Review: ‘Thelma’ births an unlikely action hero, half sweet, half Clint Eastwood

by

As a dedicated cinephile with decades of film-watching under my belt, I can’t help but be impressed by the unique charm and depth of Josh Margolin’s directorial debut, “Thelma.” The film stands out as a breath of fresh air, both in its storyline and its celebration of the resilience and determination of the elderly.

In January, Jason Statham appeared in the action thriller “The Beekeeper,” playing a former special-ops assassin out for revenge against scammers targeting the elderly through phone calls. However, in Josh Margolin’s first directorial effort, “Thelma,” it is the elderly characters who take matters into their own hands and confront these scammers. Ninety-three-year-old grandmother Thelma, portrayed by June Squibb, doesn’t require Jason Statham’s assistance; instead, she just needs a ride to join the fight.

As a movie buff, I’d describe “Thelma” like this: This one-day tale is my ode to resilient grannies and Tom Cruise, showcasing the unique charm of California’s San Fernando Valley, from Encino to Van Nuys. And let me tell you, this film marks a significant milestone – it’s the very first leading role for the amazingly talented and spirited Squibb, who’s been gracing us with her presence on screen for an impressive 60 years! But “Thelma” is not just about Squibb; it’s also a shining example of Margolin’s exceptional storytelling abilities. His skillful blend of drama and comedy, along with his knack for creating suspenseful scenes, truly sets this high-stakes film apart.

In “Thelma,” Margolin skillfully creates depth with minimal resources, drawing inspiration from his personal connection to his grandmother of the same name. Despite its simple surroundings, Margulin brings out the unexpected charm of the Valley. He infuses this tale with exhilarating suspense, converting everyday situations – such as making an unsafe turn or dismissing pop-up ads on a webpage – into heart-pounding adventures.

In “Thelma,” Daniel (Fred Hechinger), a 24-year-old sensitive and somewhat wayward young man, acts as a proxy for Thelma. They share a close bond, with Thelma’s grandmother being both Daniel’s best friend and his only family since the passing of her husband. They often spend time together in Thelma’s cozy home, where the absence of Thelama’s late spouse is palpable. They enjoy watching “Mission: Impossible” movies, with Daniel assisting Thelma with her computer and expressing concern for her wellbeing. When Thelma receives a panicked phone call informing her that Daniel has been involved in an accident and she must urgently send $10,000 in cash, she promptly heads to the Encino post office to mail the money.

When she discovers she’s been scammed out of her money, Thelma’s story truly begins. The authorities aren’t able to help much with Daniel unscathed and safe. Her family, including her daughter (Parker Posey) and son-in-law (Clark Gregg), are at a loss. But Thelma isn’t one to give up easily. Instead, she decides to act, climbing onto the back of an old friend Ben’s (Richard Roundtree) scooter for a journey to recover her stolen funds. Meanwhile, her concerned family watches as she goes missing on this adventure.

An intriguing part of their voyage leads them to unconventional destinations, such as an antique lamp store run by the intimidating Malcolm McDowell. Along this journey, they encounter unexpected insights. Realizations that it’s normal to seek assistance, yet independence is a precious and complex present for those in their later years. It’s delightful to witness a film featuring a character in their 90s undergoing new discoveries and growth, continuing to astonish themselves and others.

Richard Roundtree and June Squibb in “Thelma.”
(David Bolen / Sundance Institute)

As a movie critic, I’d put it this way: Squibb steals the show with her charm and wit, skillfully balancing the comedy and drama. The late Roundtree adds depth and warmth as a calming influence. Posey and Gregg deliver hilarious performances as Daniel’s anxious parents. Hechinger impresses with his heartfelt portrayal of a young man struggling to come to terms with losing his grandmother and finding direction in life.

The acting is exceptional, but it’s the cinematic flair that truly makes “Thelma” feel like a big-screen production. Nick Chuba’s jazz-infused score recalls the rhythm of “Ocean’s 11” and the intensity of “Mission: Impossible.” David Bolen’s vivid cinematography is awash with rich hues and imaginative use of natural lighting. Margolin’s inventive direction adds depth to every scene, bringing a careful and deliberate touch to the film.

As a movie critic looking back on Margolin’s film featuring an elderly female action star, I find the concept endearing yet wary of potential cliches. However, I’m thrilled to report that Margolin skillfully avoids both infantilizing his heroine and relying on cheap humor. Instead, he serves up a compelling narrative where age is just a number, highlighting the infinite possibilities for growth and adventure in life. Whether it’s through subtle observations or heart-pounding showdowns, this film reminds us that new experiences await at every turn.

The most important lesson of all? Underestimate a determined older woman at your own risk.

Katie Walsh is a Tribune News Service film critic.

Read More

2024-07-18 18:49