery, such as public controversy and the intense religious and ethical discussions surrounding In Vitro Fertilization (IVF).
If you’re looking for a story that explains the scientific aspects of IVF development, “Joy” is not the film for that. Instead, the movie by Jack Thorne, co-developed with Rachel Mason, focuses more on the human aspect, delving into the emotional experiences of individuals who have undergone IVF.
The film avoids being solely a tribute to the significant advancement, but instead portrays the sacrifices made and the outcomes for those less fortunate. Jean’s intimate association with infertility struggles, as she grapples with her identity as a “non-family woman” or whether she even has that potential, adds a profound emotional depth to the film.
As a fervent admirer, even if the intricate tale of In-Vitro Fertilization (IVF) isn’t familiar to you, its ultimate significance becomes clear. The heartrending climax of Joy, for me, is undeniably powerful as Louise Brown enters the world, accompanied by Steven Price’s exquisite and delicate score.
In the film “Joy”, there are certain elements related to Joy’s relationship with her mother, and other subtle details like the Medical Research Council’s rejection of funding, that could have been delved into deeper for a more impactful revelation later in the movie. Some details, such as the denial of funding, are briefly touched upon in one scene or mentioned once and not explored further.
The powerful, captivating acting from Thomasin McKenzie, James Norton, and Bill Nighy is what makes the movie Joy cohesive. At the end, we get to see the actual trio on screen, and these actors effectively portray the unique dynamic of that pioneering duo.
As a gaming enthusiast, I can say that “Joy” feels like a rapid-fire expedition through the evolution of IVF, cramming a full decade into barely two hours. Yet, it’s not just an educational ride; it’s also a captivating and contemplative drama that breathes life into an essential part of British history. It skillfully centers Jean Purdy as its primary character, giving her the spotlight she deserves.
Joy is released in select cinemas on November 15 and on Netflix on November 22.
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2024-10-15 23:49