25 Terrible Movies So Bad They Became Iconic

What specific traits give a film such poor quality that it becomes surprisingly enjoyable for viewers like myself?

What unique characteristics make a film so poorly made that it becomes an entertaining watch for people including me?

Considering the topic, it’s quite fascinating how some poorly-received films by Hollywood can eventually gain popularity despite their initial poor reception. Many of these films disappear from public consciousness within just a few months or even weeks after release. However, there are exceptions to this rule where these supposedly bad movies manage to capture the hearts of audiences, who appreciate them for their imperfections and even applaud them for their failures.

The following 25 movies aren’t merely poor productions or ones that somehow transform into good through time. Instead, these are films that have become infamous – continually recognized, watched, and cherished due to their unique oddities and idiosyncrasies. They’ve earned a special place in our collective memory as iconic examples of cinematic floppery.

You might find some unexpected absences on this list. Here’s one explanation for why: Not every midnight movie or cult film is shown late at night or considered a cult classic because it’s poorly made. Instead, people enjoy attending late-night screenings of films like The Rocky Horror Picture Show, where they engage by dressing up, quoting lines, and dancing. This doesn’t make the movie “bad,” but rather a lively, interactive experience.

Similar to some movies, there are those so terrible they’re hardly watchable; they border on being unbearable. These are the equivalent of films like Marmaduke and Disaster Movie, motion pictures so overpoweringly bad that there’s no enjoyment in viewing them or discussing them. Consequently, they fail to reach the legendary status of notoriously bad movies mentioned hereafter.

25 Terrible Movies So Bad They Became Iconic

25. The Book of Henry (2017)

Director Colin Trevorrow followed up “Jurassic World” with the unexpected flop, a film that uniquely blends magical realism with elements of child abuse. It can also be seen as a modern-day parable of Christ, where a divine figure sacrifices himself so that his troubled mother can kill a man and ultimately adopt her mistreated stepdaughter. Simultaneously, it serves as a cautionary tale about the perils of indifference, communicating this message through a deceased child genius instructing his mother on how to become an accomplished assassin from beyond the grave. Remarkably, this outlandish concept is handled with utmost sincerity by one of Hollywood’s brightest young directors, who has previously worked on multiple “Jurassic Park” sequels and nearly helmed a “Star Wars” film, further emphasizing its status as a truly peculiar curiosity.

24. Fantastic Four (2015)

As a devoted cinephile, I can’t help but draw parallels between myself and the young, talented filmmakers who took on the daunting task of reimagining the beloved “Fantastic Four.” Just like them, we all had high hopes and innovative ideas for these iconic characters. However, our creative vision was overshadowed by external forces more concerned with financial gains than artistic integrity.

The final product, much like Josh Trank’s Fantastic Four, is a chaotic blend of genres – at times, it’s a bleak horror movie, while at others, it’s an effects-laden superhero film. Yet, none of these elements seem to coalesce into a coherent narrative.

One aspect that left me puzzled was the continual nudity of one character – The Thing. I can’t help but wonder if this decision was made to create a sense of vulnerability or raw emotion, but it seems odd that no one else in the film appears equally unfazed by this lack of attire.

The movie’s notoriety only grew when its own director, Trank, gave it a 2/5 star rating on Letterboxd, further fueling speculation about the production’s turbulence.

23. Alone in the Dark (2005)

Uwe Boll gained notoriety as one of history’s most controversial directors by churning out a series of video game adaptations, taking advantage of a German tax loophole to ensure financial success. To visualize this, consider the characters from Mel Brooks’ “The Producers” as avid gamers, and you’ll begin to grasp the essence.

In one of Boll’s most disastrous video game-related fiascos, Tara Reid plays a brilliant archaeologist, opposite Christian Slater as a detective who investigates supernatural events. Unfortunately, I can’t reveal much more about the film because it’s so incoherent, even the opening title crawl – which lasts an astonishing 90 seconds and is filled with confusing details – makes “Alone in the Dark” seem clearer than it would have been without it. (The crawl is that long.) Interestingly, “Alone in the Dark” ranked as the worst video game movie ever made on our list, so its placement above other films in this category speaks volumes.

22. The Bonfire of the Vanities

In this movie, Brian De Palma’s production of “The Bonfire of the Vanities” was critically undermined by some of the poorest casting choices seen in ’90s cinema. Each of the main actors seemed ill-suited for their roles; Tom Hanks struggled as a blue blood character, Melanie Griffith failed to deliver as his mistress, and Bruce Willis came across as overly arrogant, missing the mark for his alcoholic journalist character. A film can often recover if one lead performance is weak; when all three performances are miscast, the result is an unquestionable disaster.

The public eagerly anticipated a cinematic adaptation of “The Bonfire of the Vanities.” However, the end product was so flawed it gained notoriety — in part because its production was extensively documented in Julie Salamon’s renowned book, “The Devil’s Candy.

21. Green Lantern (2011)

Fans of comic books often become agitated when adaptations deviate from their cherished original stories. One example frequently cited as an argument for this is the film “Green Lantern,” which squeezes in a multitude of DC’s interstellar cop lore and ring-powered magic within its 114-minute span. However, it might be overloaded with content. While you get to see characters like Tomar-Re, Kilowog, Abin-Sur, Sinestro, among others, you barely gain any insight into their backgrounds, leaving little room for Ryan Reynolds’ Hal Jordan and his Earthly life before or during his transformation into the protector of Sector 2814. Peter Sarsgaard effectively portrays Hector Hammond, a telekinetic monster with a growth on his forehead that resembles a large testicle; however, he struggles to convincingly play the equal of Blake Lively’s Carol Ferris, who is sixteen years younger than him, despite their characters having grown up together in the story.

The film has been widely criticized as poor quality, but its notoriety has only grown over time. This is largely due to Ryan Reynolds, who starred in it, using it as a joke in interviews and even in other films like “Deadpool.” The more he pokes fun at it, the more attention it receives.

20. The Last Airbender (2010)

In a surprising turn of events, the highly anticipated live-action adaptation of “Avatar: The Last Airbender” should have been a surefire hit, given its renowned animated series and skilled director. However, M. Night Shyamalan proved to be an ill-suited choice for the project. Shyamalan compressed the show into a rushed 100-minute film, filled with awkward pacing, and featuring primarily white actors in roles that were originally Asian characters in the original work. (Shyamalan defended his casting decisions as part of “the most culturally diverse tent-pole” Hollywood had ever produced.)

Unfortunately, the movie was so poorly received by fans and bombed at the box office. This disastrous outcome effectively ended any plans for a trilogy of live-action Avatars. The controversy surrounding the casting gave rise to a term that’s still relevant today: “racebending.

19. The Oogieloves in the Big Balloon Adventure (2012)

I can hardly fathom a less visually captivating being than an Oogielove. Their oversized heads, rounded torsos, and bizarre, Popeye-esque arms are far from appealing. These creatures seem like a disguise a kidnapper would wear to lure children into unmarked vans. Remarkably, they are the main characters in this dreadful kids’ movie, arguably the worst ever produced. (Believe me, I have two kids and endure countless bad children’s movies. The Oogieloves outshine them all when it comes to being a member of the Criterion Collection.)

However, it is astonishing that such visually unappealing creatures found their way onto the silver screen in over 2,000 movie theaters across the nation! This film has become quite unique because of this fact – it’s still terrible, but in an exceptional, unusual way.

18. Winnie-the-Pooh: Blood and Honey (2023)

In simpler terms, the movie titled “Blood and Honey,” which is a questionable adaptation based on A.A. Milne’s classic book (now in the public domain, allowing such adaptations), fails to work as a slasher or satire of children’s literature. However, it surprisingly succeeds in making a twisted argument against the idea of a public domain. In other words, if strong copyright protection prevents trash like this from being produced and exposed to the public, then maybe it isn’t all that bad. Despite being a terrible movie, “Blood and Honey” sparked a wave of similar children’s literature horror imitations due to its viral success.

17. Wild Wild West (1999)

In 1999, the movie “Wild Wild West,” which was based on a forgotten TV show and is even less remembered today, was already a notorious failure when it first hit theaters. Over time, its reputation as a bad film grew stronger, especially after its lead actor, Will Smith, admitted in interviews that he took the role instead of another offer – playing Neo in the original “Matrix” movie.

Will Smith, who later became famous for his role in the iconic sci-fi movie “The Matrix,” turned down that opportunity to star as a character in the goofy Western comedy, “Wild Wild West.

16. Catwoman (2004)

Halle Berry uncovers that her beauty company’s innovative product is harmful and ends up getting killed by her superiors to conceal the truth. However, she is resurrected as the newest incarnation of Catwoman, a historical figure who has roamed the Earth with feline abilities, by some mysterious felines. Now, Berry’s character, Patience Phillips, uses her unique cat-like skills – agility, ability to land on her feet, exceptional basketball prowess, love for theft, whipping people, making cheesy basketball jokes, and affinity for leather – to fight crime (and occasionally cause chaos). Notably, her antics are reminiscent of a real cat’s behavior.

Moreover, it’s no wonder that Catwoman, with Berry’s attention-grabbing outfit, still resonates with audiences even two decades after its release.

15. Madame Web (2024)

The movie titled “Madame Web” swiftly earned a reputation as one of the worst films ever made, with an unprecedented speed, primarily due to its puzzling existence as a spin-off from Spider-Man, yet featuring no Spider-Man at all. Adding to the confusion was its perplexing marketing strategy that included phrases such as “Ezekiel Sims… he was in the Amazon with my mother while she was researching spiders just before she died.” This questionable line became a topic of mockery online after its appearance in the film’s trailers, and it was ultimately removed from the final version (perhaps for obvious reasons!).

14. Planet of the Apes (2001)

In an apparent yet regrettable effort to mirror the finale of the original “Planet of the Apes”, Tim Burton’s remake culminates with Mark Wahlberg crashing near a baffling ape-transformed Lincoln Memorial. This ending, often ridiculed as one of cinema’s most criticized, sheds light on all that is flawed in this reboot. Unlike the original “Apes” twist, which provided insight into the entire film, Burton’s unexpected twist only sparked more confusion and left unanswered questions. Instead, “Aberaham Lincoln” became a source of humor for the following 25 years.

13. Gigli (2003)

A narrative: When the film “Gigli” was released in cinemas in 2003, it had already gained notoriety as a flop (Rotten Tomatoes score: 6 percent). Being someone who enjoyed watching poor movies, I persuaded a group of friends and colleagues to join me at the theater on its opening weekend, anticipating it would be a hilarious catastrophe.

However, the movie turned out to be a genuine disaster, far from amusing. “Gigli” was inexplicably awful, with Ben Affleck and Jennifer Lopez, who were a real-life couple at the time, showing no chemistry on screen as they navigated a plot that revolved around kidnapping a mentally challenged boy (portrayed by Justin Bartha) to pressure a federal prosecutor for Affleck’s boss. In the end, I spent weeks apologizing to everyone who accompanied me to the movie. That’s “Gigli”: A romantic comedy so bad it damaged friendships. (My friends never fully forgave me! They still bring it up!)

12. Mac and Me (1988)

In the 1980s, the success of “E.T.: The Extra-Terrestrial” sparked a frenzy among people to cash in on the profitable alien-themed stories, where aliens visit Earth and befriend humans. This trend even reached McDonald’s, who jumped aboard the bandwagon with their cheesy E.T.-inspired movie about another adorable creature and his human companion. (The title itself is a subtle reference to the Golden Arches.)

One notably infamous scene in this film features an extended dance routine set inside a McDonald’s restaurant, which, while dreadful, did pave the way for Paul Rudd to prank Conan O’Brien for many years. This movie thus earned a place as a monumental piece of notoriously bad cinema, forever etched in history due to its impact on popular culture.

11. North (1994)

Among the most infamous failures of the 1990s, the movie “North” received one of Roger Ebert’s sharpest criticisms during his over three decades of reviewing films:

“I despised this movie. I couldn’t stand it, hated every single second of it. I hated it.”

Indeed, the film matches Ebert’s harsh words, starting with the appearance of Dan Aykroyd and Reba McEntire as exaggerated Texas characters crooning about their deceased son in a stampede, followed by a sequence based on people joking about a child’s “crack” (not a joke, but an actual event). The humor doesn’t improve when Kathy Bates enters the scene as an Inuit woman who sends her father (Abe Vigoda) out to die with dignity on an ice floe. Ebert meant business.

10. Justice League (2017)

In my perspective, Justice League was supposed to be the epic culmination of interwoven narratives, but it sadly marked the dismal descent of an initially promising cinematic realm. Originally helmed by Zack Snyder, the project was abruptly handed over to Joss Whedon due to personal circumstances, leading to a final product that seems far removed from either director’s usual style. The editing is haphazard, the mood inconsistent, and the main antagonist, a bland CGI entity devoid of character or driving force, merely seeks global domination – yes, you guessed it!

Despite its shortcomings, Justice League has grown to tower over our collective memory due to Zack Snyder’s tenacious online campaign to reimagine it as “The Snyder Cut.” In a world where the movie would have flopped and faded into obscurity, instead, #ReleaseTheSnyderCut lingered in internet humor for years on end.

9. Manos: The Hands of Fate (1966)

The film titled “Manos: The Hands of Fate” is undeniably one of the most peculiar movies ever produced. It might not be as terrible as it seems, given its alien nature in terms of logic and pace. However, it may have remained unknown if not for the acclaimed episode of Mystery Science Theater 3000. The show’s focus on making fun of bad movies catapulted “Manos” into fame, making it a must-watch for cinephiles (or perhaps cinephobes) who are eager to experience its bewildering challenges and hardships.

8. Jaws: The Revenge (1987)

The Revenge” is a sequel to the original “Jaws,” a classic shark film about a town terrorized by a hungry shark. Unlike its predecessor, “Jaws: The Revenge” portrays the shark as seeking revenge against the family who has killed it in previous movies. The main character, played by Lorraine Gary, suspects that the shark is targeting her family and decides to move to the Bahamas for safety. However, the shark manages to track her down over 1,100 miles away, suggesting exceptional intelligence or perhaps supernatural abilities. This could also be interpreted as a vengeful spirit of a shark from the original “Jaws” trilogy, although the mechanics of shark revenge remain unclear. Despite its questionable plot, “Jaws: The Revenge” holds a unique place as a sequel to one of the best movies ever made, “Jaws.

7. Mommie Dearest (1981)

Movies that are poorly made tend to garner more interest when they originate from talented filmmakers, particularly those who have won Oscars. A prime example of this is the movie “Mommie Dearest“, in which Oscar winner Faye Dunaway portrays Oscar winner Joan Crawford as an exceptionally harsh mother figure. She scolds her adopted daughter for using wire hangers and makes her cut down a cherished tree with an axe. Regardless of the movie’s good intentions (which is questionable, given that Crawford’s real-life daughter publicly criticized the film), its intense emotionality and high level of drama make it quite memorable.

6. Cats (2019)

One of Broadway’s most iconic and enduring musicals, “Cats,” surprisingly transformed into one of the oddest and most notorious flops in modern cinema. Rather than showcasing the costumed actors from the stage production, the movie adaptation covered its cast (including Taylor Swift) with digital fur. There was a scene in this film, nicknamed the “Butthole Cut,” where all the digitally created cats had, you guessed it, digital butts. The music remained enjoyable, however, the visuals, effects, and overall atmosphere were simply terrible.

A famous Broadway musical called “Cats” became a bizarre flop in the movies. Instead of real actors, they used computer-generated cats, which included an awkward scene with digital butts. The music was good, but the rest of it was bad.

5. Reefer Madness (1936)

One timeless, hilariously bad masterpiece, commonly referred to as “Reefer Madness” or the less exciting “Tell Your Children,” portrays the catastrophic consequences that can ensue when individuals get caught up in… marijuana use. The film’s fear-mongering tactics are so exaggerated that it has paradoxically become a tradition for cannabis enthusiasts across generations. (My sympathies to those currently grappling with ‘reefer madness.’ Keep strong!)

4. Battlefield Earth (2000)

Occasionally, a film is met with such intense negative hype before its release that it struggles to gain a fair assessment from both the public and critics. The movie “Battlefield Earth” was no exception; all the unfavorable reviews it received prior to debut were absolutely deserved. It was a chaotic blend of dreadful makeup, poor acting, and cringeworthy dialogue. Attempting to read any quote from this movie without laughing is impossible! Visit the IMDb Quotes page for this film, and you’ll understand. It’s simply unattainable! One of “Battlefield Earth”‘s screenwriters later expressed regret for their work, stating that calling it a train wreck was too generous to actual train wrecks, as people typically find them interesting to watch. Apologies from screenwriters can sometimes boost a bad movie’s notoriety to an even higher level of infamy.

3. The Star Wars Holiday Special (1978)

Fans who aren’t deeply invested in “Star Wars” often criticize “The Rise of Skywalker,” but that film appears like a masterpiece next to the infamous “Star Wars Holiday Special,” the CBS TV movie produced during the gap between the original “Star Wars” release and the start of “The Empire Strikes Back.” This 100-minute spectacle is filled with cheesy music, poorly timed humor, eccentric guest stars (Art Carney? Bea Arthur?!?), and one somewhat decent cartoon featuring Boba Fett’s debut. Despite its notorious reputation, it might actually be even worse. Although it has never been officially released on home video, the lore surrounding it has grown significantly over time — to the point that it’s now a shared piece of pop culture shorthand. If you compare something to “The Star Wars Holiday Special,” it’s not just bad; it’s a source of profound embarrassment.

2. The Room (2003)

The Room, beyond being simply a room, has transcended to become a pop culture sensation. The unconventional decisions made by its creator, Tommy Wiseau, in terms of acting, directing, and producing, make every scene, camera shot, and dialogue line mind-boggling. It’s as if Tommy Wiseau had no prior experience with movies, theaters, or human interaction, which gives the film an irresistible, compulsive quality that keeps viewers hooked. You just can’t tear your eyes away, eager to uncover what happens next.

As The Room gained popularity with late-night screenings across the nation, it reached even greater heights of fame when one of its stars, Greg Sestero, penned a memoir chronicling his experiences with Wiseau. This memoir was later adapted into a film by director and star James Franco. If a movie as bad as yours inspires a quality production about its creation, then your movie has truly become iconic.

1. Plan 9 From Outer Space (1959)

Discussing that topic, it’s worth mentioning Tim Burton’s standout film: “Ed Wood,” a biopic about Edward D. Wood Jr., a filmmaker whose work includes some of the worst movies ever made. Among his productions, “Plan 9 From Outer Space” is arguably the most famous one. This movie has been celebrated for its poor quality for over four decades now, gaining this reputation due to its inclusion as the worst film in Harry and Michael Medved’s seminal book, “The Golden Turkey Awards“.

It’s easy to understand why they chose it as their top pick. The sets are shoddy, the acting is questionable, and the dialogue is awkward, but it also carries a heartfelt message about nuclear disarmament. If you can’t appreciate “Plan 9,” I don’t know what to say. There might be an issue with your judgment. Silliness! Silly!

The Worst Movies of 2024

12. Argylle

As a devoted cinema enthusiast who appreciates the charm of ’60s and ’70s spy flicks, even those with a touch of kitsch or cheese, I find myself resonating with director Matthew Vaughn’s sentiments. I don’t require every modern thriller to be overly dramatic – it seems that many have adopted this approach nowadays. That’s why I’m always open to films like ‘Argylle’ that inject some personality and wholeheartedly embrace extravagant action sequences.

However, what captivated me in the classic spy movies – the stunning locales, awe-inspiring practical stunts, genuine romantic tension – seems absent in ‘Argylle’. In its place, we encounter an immensely talented cast navigating a complex, labyrinthine narrative that pales in comparison to its superior predecessors. Not to mention an excessive use of green screen shots and the visual discomfort they bring. To top it off, I encountered perhaps the most perplexing post-credits scene ever witnessed in my cinematic journey.

11. The Crow

15 long years have passed since the announcement of a reboot for the ’90s goth icon, “The Crow”. I had high hopes that all this time would be enough to create an outstanding remake. But here I am, watching the 2024 version, feeling rather underwhelmed.

Don’t get me wrong, I appreciate the over-the-top opera scenes and the pulse-pounding action in the final third of the movie. However, the journey to that point was a real struggle. Bill Skarsgård, who recently made an unforgettable impact as Nosferatu, seemed forgettable as the new Crow. This reborn avenger, returning from the grave after his untimely death to seek vengeance for his lost love, broods shirtlessly throughout the film.

In my opinion, this new version of “The Crow” falls short of the original, but it’s not as bad as some might think. It’s still worth a watch, especially for fans of the original, but don’t expect a masterpiece.

10. Lift

At this point, people like to make easy jokes about how bad Netflix movies feel like they were extruded from some data port by a malfunctioning AI, but Kevin Hart’s downmarket Ocean’s 11 knockoff Lift really seemed like it was assembled from a checklist of things all Netflix blockbusters must possess, including…

A generic title of no more than three words.
Bland digital photography without style or panache.
Big-name stars who are not too big to take a low-effort, high-salary paycheck.
A plot that involves a bunch of international locations in countries where Netflix sells subscriptions.
At least one sequence where they clearly never went to said international location and shot the entire thing on an obvious green screen instead.

9. IF

In today’s cinema landscape, it’s rather uncommon to encounter movies like John Krasinski’s “IF” that lack the mass appeal often prioritized by Hollywood. With intellectual property protection and profit maximization as their primary objectives, most blockbusters are meticulously tailored through focus groups and testing, stripping them of any unique character or charm. Instead, they are calculated to attract the broadest possible audience.

In stark contrast, “IF” is a film that seems to have no defined target demographic. Its story revolves around a girl who loses her mother and gains the ability to communicate with forgotten “imaginary friends” of other children. This slow-paced, melancholic narrative may be too somber for children and overly sentimental for adults. Despite its insistence on encouraging audiences to enjoy themselves, the movie fails to deliver any genuine entertainment value itself. (Even the “IF” IHOP menu didn’t leave a lasting impression.)

8. Trigger Warning

In the movie “Trigger Warning” (wink wink), Jessica Alba portrays an elite CIA agent who goes back to her small town, uncovering a sinister plot about a lucrative mine and a corrupt politician. With video rental stores like Redbox no longer around, these less-than-stellar action thrillers seem to have found their new home on Netflix’s “Since You Liked Rebel Ridge” list. (Please note: Even if you enjoyed Rebel Ridge, it would be advisable not to watch this.)

7. Kraven the Hunter

Have you ever pondered the origin of Kraven’s leather jacket? Well, let me introduce you to a film! Unfortunately, if you aren’t brimming with questions about Kraven’s wardrobe, you might not find much in ‘Kraven’, an excessively lengthy and meandering Spider-Man spinoff (devoid of Spider-Man), focusing on a human hunter (portrayed by Aaron Taylor-Johnson). The only distinct characteristics of this character are his chiseled physique. He engages in combat with his father, a flamboyant and heavily accented Russian character played by Russell Crowe, and the Rhino, who in this universe is a bumbling Russian criminal, always carrying a child-sized backpack filled with potions to prevent him from transforming into a large, gray-skinned monster. Apparently, ‘Kraven’ was the final straw that led to Sony’s Spider-Man spinoff universe’s collapse. For that, I will forever be indebted to it. However, it still reeked terribly.

6. Rebel Moon — Part Two: The Scargiver

The initial segment of Zack Snyder’s reimagined Star Wars, premiered towards the end of 2023, offered an enjoyable experience akin to assembling a team in various science fiction landscapes filled with exotic aliens and gizmos. However, the second part — let me correct that, Rebel Moon – Part Two: The Scargiver — turned out to be nothing more than a lengthy battle sequence, made even more tedious by Snyder’s excessive slow-motion cinematography. It was practically a lullaby; I had to watch it thrice because the artistic violence kept making me drowsy. At least the Scargiver left some deep scars. I assume the unrated version — Rebel Moon – Chapter Two: Curse of Forgiveness — is superior. (I must admit, I haven’t yet tried to watch it.)

5. Night Swim

In a different take, I’d like to express that I generally agree with the idea that an excellent film can be crafted around any topic; what truly counts is the quality of the production. However, this theory is really challenged by “Night Swim,” a horror movie about a content family whose lives are flipped upside down due to their haunted swimming pool.

The execution leaves much to be desired in this film – at times it seems like Wyatt Russell and Kerry Condon are pretending to swim against a green screen rather than enjoying a leisurely dip in a suburban backyard – but the concept of a haunted pool is so bizarre that… well, even before purchasing the house, if you almost drown, get injured while cleaning it, your pet mysteriously vanishes near the pool, and ghostly arms start emerging from the filters at you, wouldn’t you simply… stop swimming at some point? I must admit, “Night Swim” doesn’t scare me; living in New York City during August with two kids without a pool is far more terrifying. Unfortunately, they didn’t even name this movie “Pooltergeist,” which would have been fitting! Frankly, I question what we’re doing here.

4. Red One

In simpler terms, the text suggests that the author has questions about the movie “Red One.” Specifically, they are puzzled by its target audience, as it combines elements such as a Christmas theme, action, profanity, scary monsters, and explicit content. The author finds the film disappointing, stating that it is extremely poor quality despite likely being watched due to the popularity of Christmas content on streaming platforms like Amazon.

3. Borderlands

Cate Blanchett transitioning from scoring the Monster Hunter film, a project seemingly taken due to financial necessity, to the soulless video game adaptation, will undoubtedly make an intriguing contrast in a future biography highlighting her impressive career. Interestingly, despite numerous respectable video game adaptations on screen and television, it was somewhat refreshing to witness one as consistently subpar as Borderlands, proving that nature may indeed be recovering.

2. Madame Web

In a similar vein to many Marvel movies prior to Marvel Studios, the film “Madame Web” appears somewhat self-conscious about its comic book origins. This sentiment seems to extend to Dakota Johnson, who plays the lead character, although it’s questionable if she can truly be called the title character since no one in the movie ever refers to her as “Madame Web.” Instead, she is referred to as Cassie Webb throughout the film. Interestingly, despite being the main character, she never dons a superhero costume and the movie’s tone often seems somewhat embarrassed about its narrative. Under the given circumstances, this reaction might not be unwarranted. On the other hand, the movie feels absurd, peculiar, and sometimes difficult to follow, making “The Amazing Spider-Man” seem like “Spider-Man 2.” Watching it alongside Kevin Feige would undoubtedly make for an entertaining experience.

1. Megamind vs. the Doom Syndicate

The animated sequel from a major studio appears to be one of the most budget-restricted movies I have ever seen. If The Asylum had made a mockbuster of Megamind, it wouldn’t have looked any cheaper than this. Throughout the film, scenes are set in “Metro City,” which looks bleak and deserted, with no sign of pedestrians or passersby except for one scene at a dance party. The movie feels like it was filmed in a less foggy version of the Megamind Nintendo 64 game. After waiting 14 years to release a sequel to Megamind, this is what they produced? It’s hard to believe that this is the result after so much time had passed. What went wrong during production?

2025-01-23 19:55