
The film, titled “Parthenope,” revolves around the life of an intelligent, strikingly attractive yet unfulfilled woman. However, the movie seems to focus too much on aesthetics, resembling more of a perfume commercial than a deep narrative exploration. This is a letdown for a director known for his exceptional sensual storytelling abilities. At times, his unique, free-flowing storytelling approach can diminish the intensity of the profound emotions he aims to portray. Unfortunately, in “Parthenope,” the suppression of most of his Fellini-like tendencies in favor of a seductive Michelangelo Antonioni ambiance does not yield consistent results.