Movies

‘Twisters’ storms the box office, whipping up $80 million in ticket sales

BBG News

As a long-time fan of disaster movies and someone who grew up in the Midwest where tornadoes are a part of life, I was absolutely thrilled to see “Twisters” shatter box office records this past weekend. With a domestic opening of $80.5 million, it’s not only a triumph for Universal Pictures but also a breath of fresh air for the disaster movie genre.

As a movie enthusiast who has been following box office trends for years, I must admit that I was thoroughly impressed by the staggering success of “Twisters” during its opening weekend. Based on the data from market research firm Comscore, this film raked in an astonishing $80.5 million in domestic ticket sales! It’s a remarkable achievement and a testament to its appeal among audiences. The energy and excitement surrounding this movie have left me in awe, and I can only imagine the buzz it has generated within the industry. This experience reaffirms my belief that great storytelling and captivating visual effects continue to be the keys to box office success.

Part 2″ ($82.5 million), with “Godzilla x Kong: The New Empire” ($80 million) closely following.

As a movie buff, I’m excitedly looking forward to the upcoming summer blockbuster “Twisters.” In this film, I see myself cheering for Edgar-Jones as she brilliantly portrays a storm chaser who had a harrowing experience with a tornado in the past. To escape her haunting memories, she finds solace working as a scientist in bustling New York City.

An action-adventure movie like this one, with Donna Langley’s Universal Pictures investing over $155 million in production, should have a strong box office performance and enduring appeal, resulting in significant returns for the studio.

As a movie buff, I’d put it this way: “Let me tell you, last weekend was nothing short of a miracle. A fascinating convergence of events made it truly exceptional.”

In the world of disaster movies, a return is unusual and frequently results in letdowns. However, “Twister’s” powerful acting defied this norm, leaving the belief behind in ruins.

As a longtime film enthusiast with a deep appreciation for cinematic history, I find it fascinating to observe the remarkable evolution of box office success. The recent weekend earnings of $80.5 million for a new release is truly an impressive feat, especially when considering that this figure almost doubles the initial intake of a classic movie like “Twister” from my childhood. Starring the late Bill Paxton and Helen Hunt, directed by Jan de Bont, “Twister” went on to make an astonishing $500 million in worldwide ticket sales and became a beloved staple on movie channels. Having grown up watching this thrilling disaster film multiple times, I can attest to its enduring appeal and the significant impact it had on my young imagination. The fact that today’s films are able to generate such impressive revenue just goes to show the power of storytelling and the ever-growing influence of technology on our entertainment industry.

Chung’s revamped version garnered robust praise from critics and viewers, significantly boosting its box office performance during a challenging period for cinemas. Theaters are currently struggling to bounce back from the financial losses inflicted by the COVID-19 lockdowns and the postponement of major film releases due to actors’ and writers’ strikes in the previous year.

The film played on 4,151 screens this weekend.

“Lee Isaac Chung created a thrilling and captivating tale that is most effectively enjoyed on a large screen, with its enveloping sounds and images, as well as the other advantages of a cinematic experience. Additionally, we have an exceptionally endearing and superb cast who put in a great deal of effort – they were tireless in promoting the film and its soundtrack could be heard everywhere.”

The film’s soundtrack, featuring hits by Luke Combs, Chris Stapleton, Miranda Lambert, and Jelly Roll among others, effectively instilled a Midwestern ambiance in the production.

“The music was greatly appreciated, even beyond country music enthusiasts, as you might suppose,” Orr added.

The film attracted a diverse crowd, with an equal number of men and women in attendance. Approximately 75% of the viewers were over the age of 25. However, the film particularly resonated with younger women below the age of 25, as they attended in larger numbers than expected, according to Orr’s observation.

Universal secured the second-place spot during the weekend with “Despicable Me 4,” earning approximately $28 million. Since its debut earlier this month, this Illumination production has amassed around $259 million at the domestic box office. Globally, the film featuring the reformed villain Gru has raked in nearly $575 million in ticket sales according to Universal’s reports.

As a movie reviewer, I’m thrilled to report that Disney-Pixar’s “Inside Out 2” has once again dominated the box office, earning an impressive $12.8 million over the weekend in the US. This brings its domestic total to a staggering $597 million! And it’s not just the American audience who can’t get enough – globally, the film has surpassed $1.4 billion in ticket sales according to Box Office Mojo. Simply put, “Inside Out 2” continues to be a runaway hit, touching the hearts and minds of audiences around the world.

In simple terms, “Twisters” was handled domestically for distribution by Universal, while Warner Bros. managed the international sales. Based on Comscore’s data, the opening weekend globally brought in an estimated earnings of $27.1 million. The movie graced 23,535 international screens and was released in 76 different markets abroad.

The director, Chung, grew up in rural Arkansas, where tornadoes are a fact of life.

I’ve worked as a film producer for several years, and let me tell you, producing a movie during tornado season in Tornado Alley, Oklahoma was no piece of cake. The challenges we faced were relentless. We filmed through the scorching summer heat, braving frequent thunderstorms and the ever-present threat of tornados. The logistical difficulties were immense; setting up equipment during heavy rain, ensuring the safety of our crew, and constantly adapting to unexpected weather changes.

Chung spoke with The Times, sharing that the production was incredibly demanding. He described it as exhausting and grueling to such an extent that he no longer believes any film can be considered enjoyable merely based on its subject matter.

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2024-07-22 23:39

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