‘Land of Women’ is a lovely and satisfying escape with Eva Longoria and Carmen Maura

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As a passionate cinephile with a deep appreciation for the art of storytelling and the intricacies of human emotions, I have spent countless hours immersed in the world of cinema. My life has been enriched by the experiences I’ve had through films, both classic and contemporary.

As a television critique expert, I’m frequently queried, “What show should I watch?” My response is often, “That depends on what you prefer.” While it’s possible to evaluate a series based on its technical merit and artistic elements, personal taste remains subjective. Some critically acclaimed shows that draw accolades like a magnet to iron shavings might not resonate with me. Although I can acknowledge their skill and artistry, they may fail to ignite my excitement. Every critic has experienced this dilemma.

If I were to compile a list of my all-time favorite TV series since I became seriously interested in television, it would be filled with one-season wonders, quirky comedies, peculiar kids’ shows, and low-budget artistic endeavors. (I promise I’ll share that list with you someday, and “Food Party” will definitely be included.) The list would lean towards lighter and charming programs instead of darker and grittier ones, and it would feature stories about everyday people rather than the wealthy and powerful — individuals who create things instead of just possessing them, genuine lovers instead of manipulators.

Right now, I’m deeply engrossed in “Women’s Land,” a heartfelt comedy-drama with romance overtones available on Apple TV+, featuring Eva Longoria and Carmen Maura (que reinan en las películas de Pedro Almodóvar). I find the show captivating not just because of its intriguing yet somewhat illogical plot, but mainly due to its brilliant cast and the rustic charm of its backdrop – a picturesque village nestled in the northeastern mountains near Barcelona. (I must confess, Spain holds a special place in my heart.) This genre has seen numerous iterations throughout history, some mediocre at best, but when executed skillfully, as in classic Hollywood productions and here, it continues to captivate audiences for generations.

Gala (Eva Longoria), left, is a wealthy New Yorker who escapes to Spain with her mother Julia (Carmen Maura) and daughter Kate in tow.
(Apple TV+)

Longoria portrays Gala, a wealthy New Yorker who is opening an extravagant wine store. Noteworthy, she wasn’t born into wealth, but she has assimilated into her current surroundings and doesn’t think twice about purchasing three high-end dresses without checking the prices.

As a seasoned movie critic with a deep appreciation for intricately woven narratives, I must admit that this particular plot hook has piqued my interest. The initial setup seems to follow a classic trope of financial desperation and the lengths one will go to protect their loved ones. However, the introduction of the two thugs, Hank and Kevin, adds an unexpected twist that could potentially elevate the storyline from predictable to thrilling.

From my perspective as a movie critic, Fred is set to be disposable in La Muga, even before Amat (Santiago Cabrera), the town’s most handsome man and sole winemaker, meets Gala in an unexpected encounter at an automotive event – she runs him off the road while hauling grapes. The unique aspect of this story is that the women run the industry, but Fred is still a significant character.

Santiago Cabrera plays Amat, Gala’s love interest, in “Land of Women.”
(Apple TV+)

Dislocations pile up for each woman as they share a bed but pursue separate businesses. Julia, with her knowledge of wine and critical opinions on the local product, faces opposition from the town but remains determined. Her borderline dementia causes her to reminisce about her past flirtatious self, creating a bittersweet sense of time. The community’s perception of Julia may not be positive, but she holds fond memories of her sister Mariona (Gloria Muñoz), with whom she has strained relations. Maura, who is also trans like Bazúa, grapples with the absence of her father, her American lover, and her lost phone, which Gala discards in anger. Trouble is sure to catch up with them from afar.

I’ve come across an engaging series called “La tierra de las mujeres,” created by Ramón Campos, Teresa Fernández-Valdés, and Gema R. Neira. Although not directly based on Sandra Barneda’s novel of the same name, it shares a European charm that goes beyond its setting. The production feels authentic and unhurried, much like Europe itself.

As a fan, I’d describe “Land of Women,” primarily helmed by Carlos Sedes, as a captivating production that masterfully weaves together multiple storylines without losing momentum. Unlike some streaming series, it avoids unnecessary detours into unproductive subplots, keeping the audience engaged from start to finish. Plus, who can resist the allure of exploring new lands and cultures? “Land of Women” is just one of those productions where city-dwellers embark on a journey to the countryside or another country, only to discover they’ve been missing out on life’s true essence – something many of us have perhaps suspected at some point.

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2024-07-18 19:57