Commentary: Bill Viola was our greatest video artist, but he couldn’t have done it without sound
As a movie reviewer with a background in music and a deep appreciation for the interplay between sound and vision, I can’t help but be moved by Bill Viola’s groundbreaking body of work. Having had the privilege of witnessing his “Five Angels for the Millennium” installation at the Gasometer Oberhausen in 2003, I was captivated … Read more