Sterlin Harjo on legacy of ‘Reservation Dogs’ and its Emmy nods: ‘People crave different stories’

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As a Native American showrunner who has successfully broken into the TV industry with “Reservation Dogs,” I can’t help but feel a deep sense of pride and accomplishment. It wasn’t an easy journey, but every step of the way was worth it, especially when we managed to create something truly special that resonated with audiences and critics alike.

In simple terms, “Reservation Dogs” has earned an Emmy nomination after three seasons, spanning over three years, and consisting of a total of 28 episodes in the comedy series category.

As a passionate fan of thought-provoking television shows, I’ve been absolutely thrilled to witness the recognition “Reservation Dogs” has received this award season. Having grown up in rural communities myself, I can relate to the raw and authentic portrayal of Indigenous teenage experiences on this groundbreaking series.

As a movie critic, I’ve had the pleasure of watching a captivating series this year that goes beyond just following a group of teenagers. It delves into the heart of their community and the wise elders who shape their lives. The show features a talented recurring cast, including Zahn McClarnon, Gary Farmer, Wes Studi, Lily Gladstone, and Kaniehtiio Horn, who have made significant contributions to Hollywood and Canadian film and TV with Native American heritage.

Sterlin Harjo, a co-creator and showrunner who talked to The Times following the Emmy nominations on Wednesday, shared that the sense of community was evident not only in the show but also on its set, most notably during the filming of the series finale which was released in September 2023.

“Everyone on the team, including my family and the local community, attended the final episode. The episode resonated with us since it depicted many heartfelt moments and emotional goodbyes, making it a deeply moving experience for all of us to come together.”

The community continues to thrive, albeit in a new format on a text thread, as conversations about the Emmys still ignite passionate debate. Not long ago, I had the pleasure of encountering Woon-A-Tai personally. He dropped by my house unexpectedly while passing through Tulsa, Oklahoma. I was thrilled to learn of his nomination and took the opportunity to congratulate him in person.

In this revised chat, Harjo discussed the show’s recognition through nominations, his significance of providing chances for Native American artists in “Reservation Dogs,” and his beliefs about the show’s enduring impact and existence.

Sterlin Harjo at the Emmy Awards in 2021.
(Chris Pizzello / Invision / AP)

Hello Sterling,

Today has been an exhilarating whirlwind for me. My phone has been buzzing non-stop with text messages and calls, all while I’ve been busy working. Forgot all about the announcement, we rarely make the list, but suddenly, my screen lit up with 30 messages in quick succession. It was D’Pharaoh who had been nominated! The messages kept pouring in after that, making the moment even more thrilling.

What has it been like since the series wrapped? Do you miss it?

During springtime this year, I believe many of us noticed the lack of the show’s presence. For the past three years, we have been filming or beginning production, and convening in Okmulgee, Oklahoma. It was around this time that we truly felt its absence, and missed the joy of reuniting as a family to create an exciting production.

Admittedly, I cried profusely during the final episode, as if I were a newborn baby. It was an emotionally completing experience for the characters who had undergone significant self-exploration throughout the previous three seasons. Could you share your perspective on filming it and how you personally felt about it?

Midway through crafting the series, an idea struck me: this could be the concluding chapter, and what a satisfying finish it would be. Once I entertained this thought, I couldn’t shake it. I shared my notion with the team, and there was a collective unease but agreement. So, we proceeded. We filmed that episode, and the experience was exhilarating. Despite the challenges during production that year, the outcome was uniquely rewarding.

In the first season, I adopted a tradition from Native American cultures called “blanketing.” This involves wrapping someone in a Pendleton or Native blanket as a sign of honor and gratitude. From the pilot episode onwards, I began practicing this with actors and directors, presenting them with blankets at the end of each shoot. For some locals, this gesture held deep significance as they were wrapping people who had become like family to them. Towards the end of production for the finale, my assistant and a few others helped me purchase a large number of blankets. We kept this a secret and surprised everyone with a blanket ceremony, leaving a lasting impact on all involved.

The cast of “Reservation Dogs”: Paulina Alexis, left, Devery Jacobs, D’Pharaoh Woon-A-Tai, Lane Factor and Elva Guerra.
(Shane Brown / FX)

In our conversation about Season 3, you brought up the directors— specifically Danis Goulet and Blackhorse Lowe. They expressed their excitement about the chance to be part of this cooperative and imaginative team.

I took great pleasure in providing chances for my gifted filmmaker friends who, like me, hadn’t been getting many industry breaks. By producing a single show, I could make a significant difference in their careers, which was an immensely rewarding experience as a showrunner.

As a movie buff, I’d express it like this: “With my show being nominated now, I believe Hollywood producers and executives should pay attention to the unique storytelling and captivating performances that resonated with audiences. Let’s continue pushing boundaries in creativity and representation, keeping the passion for cinema alive.”

People have an appetite for diverse narratives and novel perspectives. They are open to giving new voices a chance to share their stories in their unique way. By fostering such creativity, as FX did with “Reservation Dogs,” you can achieve remarkable results. Although the impact may not be immediately apparent, this approach often paves the way for innovation and change. For instance, “Reservation Dogs” was a groundbreaking series that challenged conventions, even if its significance wasn’t fully realized at first. In retrospect, it will be recognized as a trailblazing work.

As someone who has navigated the complex world of television and filmmaking, I can empathize with Native artists who aspire to make their mark in this industry. It’s not an easy path, but it’s one worth taking if your passion lies here.

It’s truly heartening to see so many Indigenous actors and shows being recognized with nominations. This is an inspiring message for anyone considering a career in film and TV: seize the opportunity now. The industry is welcoming you with open arms, so don’t hesitate – take that first step through the door.

Have you mentioned plans for a spin-off series? Is it likely that we’ll get new content set in the “Rez Dogs” world soon?

In the days ahead, something may not happen right away, but it will eventually. I’m brimming with ideas for the future. Recently, however, I created a new pilot titled “The Sensitive Kind” for FX, and there might be some hidden references in that production as well.

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2024-07-18 20:19